Bottle that is octagonal in cross section with a large base, a narrow neck, and a flaring mouth. Fine hard grey-white porcelaneous body; outwardly flaring foot that is unglazed; traces of pale yellow glaze on base. Pattern in underglaze blue: deep band of upright lotus panels; two lions, one each on opposing sides of the vessel, playing with brocaded balls trailing ribbons, and surrounded with cloud forms; all freely executed in blue washes outlined in dark blue; surmounted by another band of lotus panels, pendant; a narrow band of crosses enclosed within circles; and a high band of upright banana leaves above.

Jar made of grey clay consisting of a small globular body with base, wide neck and flaring rim. Originally two ring handles emerged from body at upward angle but one now missing. Decoration poorly executed in dark brown becoming red-brown on light brown colour of body. Painting consists of two horizontal bands on inside of rim and two on outside surface of neck. Below this is another line then a zigzag band, followed by a line and a horizontal band of chevrons. Below the chevrons is a line then three dark bands to the foot of the jar. Upper surface of surviving handle shows signs of decoration underside of base left reserved.

Clay bottle consisting of a globular body with narrow neck, flat flared rim. Connected with shoulder by flat handle. Light brown chalky surface with evidence of black painting on most of the surface; shoulder and sides of rim retain traces of decoration consisting of black dots. Top of rim decorated with radiating lines. Body decorated in quatrefoil pattern consisting of a vertical oval with line through it in black on either side project arrow-head shaped designs filled in with crosshatching. Radiating from central oval are two simplified blossoms in brown. Below handle is a design consisting of a circle with a cross through it.

Chimney-type lekythos. Jug has a tall cylindrical body, widening slightly at the top with a long thin neck flaring at the end, and a narrow foot and disc-like base in two degrees. Strap handle rises vertically from shoulder half way up neck then curves back and attaches to neck. Clay colour is red with added decoration in white and black. Interior of neck in black leaving rim reserved, exterior of neck black only down to where handle attached. Outer surface of handle in black. Shoulder decorated with radiating tongues. Frieze band on upper body given a white background and upper border consisting of a double band of offset dots between two lines. Figures on body depict combat between a female and male with fruit laden trees in background. Figures are in black against a white background. Female figure shown advancing from left to right, dressed in a long draped garment and attic helmet with a tall crest support. The crest of the helmet extends beyond the figured frieze into the dot frieze. The male is naked except for a Corinthian helmet with crest holder which he wears pulled back on his head; he is armed with a long spear and shield.

A container with eagle features. The beak and feet protrude from the front; wings are at sides in relief; eyes and brows are in relief; feathers on belly are incised; tail protrudes at base. Features are painted in brown and beige. Underside is inscribed with name, "Klee Wyck," and initials, "M.E.C."

Carved, wooden feast dish in the shape of a crouching wolf with its back hollowed out to make a long, deep bowl. Black and white painted ovoid denotes shoulder joint. The eyes, nose and teeth are carved and painted black and white. The paws are carved and act as support to the bowl. Sides are finely adzed in horizontal lines, while the interior is more boldly hollowed out to form a huge dish. There are two square holes on the head, probably for the attachment of ears. The bright paint appears to have been added later as there are older, very faded, images along the side of the dish.

Large, wooden feast dish carved in the form of two matching, slightly-reclined Dzunuk'wa figures. They face each other with their hands clutching their bent legs; deeply hollowed centre. Thick black lines, painted over a grey background outline the anatomical forms. Mask-like faces are nailed onto hollow heads. Protruding ears are attached separately. Their lips are pursed and protrude, red eyes are recessed, large black defined eyebrows and high cheekbones are carved into faces.

Carved wooden dish shaped like a canoe, with two carved and painted human figures crouched inside, facing one another. The canoe is painted black with a wide white band that has a repeating pattern of red u-forms in between green and white ovoids; ends of the canoe have a green tail-like design. Both of the figures are painted black with white faces, a green band across the eyes, red nostril and black facial hair. On top of their heads are three strips of beaver(?) fur. Inside of the canoe is painted red.

Clay jug consisting of a globular body with long tapering neck and flared mouth. Strap handle emerges vertically from body and curves inwards connecting with neck at its mid-point. Bottom of jug flares into a small ring-like base. Colour of clay is cream with decoration in orange consisting of bands and vertical lines. Mouth of jug and interior are orange. Neck decorated with three horizontal lines to above handle; below handle attachment point on neck-body junction is a thick orange line; below this is a wide area left reserved except for three groups of vertical lines, below this is a thick horizontal band, three thin lines and another thick band. Below a reserve band are another series of horizontal lines and a thick band at the foot. Side edges of handle are orange and its face is decorated with three bands.

Round porcelain dish on high round foot, decorated with an underglaze blue comb pattern; glazed base; slightly thickened sides support a flat red-brown rim. Inside: painted in blue underglaze with two broad horizontal bands of wave motifs, separated by a narrow band of white; broad white band below second wave band. Superimposed in overglazed enamels on the bottom band of wave motif is an open camellia, white tinged with red, and a red bud, all supported by green and yellow edged leaves and blue buds on a blue stem. Centred above on the wave bands is an upright blue stem with three green leaves and a blue bud. Outside patterned with four ribboned wealth motifs in underglaze blue.