A small flat bag made of dark blue silk damask with an overall pattern of lozenges and small circles. At the top, the blue silk is folded inside where it is sewn with an invisible seam to the white cotton lining. Main body of the bag is shaped like a vertical rectangle with triangular projections on both sides created by folding and holding the folds in place with a circular pink cylindrical cord. The cord ends at the front with elaborate knots, culminating in five loops. Fastened to the three centre loops, there are stuffed triangles, one each of pink, yellow, and light green silk. Attached to the lower edge of each triangle, there are three, four, and five tabs, respectively, of silk fabric in various colours. Each triangle is embroidered with floral motifs and each has pompoms on the side points. The tabs fastening the top point of the yellow and pink triangles to the cord are wrapped in strips of silver and gold paper, respectively.

A small flat bag made of light blue-green and burgundy silk damask embroidered on both sides. At the top, the light blue-green fabric is joined to a red silk lining with an invisible seam held flat by groups of very fine stitches. Main body of the bag is shaped like a vertical rectangle with triangular projections on both sides created by folding and holding the folds in place with a pink cylindrical cord. The lower edge and the triangular projections at the sides of the bag are made of the burgundy silk which has been appliquéd onto the other fabric. Many motifs are embroidered onto the bag, all of which are heavily outlined in bright gold couching, sometimes with double threads. Motifs include stylized waves and rocks on the burgundy part with a swastika on each side at the bottom centre. On the pale blue-green part, there is a stylized Chinese ? character on each side at the top, below which, there is a fungus-like shape on the back. On the front, there is a stylized Chinese ? character, below which, there are two fungus-like shapes. Below this, there are two Chinese ? characters and a fungus-like design coming out of a rainbow-patterned circular form. The pink cord is worked into an elaborate knot ending in four loops and two knotted ends at the front and is knotted forming double loops on the back.

A small round bag made of red silk damask lined with white cotton fabric. Top of the bag is closed with pleating threaded onto two red cords joined at the ends with elaborate red, and gold knots and four tassels, two at each end. Two tassels are light green and pink while the other two are dark blue and yellow. All tassels are wrapped with gold thread at the top. Each tassel thread ends in a tiny circle. The upper edge of the bag is folder under to join the white cotton lining with an invisible seam. There are embroidered designs, some with gold couching, on both surfaces of the bag. On one side, there are four Korean? characters in different colours, below which, there are floral images. Below them, at the centre, there are two birds facing each other on a rainbow pattern. The other side of the bag is embroidered with pink and yellow flowers on green stems.

Pair of man’s funeral shoes made of fine white leather. The sides are low, but there is an upward extension at the heel, which has a centre seam covered with five vertical cotton strings. Section covering toes is very short; the main body of each shoe is open. There is narrow piping finishing the vertical seam at the front of the toe section, and wider piping around the upper edge of the shoes. The soles are made of layers of natural brown leather slightly thicker at the toe and heel ends, and have numerous iron cleats at the front and heel. The soles are attached to the body of the shoes with a row of stitching around the edge of the soles, and there is a row of heavy, even stitches around the edge of the white leather. The shoes are lined with white leather, and have insoles of woven grey wool fabric.

Pair of women’s shoes made of smooth black leather, lined with dark brown leather. The shoes have low sides but have a rounded extension up over the heel. The toe area is curved upwards and comes to a point. There is a central vertical seam closing the toe area, and a vertical seam at the heel, both with stitches concealed on the inside. The shoes are open along almost their entire length except for a small area over the toes. The opening is finished with narrow piping of the same material. The uppers are stitched to the soles with small even stitches of heavy thread. The rigid soles are formed of multiple layers of leather and taper in slightly except at the heel, which is slightly raised. The soles are covered with rows of iron hobnails except for the area under the arch.

Red and yellow jacket with striped sleeves. The jacket is made of shiny yellow damask woven with roundels and squares like stylized Chinese characters. The centre opening has front panels that overlap to the right when tied closed with two long red damask ties. The left panel and the centre back seam are edged with red piping. The lower point of the left panel has an appliqué motif in red approximately the shape of a heart. Red damask panels are inserted under each arm. The garment has a deep V neck outlined with an appliqué red damask facing. The left outer facing is rounded at the lower edge, while the right is straight and projects beyond the front edge. The neck is finished with a narrow facing or collar of white paper covered with sheer fabric. The long sleeves are deeply inset seams curving outward and a convex curve on the lower edge, narrowing to the wrist. They are made of brocade woven in six different coloured stripes parallel to the body of the garment and embellished with flower, bat and butterfly motifs and stylized characters woven in red. The ends of the sleeves are made of red damask with roundels enclosing a bat motif and stylized character. Thin white inner nylon ties are sewn to the inner right inner facing and the left underarm seam. The inner lining is yellow nylon mesh with white interfacing.

A pair of embroidered panels on a horizontal rectangle of purple silk. Each panel is finely embroidered with an arch shape open at the top made up of flowers, leaves, and four white cranes with red heads in flight, one of which is near the bottom while the other is near the top of the side of the arch shape. The flowers are predominantly in shades of blue and green. Some details are couched in gold thread. Within the arch are four wide v-shapes of embroidered flowers and leaves opening toward the centre of the panel.

A pair of identical vertical rectangles of dark blue silk damask heavily embroidered with silk thread in many colours. Many motifs are outlined with gold thread. The central image of each is a white feline with black spots, edged in fine white stitches representing fur, with a human-like face, and its head turned toward the left. The embroidery creates a three-dimensional effect following the form of the animal. Above and beside the feline, there are cloud forms in various colours. Two red plant forms are below the feline, and white plant-like forms curve toward the feline. Green leaves coming out of a striped stepped form are directly below the feline, beside which, on both sides, there are rainbow-like forms. Each badge is pasted to a backing of paper.

Handmade rendition of the Korean flag. Square flag of cream coloured silk-like fabric, with two ties in each corner. Designs are formed of coloured fabric inset into cut-out areas of the flag. At the centre is a disc with an S shape division at centre, dividing the disc into two swirls, one red and one dark blue, each tapering to a point at one end (yin-yang symbol). Radiating out from the disk towards the four corners are four sets of three dark blue bars, some broken and some solid. Clockwise from the top, the first is broken-solid-broken, the second is solid-solid-solid, the third is broken-broken-broken, and the fourth is solid-broken-solid.

Short jacket with striped sleeves. The jacket is made of shiny white nylon fabric with a woven pattern of floral roundels. The centre opening has front panels that overlap to the right when tied closed with two long red ribbon ties. The front edges have panels extending down from the mid-point of the outer facing made of the same white fabric. The seam is delineated with red piping. The lower point of the left panel is appliquéd with a red heart shape.The garment has a deep V neck outlined with an appliquéd red facing. The left outer facing is rounded at the lower edge, while that on the right is straight and projects beyond the front edge of the garment. There is a narrow outer facing or collar of white paper covered with sheer fabric. A narrow green inside tie is attached to that point, with the corresponding tie attached to the left underarm seam on the inside. There is a seam at the centre back of the garment. The long sleeves are deeply inset and are made of strips of patterned nylon fabric forming stripes in six different colours parallel to the body of the jacket. The stripe closest to the body of the garment is red and is angled outward at the bottom to form an underarm panel. The inner lining is white nylon mesh with an interfacing of coarser nylon mesh.