Light green, Celadon vase; floral design pressed onto the sides.

Vase (part a) with oval neck and body, and having a wood stand (part b). (Front panel has incense burner, and vase in red, and blue, and brown, and blue, on white.). Back panel has similar objects of different shapes. (All panels are reserved on a blue arabesque ground. Side has two handles in form of t'ao t'ieh.) Unmarked.

Male figure (part a) sitting on a rock and holding a symbolic wand representing immortality. Colours are predominantly aubergine, yellow and iridescent green glazes. With wood stand (part b).

Vase (part a) in light green glaze with two handles in form of elephant heads. Three circular bands decorate body of vase. Underglaze blue mark. (Part b is a circular wooden stand, in storage.)

Porcelain egg-shaped box for holding ink. Part b is the lid which has a.design of bamboo and flowers depicted in relief. Part a is a base has a landscape scene with two human figures crossing a bridge, also in relief.

A small white ceramic vase (part a) with a rounded lower body which tapers into a slim cylindrical neck. The vase has a loose ring around each of the two handles on the neck. There is a key design incised along belly of vase. With circular wood stand (part b).

White bowl with angled sides and designs lightly pressed into the inside--motifs include two cicadas in flight, wavy parallel lines and flowers.

Green bowl with a ring base, steep sides, deep well and rounded rim. There is a large design of peony and leaf motifs in the well, extending up the sides.

Green glazed plate with flat base, deep well and rounded rim. There is a large design of peony and leaf motifs in the centre well. (Part b is a wooden stand.)

Cream-coloured clay cone with cuneiform inscription. One end tapers to a rounded point, the other has a flat, slightly domed base. The sides of the body have very worn, vertical linear inscriptions.