Humanoid face mask with a straight profile. Red horse's hair, with the ends wrapped in brown paper, are inserted into twenty-two holes drilled into the upper rim. Hollow oval eyes are surrounded by a plain tapering oval and a recessed oval. Light blue-green forehead has patches of white, wood visible through the paint, and an abstract red form line design on the forehead. Black brows protrude slightly. Blue-green band covers the temple, the orbital plane, the cheek, and the nose. Upward thrusting nostrils that are black on the underside and red on the outer side. Upper lip and chin. Three thin red-brown lines at the lower cheek on the left extend from the side edge to the mouth. One thick and one thin red-brown line on the lower cheek on the right extend from the side edge to the mouth. Open mouth with black next to the upper and lower teeth. On the reverse, there is a piece of wood that extends from the back of the mask with a strip of leather attached to the wood.

Humanoid face mask with long brown hair glued into twenty drilled holes in the upper rim. Split red u along with an ovoid and a diagonal form line design on the forehead. Pointed downturned eyelids. Hollow tapering semi-oval red eyes are surrounded by a green area above connecting across the bridge of the nose in between and over to the right side of the mask. Red ears. An eight red rounded point design surrounds the mouth and extends on to the cheek area and the nose. On the reverse, there are six holes on the upper rim, hair and glue in two holes. Small piece of wood glued between the mouth and the nose at the back. Two holes are drilled into each side of the mask at eye level while a length of string passes through the holes and is tied.

Clayoquot wild man face mask that has fur nailed and glued to the upper rim and to the protruding eyebrow ridge, end fur on eyebrows melds with the fur on the rim. Three semi-circular grooves on the forehead. Two shorter grooves extend from the upper rim to the eyebrow ridge. Hollow semi-oval eyes. Three semi-circular grooves on each cheek. Hook nose with black nostrils. Light wash of green paint on the forehead, the eye area, the cheek, and the nose. Mouth protrudes in a pursed-like shape with black lips. Pointed upturned chin. On the reverse, there are two metal 'eyes' screwed at eye level while a leather strip is tied to one eye. Signed 'Clayoquot Wildman J. David 80'.

Black, white, and red wild man mask that has thirty-two holes drilled into the upper rim with strands of brown hair glued into each hole. Black dome-like forehead. Hollow circular eyes are surrounded by a sunken white eye area that extends downward into the nose that has curling hollow red nostrils. Wing-like white cheek ridges meld with the nose and terminate at the protruding upper lip. Upturned pointed chin. Pursed-like hollow open mouth outlined in black while the lips and the interior of the mouth are red. On the reverse, there are two metal 'eyes' screwed in at the sides of mask at eye level while a leather strip passes through both eyes and is tied. Signed 'J. David 84'.

Red and black eagle spirit mask that has white fur on the top rim and the eyebrows. White fur 'hair' consists of many small pieces of fur sewn together and then nailed to the top rim and the brow ridge. Dome-like forehead has form line design beginning at the brow on the left and extending diagonally across the forehead to the top rim on the right consisting of two red split u's. Solid diagonal black line on the left of the forehead extends from the side to the top rim. The cut out circular eyes are red surrounded by a black area. The black nose is hooked. Raised cheek ridges. On the left, there are two diagonal lines, one narrow and the other wide, extending from the cheek ridge to the lower rim. At the side on the right, there are two diagonal lines, one wide and the other narrow, extending from the lower rim through the corner of the mouth to the end high on the side rim. Open mouth with twelve white shell teeth, teeth glued on to a leather strip which is nailed to back of mouth opening. Chin is slightly raised. On the reverse, there are two metal 'eyes' screwed in at eye level.

Eagle transformation mask that has three beak portions joined by wedge-shaped pieces of wood fastened together by cloth and string; beak portions are pegged and hinged to an exterior wooden mount behind the interior human face mask; wood and string lever at base operates mask. Exterior closed: top of mask has three wedged shaped pieces painted white with black spots, down feathers glued to surface. Both upper beak portions identical with wedged shaped pieces above eye painted white with a solid black curvilinear design; black brows outlined in white; green face, white above beak and at jaw line; red optic liner, black and white eye; below black beak red nostril outlined in white; red lip band; wedge shaped pieces protruding from mouth are white with a solid black curvilinear design; underside of lower beak has two distinct painted parts; rear of beak, including wedge shaped pieces on either side, are painted white with black spots, down feathers glued to surface; upper portion of lower beak is black with a red lip band around three sides. Interior open: beaks painted black; red lip band visible on lower beak portion; beaks slightly concave, rim of upper beak portions graduate in depth; wedge shaped pieces form a circle around human face mask; dogfish design at the four cardinal points. Human face has hair inserted into drilled holes along top rim; white forehead has three green-grey u forms outlined in red, thin black line defines centre split u; black brows; green eye area and nose; eyes are white bored circles with red eye sockets; red nostrils; white cheeks have four solid green-grey u forms on either side of mouth; black moustache-like line extends from nostrils to corner of mouth; open red lipped mouth; white jaw area has four rows of short horizontal strips; black chin; black smudges on jaw and under lower lip.

Forehead mask of a woman, whose head is a rattle, sits on the forehead of an eagle; hair, black wire wrapped around ends, is inserted into eleven drilled holes on top of the woman's head; black and orange-red paint are used to emphasize features; front human head has black brows and eyes; wide flat nose has orange-red nostrils; wide continuous orange-red lip band; prominent cheek ridges; ears on either side of head; back of head is yellow cedar with flat face depicted in incised circle; black brows; circular black eyes; broad flat nose with orange-red nostrils; wide continuous orange-red lip band. Body, shown only on front, has arms slightly extended and bent, elbows and forearms rest on eagle's brows, hands are downturned; legs are drawn up next to chest, four black claw-like toes on each foot. Eagle has black brows with horizontal rows of short orange- red lines; black bulbous eyes; thin sharp beak incorporates wide orange-red lip band, flattened semi-circular nostrils on either side; orbital ridge melds with cheek ridge which follows line of lip band; triangular depressed area under lower beak. On reverse, a leather strip is attached to either side by a singular stitch of white waxed cord, cord is also tied around leather. Signed inside: 'B' 'D'/87 'Dempsey Bob Tahltan Tlingit.' Unpainted wood is finished with oil.

Flute consisting of hollowed bamboo held together by crisscrossed fibre. Three rings of cassowary feathers, one at the bottom, middle and top. Just below the top ring is a small hole carved out of the bamboo. The top feather ring is woven on tightly with fibre which covers this area. The stopper of the flute, above the top feather ring, is a human male figure standing full front with arms down to the side. His head is disproportionately large to the rest of his body. Standing behind him is small bird which is resting its hands on the shoulders of the human figure. Its long beak extends over the head of the human figure. The creature has ridges along its back. Tassels come out of these ridges. The bamboo and the fibre ties are covered in a black stain.

Folded paper in abstract approximation of human form wearing a kimono. Red lining to kimono; wood extends beyond bottom fold of kimono; silver and gold loops near top; one loop encloses a small cloth scroll which appears to have calligraphy; other loops in purple.

Unsharpened pencil with kokeshi doll attached to one end. Round head of doll rotates on smaller oval body with stepped base. Painted hair and stylized features, traditional dress.