AMEC Analysis: Part: Whole Bottle Type: Champagne Date Range: 1912 Neck Finish: Lipping Tool Comments: A date code is present on the base. One brown glass bottle with round base and crown finish. Mold seams include: possible circular post-bottom mold seam and cup-bottom mold seam, two vertical mold seams extending up to bottom of finish. Maker's Mark empressed on bottom: A B Co 12 Bubbles present in glass and abrasions on surface. Dried substance inside and outside of bottle. J. Dougherty 03/19/2010

AMEC Analysis: Part: Base One clear glazed stoneware plate fragment with Maker's Mark empressed on base: GREENWOOD CHINA TRENTON, N.J. Two concentric circles on the base outside of the maker's mark. Similar concentric circles present on the bottom of the fragment. Blue and brown discoloration on the surface of the top. J. Dougherty 12/22/2009

Seal (a) and clay slab (b). The seal has a rounded body with a flat surface into which are carved depictions of a bull with two humanoid figures, the sun, a snake (?) and a palm tree(?) with six rays radiating from the top. The seal is pierced from side to side with a hole for stringing. The clay slab is roughtly square with an impression of the seal at the centre.

Large round ceramic pot with an uneven reddish-brown colour on the outside, a reddish-brown colour with black areas on the inside, and a rounded base. Width of mouth smaller than body. Two semi-circular handles that angle outwards sit opposite each other at the mouth. The entire pot impressed with diagonal rope lines except for rim of mouth and handles.

Pair of goatskin boots in three main parts. Sole in black, front upper in yellow and back upper and legging in red/brown; trimmed with bands of leather in blue/green. Uppers have horizontal bands of impressed decoration enclosing an applique decoration of concentric circles of cut-out leather on the outer aspect of each leg. The boots are soft soled and show little wear. The right boot has a small patch sewn on the inner leg.

Pair of heelless slippers; the sole consists of three or more layers of rawhide and leather sewn together as a separate unit. The leather insole and lined upper are attached separately. The upper is cut widely towards a slightly pointed toe. The upper is ornamented in an impressed or tooled design of straight lines, dots and circles forming a set of triangles pointing towards the toe.

A thick red candle with relief decoration in horizontal bands. Textures are impressed, then highlighted by addition of glittery gold, silver, blue and green paint, green foil and sequins. Patterns include floral, geometric and figurative (Llamas and Lambayeque style figures).

Seal (a) and clay slab (b). The seal is composed of black stone in a cylindrical shape with images incised into the surface: a female wild boar, two goats standing on their hind legs facing each other, a bird, a small boar and trees in the background. The seal is pierced with a hole that extends from end to end. The clay slab is rectangular with a bas-relief impression of the images from the seal.