Three joined cedar pieces: main one is shaped like a forehead. On front, slanting up towards centre are eyes: slightly l-shaped, orange-coloured ovoids, recessed, with black banded, elevated pupils. Black eyebrows above. Long recessed mouth surrounded by black form line. Large red teeth in variant u form. Coloured fields of facial features separated by white. Four nails in piece's front. Space between eyes spread with adhesive for attaching piece. Extending outwards from nose area, piece has three projections in red, black, and white; black one has bulbous end. Hinged on top at back of main piece are two articulated three-feather wings, both sides painted with red, black, and white u forms. Wings attached to main piece by leather pieces nailed on and rigged with fibre cord. White overall has yellowed. Leather is brittle.

Headdress composed of two rectangles of red cotton with blue stripes joined at the centre by multicoloured insertion stitch embroidery (randa). The headdress is decorated with a wide band of multicoloured floral design brocade flanked by bands of multicoloured chevrons and has a tassel of untwisted maroon silk at each corner.

Hardwood piece with reddish patina and thick black paint in areas. Upper half consists of large and small human heads placed back to back with one long neck continuing into large u-shaped structure. A twisted and knotted cotton cord passes through a hole in the top of the larger head. Both heads have carved facial features in relief: long slit eyes elongated nose, pointed chin with protruding lips, long crescent-shaped black eyebrows, black cap-like hair. Black paint also in rings around neck and front and back faces of u structure. European thread spool attached by wood rod placed through ends of both stems of u structure at a perpendicular angle.

Oval-shaped wood piece with the back hollowed out. Human face. Worn white painted surface with red spots showing through. Dyed blue are the long, incised crescent lines for the eyebrows, the inside of the mouth, and one line from the nose to the mouth. Blue spots in other facial areas. Wood of cheek and eye areas has been cut away. Lozenge-shaped eyes, and mouth open to underside. Mouth at rim of cut-away area is asymmetrical to nose. Two articulated wedge-shaped wood pieces nailed, one at each temple. Drilled holes in head and forehead for feathers now missing. Holes, one on each temple has twisted synthetic cord strung between them. Knotted brown shoelace(?) piece in hole on left.

Light brown wood piece, two-thirds of which is u-shaped. The other third is woman's neck and head. Hair, textured by incised lines, is pulled far back on forehead and forms three crests running front to back. Carved facial features are in relief: protruding lozenge-shaped eyeballs and eyelids, long crescent eyebrows, long narrow nose, and jutting chin with open lozenge-shaped mouth. Row of incised diamonds at top of u structure. Vertical perforation at back of head has twisted and knotted light brown cotton cord passing through. Extensions of u structure each have hole for attaching roller at perpendicular angle. Roller is now missing.

Cloth (tzute) composed of two pieces of red cloth with dark red stripes joined together with an embroidered multicoloured band (randa) at the centre, and brocaded with multicoloured geometric designs on a dark red ground. The cloth is finished with a dark red tassel at each corner.

The head cloth is long and narrow with a geometric pattern and long fringe. The pattern shows the same bipedal figure repeated six times in shades of brown, red, yellow and green. At both ends there is a band of diamonds in a diagonal pattern, followed by a section of tightly woven rows leading to a long multi-coloured fringe.

Irregular, openwork piece of light orange cotton with designs of frontal human figures repeated in horizontal rows. In adjacent rows, the figures are in alternate alignment to allow closing spacing. The figures are shown with headdress and tunic with arms outspread. The background mesh is constructed on spaced, paired warps in a combination of weaving and knotting. The figures are embroidered in two thicknesses of cotton threads. Parts of one warp and weft are present.

Pair of snowshoes, each made of two light brown wood sticks, stripped of bark and bent into a U-shape. The two U's are bound together facing each other, the ends overlapping and forming an ellipse. The binding is composed of four strips of light yellow wood, steam-bent and knotted, one around each end of each U, and two kinds of plant fibre cord, one used as lashing across centre of ellipse and the other loosely tied around the former. Between the overlapping ends of the U's are wood wedges.

A small circular five-lobed bronze mirror. Reflecting surface has eighteen Chinese (?) characters around the circumference. Non-reflecting surface has a scene of a pillared Korean building with four towers (?) that have pennants flying behind. At the centre of the non-reflecting side, there is raised handle through which ther is threaded a knotted white cotton cord. Characters read 'Commemoration of Opening of Korean Exposition, October 1, 1929'.