Carved, wood stool consisting of a standing figure on a base with bent knees and arms extending parallel to body. Palms facing inside body. The large, oval shaped face is fringed with cassowary feathers and elaborately painted brown, black and white. Framing the face is inlaid with small cowrie shells. The face has circular-like shapes encompassing the large protruding eyes inlaid with shells. The nose is long, narrow and slightly projects at the tip. On the cheeks are triangular tattoo-like incisions. The mouth is open with the tongue protruding out. The chest is incised with geometric designs and a large rectangular carved pendant in the middle. Around the waist is a woven cord loincloth covering the prominent genital area. Attached to the lower back of the figure is semi-circular stool with a small mask on lower part of leg. The face is incised with lines and has protruding eyes, nose and tongue. The body of the figure is covered in black, charcoal ? pigment.

Large masked wooden figure sitting on a stool. Dark wood with white paint only on face section. Protruding nose, elongated and covered in white shells extending down and attached to the chest area. Mask is fringed by long black feathers. Eyes are white circular cut shells. On figure's back and buttock area are pink stripes, also found on stool. Figure is represented naked and chest and genital areas are exposed. Tied woven cord or anklets at knee area.

Long, carved wooden gong, cylindrical in shape with two protruding handles at both ends. The sides are carved in relief with a stylized geometric design that has triangular detailing. The handles have a bird-like figure with a long beak and forehead; two cylindrical shaped arm-like structures run along its side. Underneath is a semi-circular piece of wood detailed with a geometric design the runs from the top of the figures head to the side of the drum. Drum is slit at top from one end to the other; covered with a thin layer of red ochre.

Carved wooden, oval shaped mask representing a face. The top of the head is inlaid with two different types of shells. The forehead is elongated with a ridge down the middle and recessed eyes inlaid with cowrie shells. The nose is protruding and has a section of a boar tusk in each nostril. The mouth is partly open exposing carved teeth. Bundles of sennit fibre line the bottom edge. The mask is painted with orange, black and white pigment. The back is undecorated.

Mask depicting a long and narrow human face with protruding eyes, a protruding tongue and a recurved nose with the head of a boar-like figure at the chin. The face is heavily encrusted with shells at the edges, and ornamented with black cassowary feathers at the sides. Tusks protrude from the nostrils and the cheeks as well as from the cheeks of the boar-like figure. Sennit fibre tassels are tied through holes along the protruding rod running from the forehead to below the mouth. A loop hanger is attached at the top.

Carved wood mask consisting of a head with an elongated brow; a long nose, mouth and chin. The top of the head is decorated with cassowary feathers and a small tuft of human hair. The face is elaborately detailed with dark blue, light blue and brown stylized designs on a white ground. There is a long, cylindrical shaped piece of wood that stretches from the bottom of the nose to the bottom of the mask; on the end is a small carved bird. The forehead and the side of the face are inlaid with rows of small shells; the eyes and sections of the forehead are detailed with inlaid cowrie shells. The nose has boar tusk on either side. The lower sides and bottom are lined with small bundles of sennit fibre. The bottom tip and the sides have bundles of black feathers.

Tall, thin figure (royal attendant) wearing a robe. Hands are together at waist; feet are not visible; hair is done up.

Conical shaped woven basketry figure with two faces depicted. Top face is larger than the lower face, it has a tapered forehead that ends with a fibre, looped handle and is decorated with small feathers. Both faces have oval shaped holes for eyes, an opening for a mouth, a protruding nose and ears along with sennit fibre beards. Each face is painted white with brown and orange detailing. The bottom edge is wrapped with long pieces of fibre.

Large, carved wooden shield, oval in shape painted black and brown with pigment. Carved in relief are two large birds, one at the top facing upwards, the other at the bottom facing downwards. The beaks of the birds curve down into the shield, the eyes are inlaid with cowrie shells the feathers are incised and their wings are spread wide. The top bird has a long tail while the bottom bird’s tail forms in the mouth of a human face. The head is a slightly protruding forehead, a high brow that exaggerates the large eye sockets; the eyes are inlaid with large cowrie shells. The nose is large and pointed with a hollow septum and a piece of fibre twine tied through. The mouth is triangular with bared teeth. The background is painted and incised with a repeating stylized pattern. The underside is hollowed. There is a fibre twine looped tie at the top.

Tall square bentwood box (part a) with a slightly flared lid (part b). The front and back are painted red and black in different distributive Northwest Coast stylized designs. The sides display a large black circle with a four pointed design inside. The joined corner is held together with wooden pegs.