Wooden, two symmetrical dish halves (parts a-b) in form of a killer whale and squid; carved and painted. The inside has a black painted sea serpent ? design on both sides. The two halves are held together by a metal latch; together the dish is conical in shape. The dish is painted in black, red, white and green.

Yellow earthenware jewelry box (part a) in the form of an escritoire, with two long lower drawers (parts b-c), and 9 smaller ones above (parts d-l). Painted with purple-red scenes of buildings and trees in black framed, rectangular, white reserves on upper and lower sides and drawer fronts. Each drawer opens and has a knob handle.

Doll (a) representing a male figure carved out of wood with articulated shoulders and ankles. His face and hands are painted white with painted black hair, eyebrows, eyes, a drooping moustache and a chin beard. He wears a separate black paper hat (b) with a narrow brim and black silk ribbons that tie in a bow under his chin. A nail at the top of his head helps keep the hat in place. He wears a long sleeveless blue silk vest, gored and pleated under the arms, and fastened with a dingle button over a gored long-sleeved white silk coat fastening with ribbons tied in a single loop. Beneath this are an under-jacket with blue ribbons tied in a single-loop bow and under-trousers. His ankles are wrapped in white material, and he wears pointed shoes made of paper (?) covered with white cloth and painted with black linear and looped designs at the front and back.

A three-dimensional male humanoid figure puppet. Has a large head and jointed arms attached to controlling rods. The red face is positioned straight forward and has bulging eyes with red irises, a large nose, facial hair (moustache, beard, sideburns), and details painted in black. Prominent white upper teeth with fangs extending from the top and the bottom row at each side. Wearing a Gelung supit urang headdress with diadem (jamang), sumping, Garuda Mungkur (short-tongued), and much hair from below headdress. The headdress is black, gold, red, blue, and white. Wide shoulders, a slim waist, and arms with ornaments at the wrist, and bicep in red. Skin is painted gold. Hands are held flat and bending back at the wrist. Braided hemp bandolier of green, yellow, and pink. Pink waistband and green wrapping suspended on both sides. Black velvet pentagon below waist (apron ?) with sequins, brocade, and a orange, and brown batik skirt.

Plate (part a) with image of flower procession on cream ground with border of geometric design in gold and dark blue. Rim has slightly lobed shape. Inscription on underside of base. Small triangular piece (part b) from previously repaired broken edge is loose.

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part d) with a long shaft that passes through the body and fits into the neck of the figure's head. The control rod (part c) from the figure's right arm has become detached. The body has jointed arms, each with a long controlling rod attached. Pale orange face, gold neck. Small black moustache, almond-shaped narrow eyes, narrow painted mouth. Headdress includes gelung supit urang, sumping, gold jamang, and Garuda Mungkur. Headdress black with gold, red, turquoise trim. Green and red painted necklace. Turquoise and red bracelets on upper arms and wrists. Hands at right angles to arms. Arms in two pieces attached with string at elbows and shoulders. String through palms to which sticks are attached. Wearing gold cross-over bodice, black apron with red fringe, silver and gold trim. Long gold belt hanging loose. Dark red cotton skirt. Head moves through 360 degrees.

Model canoe (part a) with four paddles (parts b-e) and five figures (parts f-j). The boat is long, narrowing toward the ends, widest at midpoint. The outer walls of the canoe have painted designs in red, black and green at both ends and on both sides; the central area is unpainted. Five benches span the width of the canoe’s interior. The paddler figures are painted red, with black hair; all five are painted with green mask-like faces, with black eyes and red lips. The four carved paddles are painted with black, red and green bands.

Rectangular carved frontlet with Thunderbird or other bird-being in relief; abalone inlay along both sides and across top, and used for accents on animal features. The bird has a recurved beak going into lower lip. Below the face are red human-like arms and hands with palms out, fingers upward, with abalone on each palm. The bird's mouth is open, showing a row of abalone teeth behind wooden incisors and red painted lips. The eyes are circles of abalone, under arched black brows. This supernatural being shares space with a small orca, whose dorsal fin rises upward and pectoral fins downward. Painted red, green-blue, and black. The rear of the frontlet is concave. Illegible hand writing on back surface.

Rectangular carved bird-like being frontlet bordered by a row of individually carved and painted human faces (representing ancestors). Central figure is a bird-like being by a long, recurved beak and human-like eyes, eyebrows, and mouth. Being has wings, sitting with claws inward. The eyes are circles of abalone under arched black brows. Two abalone inlays on each wing. The rear of the frontlet is concave. Painted red, green-blue and black, on natural wood.

Finely woven of spruce roots, this small child’s hat is painted with a split image of a whale encircling the crown and brim, its eyes facing the front, fins at the side, tail flukes at the back. Hat has a slightly concave top, with a red painted circle on it, and a wide brim. Woven with various twined weaves; the rim is braided; the inner headband is twill weave.