Deep, red clay bowl with vertical sides and undifferentiated rim. Base separated from body with narrow scotia. Two ring handles round in section emerge from body horizontally just below rim. Body of cup is covered with black glaze except for underside of base, which is left reserved except for outer edge and two circles around a central dot.

Black glazed, clay bowl with a shallow bowl, a single handle, bottom reserved. Handle is oval shaped and is mounted at level to the rim, extending horizontally. Base small and flared to edge.

Small, red, clay cup with deep bowl and vertical sides. Base separated from body by narrow scotia. Two ring handles, circular in section rise from body horizontally at rim. Surface of cup painted with a thick black paint. Underside of base reserved with a black ring.

Deep bowl narrowing at foot with small flared base, two horizontal handles on each side high on body, surface primarily in black glaze with reserved band on foot, underside of base reserved. Further decoration on rear at level of handles consisting of oblique dashes in white between which are two incised lines. Front has a more complex decoration consisting of an incised line below rim under which is a tongue pattern in white followed by two incised lines, a wave pattern in white and two more incised lines. Below this is a band of dots followed by a thick red line, suspended from this are three clusters of grapes in yellowish white, two grape leaves and four tendrils.

Roughly rectangular: bottom has unglazed shallow circular foot 7.3 cm. in diameter, showing light red-brown body; some splashes of light grey-green glaze in thick glassy drops. Broken edges of sherd vary from 1 to 1.5 cm. in thickness. Sherd curves shallowly upward in all directions from foot; finished piece possibly large plate. Upper surface painted in iron underglaze with a shrimp, incomplete. Grey-green glaze pitted and flawed, pools to white around slightly convex centre area.

Rectangular form of fine white porcelain: vertical sides first swell from low unglazed foot, then curve in slightly at rim; indented corners. Pattern: divided diagonally from point near upper-right corner to point near lower-left corner; area to left glazed in glossy red-brown, which wraps from the inside over the outside surface to top of foot; area to right painted in underglaze blue with a landform supporting a composition of bamboo, pine, and prunus, with a cloud form above; on each of the two adjacent outside surfaces a motif of two cash with ribbons in underglaze blue; all shapes rendered with dark blue outlines filled with light blue washes; all covered in a minutely pitted white glaze. On glazed base, well rendered underglaze blue characters read 'Dai men nen sai' meaning 'Made in the Ming Dynasty' (Chinese dynasty, 1368-1644). Junction between brown and white glazes marred on outside by a grey-brown splotch extending over foot to base; repaired crack running through sidewall in area of landform painting.

Ceremonial wooden dagger with a pointed tip, an hour-glass shaped handle, and a round decorative handle end in the shape of Dzunuk'wa. Black in colour.

Rectangular form of fine white porcelain: vertical sides first swell from low unglazed foot, then incurve slightly at rim; indented corners. Pattern: divided diagonally from point near upper right corner to point near lower left corner; area to left glazed in glossy red-brown, which wraps from the inside over the outside surface to top of foot; area to right painted in underglazed blue with a landform supporting a composition of bamboo, pine, and prunus, with a cloud form above; on each of the two adjacent outside surfaces a motif of two cash with ribbons in underglaze blue; all shapes rendered with dark blue outlines filled with light blue washes; all covered in a minutely pitted white glaze. On glazed base, well rendered underglaze blue characters read "Dai men nen sai" meaning "Made in the Ming Dynasty" (Chinese dynasty, 1368-1644). Junction between brown and white glazes marred in one place by narrow grey-brown band; in cloud area at upper right corner, extensive repair.

Eight-lobed Kakiemon style dish, everted lip, fine white porcelain body: low foot rim unglazed; base glazed, only two spur marks apparent, underglaze blue line at junction with foot. Interior: blossom spray on bottom asymmetrically placed, outlined and painted in underglaze blue, separated from walls by double underglaze blue lines; walls have scattered landform shapes in overglaze enamels, blue, green, and yellow as well as red prunus blossoms; double underglaze blue lines at lip. Exterior walls: double underglaze blue lines at junction with foot, and one above; scattered overglaze blue blossoms, outlined in black.

Right facing figure on cut out white-brown paper in orange felt pen and paint over pencil line drawing. Face at the top with a triangular appendage at the top, a u-shaped appendage to the left, and a large nose ? to the right. Whale-like face at the centre with various shapes to the centre. Smaller face at the bottom with a wing-like appendage behind. Pencil inscription across the bottom reads 'Norman Bell May 29-69'. Glued to blue, then white cardboard. The drawing is vertically rectangular. Covered with clear plastic.