Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure's face is glossy pink with black moustache, sideburns and caste mark. White eyeballs with black pupils; four gold teeth exposed. Yellow neck; black backswept hair outlined in gold. Light pink, green, red, and gold crowns; same colours repeated in elaborate headdress which rises at back to a form resembling a bird with a lolling green tongue. Upper row of jagged teeth . Figure wears black jacket, pink upright collar, edged with red on front; wide green band around waist, narrow red belt. Jacket sleeves have inserts above the cuffs decorated with red braid. Red cord at back of neck forming epaulettes. Orange shoulder sash; white vest, small yellow piece of fabric at neck line. Long batik skirt, coloured cream, brown and black. Hands yellow.

Three-dimensional male humanoid puppet: large head (part c) fits into gold painted body with skirt (part a), and a control rod (part d) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached, and the figure's right arm (part b) has become detached. The figure has a dark pink face, a blunt nose; white eyes have dark red pupils. White protruding upper teeth with fang at each corner of mouth; black hairy moustache, painted beard. Headdress consists of black cap, blue-striped scarf around forehead, gold triangular sumping (ear ornament) behind ear and grey Garuda (mythical bird) above grey fringe of curls. Torso painted gold and covered with black velvet cloth. A black velvet apron is sewn to the waist with red glass beads in sun ray design and a band of woven gold thread and ribbon at waist. The figure is wearing a beige cotton with brown geometric batik design. Red and white carved bracelets at upper arms and wrists; hands upturned.

Three-dimensional female puppet: large head (part b) fits into body with jacket and skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a white face with slit-shaped eyes positioned forward. Small, straight nose. Red dot at centre of forehead, red lips. Head bending forward. Metal cylinder at base of neck. Headdress consists of green and gold painted jamang, sumping and lungsen. Clothing consists of close-fitting jacket of black cloth on torso and green corduroy sleeves, diagonal beaded band of black and floral patterned material on chest with multicoloured glass beads, red and multicoloured floral waist band, and brown and black batik patterned skirt. Hands held flat with all fingers held together and gold paint residue. Hand at figure's left is straight, hand at figure's right curves outward slightly.

Padded under-trousers of fine white cotton fabric, lined with coarser off-white fabric. Pants are angled out from the pleated waistband to the ankles. Waistband opening at the back, attached to narrower long ties. Pleats face towards centre seams, front and back. Flared panels are attached to each side of the back opening, which is carried on in the open inner leg seam, sewed together just above the ankle. Dark blue ribbons of shiny silk are attached to each inner leg seam at the bottom. There is a horizontal seam in the outer white fabric at about knee level.

Hat made of thirty-one black feathers attached to string by folding the base of the quill and creating a loop for the string. The folded portion is wrapped with yellow and purple yarn. String of feathers fits over crown of hat (Ni32 a).

Rectangular, multi-coloured silk ikat bed cover or wall hanging, backed with machine printed, floral cotton textile. On the ikat side are 25 narrow vertical stripes of seven-colour warp-face ikat designs, separated by narrower, unpatterned green, yellow, or red-purple stripes. The weft is bright pink, giving the piece an over-all rosy appearance. The machine printed cotton backing textile is predominantly red, with brown, tan and white details, and the piece is bound on all four edges with bias cut green silk textile. Several lengths of ikat textile were pieced together to achieve the desired width.

Rectangular, multi-coloured silk ikat bed cover or wall hanging, backed with red, white and gray-blue machine printed cotton textile. The patterns on the ikat side are large and boldly colourful and are composed of six-colour warp-face ikat designs on three narrow vertical panels that have been stitched together to achieve the desired width. The silk weft is bright pink, giving the piece an overall rosy appearance. The cotton backing textile is loosely attached to the ikat silk with running stitches made with red thread. All edges are bound with green silk bias binding.

Rectangular, multi-coloured silk ikat bed cover or wall hanging, constructed of three lengths of bright pink, white, blue-green and yellow warp-face ikat silk satin textile, seamed together vertically, and loosely quilted onto a backing of machine-printed cotton textile. The backing textile is pieced from two floral prints, one with orange and brown predominating, the other with red, yellow and brown predominating. The object is bound on all four edges with bright yellow-green silk dupioni textile, which forms a narrow edging on the front and a wider border on the back. Possibly used as a bed cover for a bride and groom.

Coiled cedar root basketry cradle (part a) with slat foundation and sides. Cradle is rounded at the higher, wider proximal end and is tapered and narrow at the distal end. Fully beaded overcast rim. Remainder of the cradle is plain on the inside and decorated with beading and imbrication on the outside. Rim pattern has mainly canary grass with several repeats of alternating cherry bark and grass. There are seven side coiled rows. First two rows repeat a pattern of closely spaced grass chevrons alternating with wider spaced red or dark brown cherry bark chevrons. Rows three and four repeat above pattern in alternating areas. Rows five and six feature three vertical red cherry bark lines alternating with a darker diamond or x-shaped pattern. Row seven is undecorated. No foot. Plain coiled bottom. Tumpline or carrying strap (part b) with wool wefts and multiple element warps is weft-faced plain weave in a light white-brown and red zigzag pattern. On each end of the strap, there is a machine-stitched, hide backed strip of plaid material which has a shell button on the strap end and a button hole at the other. Each end is buttoned over a strip of hide which is tied on each side of the cradle just below the rim with small strips of hide. There is a small piece of cordage tied to one side.

A bundle wrapped in red trade cloth (part a), bound with rattan (part b), and containing a fossilized animal (reptile?) mandible (part c) covered with red ochre and wrapped with matted marsupial fur.