The ball is covered with hide, then with beading which has two sections of mauve across from each and two sections of turquoise across from each other outlined with red. The shaft is cloth-covered with an orange patterned cloth and with strands of white, turquoise, and dark blue beads wrapped around it. Long black hair is attached at one end, and feather attached to other end.

A pair of skin moccasins with the sole, which is tanned hide, sewn onto the side. Main beadwork design consists of three yellow, red, green, and dark blue triangles on a white background outlined with an alternating pattern of red and yellow triangles separated by red and yellow vertical lines, respectively, on a light blue background. Thinner hide for ankle cover. There are long tie-laces.

One rawhide skin moccasin with the sole sewn on and sewn up the back. Fringe at back and on tongue. Cotton binding on top of ankle pieces. Beaded on top with a large green triangle from which emanates two dark blue protrusions on a light blue background outlined with dark blue. The sides are beaded with red triangles having a yellow centre and outlined with dark blue on a light blue background.

Rifle cover made of hide with beaded panels and a 38 centimetre long twisted fringe at the stock end. The beading is symmetric at the barrel end, but different motifs are on each side at the stock end. Thinner end has same double-sided design of a red zig zag line with pink and yellow triangles on one side and with white triangles with dark brown rectangles emanating from the rim on the other side, all of which is surrounded on three sides by an outline of black bow-tie-shapes on a light blue background. Thicker end has a dark brown x-shape on a white background with two dark blue diamond shapes outlined with red on opposite ends of each other of the 'x' and with two sets of four black rectangles on opposite sides of each other of the 'x'. The other side has a yellow and light blue diamond shape outlined with red on a white background with four cross shapes, one at each corner. Thicker end is surrounded by red triangles with a central vertical yellow line on a light blue background. Pieces of red wool are woven into the ends of two lengths of fringe.

Diamond-shaped, decorative hood for a horse, densely embellished with embroidery that the black cotton background textile is all but obscured. The embroidered design is laid out on a grid of squares, with alternating mirrors and floral motifs in the cells of the grid; pompoms and glass beads are scattered through the design field. Two large, circular openings near the top of the piece are bordered with rows of mirrors alternating with circular embroidered motifs. There is a similar border of mirrors and circular motifs around all four edges of the piece. Fragments of fibre tie cords are attached to the top corner and at the sides, near the circular openings. There are remnants of a fringe of clear glass beads on all four edges. The piece is lined with red, white and black machine printed cotton textile, which has come loose in many places. Overall colour is maroon, lilac, black and gold.

Small, square, embroidered textile, made of red cotton broadcloth, decorated with large, circular motifs and border designs. There are four large, circular geometric motifs arranged in a four-cell grid at the centre of the piece. Each of these motifs has eight “arms” in red, dark purple, mauve, green and orange, outlined in yellow. The cells of the grid are delineated with narrow, flat silver metallic braid with four small white buttons sewn where the grid lines meet the border. A meandering, multicoloured line forms a border around the central designs. The embroidery is worked in chain stitch. Flat silver braid is couched around all four edges, surrounded by two rows of red and blue glass beads. One yellow bead is sewn to one edge. The piece is lined with red and white paisley-printed cotton textile, pieced at one corner with black cotton textile.

V-shaped, multicoloured, embroidered, decorative band. The 2 “arms” of the band are decorated with a repeated, square, embroidered motif, perhaps representing a natural object, such as an animal, bird or plant. All motifs are identical to each other in design, but differ in colouration. At the inside edge of the V is a strip (13 mm) of multicoloured, slanted Greek key motifs which has been embroidered onto an open-weave textile, then appliquéd onto the piece; the outer edge is finished with a narrow strip of black cotton textile. The lower edge of the V is finished with green commercially-made fringe (14 cm). The piece is underlined with pastel striped cotton textile.

Red cotton textile, embroidered with red, dark brown and yellow floral designs, mirrors and border motifs. There are three embroidered panels on the textile: a large band of embroidery is shaped like an elongated, inverted triangle, while the two much smaller panels are rectangular in shape, are located one of either side of the large panel, and are identical to each other. The embroidery designs on all three bands are composed of regularly-spaced, round, red floral motifs, each surrounded by a circle of mirrorwork. Each panel is bordered by narrow brown and yellow strips. The embroidery is so dense that it obscures the background textile.

Woman's small rectangular shawl, with white centre surrounded on three sides by rows of black cut work embroidery and white lace, with black and white lace edging. The cut embroidery is backed with a scrap of bright pink cotton textile, and the white lace is backed by a pale green and pale blue moire ribbon, which have been loosely attached to the back of the shawl.

Ankle-high, off-white and brown reindeer fur boots with pointed, upturned toes. Top edges trimmed with a 6.8 cm band of red and green wool fabric, which is appliqued with multi-coloured emboidered ribbon and rickrack. Front opening bound with leather, punched, laced with twisted red, blue and yellow wool yarn. Laces trimmed with red, blue and yellow tassels.