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Found 1,430 items. Refine Search
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Highly decorated hood for a bull, formed by joining two embroidered square panels along two of their adjacent edges and rounding off the point that is thus formed. The remaining two edges of the squares are left open, forming points at the bottom of the cover. Two ovoid openings, finished with binding, are located along the top edge. The two sides of the cover are heavily embroidered with square, circular and floral motifs, in red, orange, purple, green, and white, which are embellished with many round and tear-shaped mirrors on blue background. The embroidery is underlined with red-orange heavy cotton textile.
Woman’s or child’s turquoise cotton backless blouse, embellished with designs worked in gold and silver metal wrapped thread. The blouse is made from a large, heavily embroidered panel that forms the entire front of the blouse. There is a vertical neck opening at the centre front, bound with black embroidery; this opening is embellished with three rows of closely spaced circular metallic gold motifs. At each shoulder is a gold inverted heart-shaped figure. Below the armholes, the designs form an apron effect; the design elements, which are scattered over the entire surface, include hearts, squares, geometric forms, tree and flower motifs. Dark red pompoms, circular mirrors and silver and red sequins are placed within the motifs. The sleeve edges are trimmed with beads, sequins and beaded tassels. The bottom and sides are bordered with diamond-shaped motifs, sequins and gold metallic crocheted edging. On the back, separate, small shoulder yokes made from panels of multicoloured, machine-printed cotton broadcloth are sewn at the shoulders and at the underarms, forming close-fitting, abbreviated sleeves. The blouse fastens at the centre back neckline with green twisted fibre ties. There is also a green fibre tie located halfway down the left edge of the blouse and a fibre loop located at a corresponding place on the right-hand side. The embroidery is underlined with red printed cotton gauze.
Small, square, flat, envelope-style dowry bag or purse made by bringing three corners of a square together, using the fourth corner as a triangular flap. Heavily embroidered with square and X-shaped, brightly coloured geometric designs and round mirrors. Loosely twisted fibre cords (red, yellow and green; 52.5 cm in length) with a yellow pompom, are used to fasten the flap shut. The embroidery is underlined with red printed cotton textile.
Man’s long, narrow, rectangular scarf or sash, heavily embroidered with multicoloured geometric and floral motifs and many mirrors. Arranged along the length of the scarf are sixteen square and rectangular blocks of embroidered designs, consisting of a variety of motifs, many different kinds of stitches and two styles of embroidery (kharek and pakka). The embroidery is so dense that it completely covers the background textile. The blocks of embroidery are separated by black “braid” formed from bundles of black cotton thread which is laid and couched with red thread. There is a border of silver and gold mirrors along all four edges, and the ends are embellished with green and pink beadwork and small red-orange silk tassels. A binding of dark green cotton muslin is machine-stitched along the outside edges. The underlining is pieced from plain and printed cotton and rayon(?) textile in various shades of red.
Small, flat, square, embroidered envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch outlined in black, are grouped together into larger squares that are arranged in a grid, separated with narrow bands of alternating mirror-work and floral designs that form an X on the back of the bag. The square is bordered with mirror-work, alternating with floral designs. The embroidery is so dense that it completely covers the background textile. There are glass beads sewn onto the seams, which are worked in fine interlacing stitch. Small pompoms and glass beads are stitched to the lower corners. At the intersection of the three corners is a small white button, embellished with small coloured glass beads. The embroidery is underlined with red cotton textile that is printed with multicoloured designs.
Close-fitting, shoulder-length child’s hood made of red cotton textile which is heavily embroidered with medallions, geometric designs, mirrorwork and linear border motifs, worked in green, yellow, off-white, blue and black cotton and silk thread. A rectangular panel of embroidered cotton textile hangs loosely to the shoulders at the sides and back. Mirrors, alternating with blocks of interlacing stitch, form a border around the edges of this panel; a square multicoloured medallion and two multicoloured circular medallions are embroidered at the centre back. The crown is embroidered with floral motifs worked in silk floss, and there is a short fringe of green, white and blue glass beads at the forehead. Two short strands of twisted fibre are attached at the front edge, over the temples. The hood is lined with dark yellow and red cotton textile, and the edges of the hood are bound with dark yellow and green cotton bias tape.
Helmut-like hat, or cap, with a long flap in the back that covers the ears and back of the neck. It is made of a satin-weave fabric that is machine printed with multi-coloured designs of flowers, leaves and stems, and it is heavily ornamented with glass and plastic beads, metal zipper teeth, plastic buttons, cotton braid and silver-coloured ball chains. On the forehead are panels of curvilinear designs and borders of beading and metal applique. The crown consists of a circular panel of finely-worked silk embroidery on black cotton textile, topped with a beaded topknot and silver ornament. Completely lined with blue-gray cotton.
Multi-coloured woman’s tunic that is lavishly embellished with panels and bands of embroidery on both the front and the back, incorporating several styles of stitching. The garment is very stiff and heavy. On the front, there is a large embroidered panel from shoulder to hip, and the upper edge of this panel extends over the shoulders to form a narrow yoke on the back. The embroidery on this panel is so elaborately detailed and so densely worked that none of the background textile is visible. Design elements in this embroidered panel include circular and diamond shaped motifs and many small mirrors. Below the densely embroidered panel on the front are three horizontal bands decorated with triangular motifs, rickrack, sequins and metallic braid embroidery. The back of the tunic has a centre-back neckline slit (37 cm). Pouches made of yellow and red textile which is embellished with an X made of black braid are sewn into the top of the neck edge on both sides of the neckline slit. The pouches contain small amounts of dried plant material. Below the back shoulder yoke are horizontal bands of navy blue and silver brocade. A panel of orange textile, embroidered with oval and square shapes, extends to the hem of the garment. The sides of the garment are formed from vertical strips of bright pink, green and gold satin textile. The bottoms of the elbow-length sleeves are finished with several rows of diamond-shaped motifs.
Skirt made of one and one-half panels of shiny red brocade with a background pattern of full and half roundels with a stylized Chinese character surrounded by cloud-like patterns, with smaller curvilinear patterns between. The skirt is open at the back, and is lined with red nylon transparent fabric. The panels are pleated and inserted into a band of similar fabric but with a floral pattern. The upper edge of the band is scalloped, with the points of the scallops meeting the ends of two shoulder straps of the nylon lining. On both sides of the back opening are embroidered simple yellow chrysanthemums with green stems and leaves, and with a border at the side and bottom of green leaves On the centre front near the bottom are embroidered two Chinese characters in blue, one above the other. On each side of the characters is embroidered a phoenix facing the centre, with five long tail feathers in green, white, blue, yellow, and turquoise, with metallic thread throughout.
Upper body garment made of bright yellow and red shiny fabric lined with red nylon transparent fabric. The long sleeves are deeply inset with seams curving outwards towards the underarms, and are made of brocade woven in stripes in six different colours parallel to the body of the garment. Embellished with flowers, bats, butterflies, and stylized Chinese characters woven in red. The seam of the sleeves, under the arms, has a pronounced convex curve narrowing to the wrist. The body of the garment curves downwards to the centre front and back. It opens at the front. The front panels overlap to the right when closed and fasten with long ribbon ties made of the same fabric as that at the wrist. The left panel and the centre back seam are edged with red piping. The lower point of the left panel has an appliquéd motif in red approximately the shape of a heart with pink flowers and green stems embroidered above. A phoenix facing the centre of the garment is embroidered on each side with multicoloured thread. Red panels are inserted under each arm. The garment has a deep V neck outlined with an appliquéd red facing outlined in black piping, as are the seams attaching the sleeves. There is also a narrow facing or collar of white fabric.