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Found 475 Refine Search items.
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Copper that has been split and rejoined. Base has edges that flare slightly towards the bottom edge, as well as a raised ridge that runs vertically down the centre. The upper section has edges that flare towards the top curved edge. Both sections are riveted together with four strips of copper that serve as supports on the reverse. The copper has incised designs.
Copper with edges that flare slightly toward the base as well as the top. Has a T-shaped raised design element near the centre, that divides the bottom section in half and separates the top section from the bottom. The top section is slightly convex. The copper is blackened overall with incised diagonal lines on the bottom section and an incised bear face and two paws surrounded by a border on the top section.
Small blackened copper with rectangular bottom section and flaring upper section. The upper section is slightly convex with a face design in brown, and the bottom section has four sets of two diagonal brown lines. The bottom edge is folded over, and there is a convex band running vertically up the centre joined to a convex band that runs horizontally across where the bottom section joins the top section. Part of a larger design is visible on the reverse and indicates that this small copper may have been made from a larger one.
Copper with a bottom section that has a slight point at the centre of the bottom edge and the width tapers slightly towards the bottom. The top section flares outwards, the top edge is curved, and this section is slightly convex. Abstract design overall on face. The copper is composed of two pieces joined to a horizontal piece of copper with metal rivets.
An arrow with a shaft (part a) made of rounded light brown wood. There is a small lance-olate-shaped iron arrow point (part b) that has an incised line down the middle on both sides. A dried leaf fits through a slit at the end of the shaft. At the end of the shaft, there is a horizontal band that has four small grooves, and a small simple finial at the end.
An arrow with a shaft (part a) made of rounded light brown wood. There is a small lance-olate-shaped iron arrow point (part b) that has an incised line down the middle on both sides. A dried leaf fits through a slit at the end of the shaft. At the end of the shaft, there is a horizontal band, and a simple grooved finial at the end.
Round copper scraper blade that fits into the wide end of handle (part a).
Very deep crescent-shaped gorget with rolled edge. In the centre is an engraved oval-shaped cartouche containing three fleur-de-lys. To either side of the oval is a branch with leaves and berries, and above a crown. Hanging from bottom edge of the gorget are four silver and three gold engraved beaver effigies. Hole fitted with purple skin strips at each upper edge. Maker’s mark below each suspension hole and on each beaver.
Curved wristband, the ends of which are turned outward. Scalloped design in centre ressembling a holly leaf, flanked by leaves. Zigzag border top and bottom. Cartouche within central design.
Necklace of 60 light blue glass beads in groups of 4 and 2, alternating with 16 cobalt blue glass beads and 6 cylindrical yellow glass beads,. 6 hollow silver beavers with bottom plates are attached at regular intervals to lower half of necklace. A flat silver Latin cross with circle and zigzag border is attached at bottom midpoint. One cobalt blue bead is broken. Maker’s mark in cartouche on beavers and on cross. The crown is above the “TE”.