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Bracelet2000-114/2
Bracelet | Woman's2009
Ladle1994-90/1
Ladle1994-90/2
Copper25.0/300

These shield-shaped objects made of commercial copper represent monetary wealth. As coppers are bought and sold by chiefs, their value increases, sometimes to the equivalent of thousands of dollars. They are displayed on ceremonial occasions, and exchanged at noble marriages. Sometimes during quarrels, pieces were cut from them and publicly given to the offender. That person was then obliged in turn to break a copper to protect his own name. The most valuable coppers have been cut and patched many times.

Culture
Kwakwaka'wakw
Material
copper ore metal
Holding Institution
The Burke: University of Washington
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Rattle25.0/303

The copper theme is repeated in this ceremonial rattle in the shape of that esteemed object. The face has been shaped by pounding into a rounded bulge, and a similarly rounded piece of copper has been soldered to the back, forming a cavity that holds a number of small stones, or perhaps lead shot. The characteristic T-shaped ridge appears on the lower section. (Holm, Crooked Beak of Heaven, 1972)

Culture
Kwakwaka'wakw
Material
copper ore metal
Holding Institution
The Burke: University of Washington
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Copper25.0/302

Coppers vary widely in size, but this one seems too small for actual use as a copper. It may have been made for some decorative use. The fact that this copper is made of brass weighs against its use as a real copper. A face is painted on the upper, flaring section, and there are stripes and stars on the two sides of the lower part. (Holm, Crooked Beak of Heaven, 1972)

Culture
Kwakwaka'wakw
Material
metal and copper ore metal
Holding Institution
The Burke: University of Washington
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Tapa ClothC1335

The cloth is rectangular and natural coloured with patterns painted in brown and black. The patterns are arranged in horizontal bands. The bands on the top and bottom edges are repeated brown lines. The next band is made of black squares with two natural coloured flowers in the centre and el borate diamond and triangle borders. The next band has a black background with repeated natural coloured, three-prong figures. Another band has a black background with a natural coloured chain pattern. The final band has natural coloured parallelograms with a central flower and scored edges on a brown background. The cloth is made of two pieces joined together.

Culture
Fijian
Material
mulberry bark and paint
Made in
Fiji
Holding Institution
MOA: University of British Columbia
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Tapa ClothC1253

The cloth is rectangular and natural in colour with designs painted in black and dark red. There is a narrow border along the edges decorated only with bunches of four red lines. Inside the borders are four horizontal panels. The first panel is wide and has large natural coloured flowers repeated on a red background. The next panel is thin and has natural coloured diamonds on a black background. The next panel is thin and has natural coloured, elongated X’s separated by double lines on a black background. The final panel is wide and has red sunburst designs bordered by triple rows of triangles on a natural coloured background. The cloth is made of two narrow pieces of cloth joined together in the centre.

Culture
Fijian
Material
mulberry bark and paint
Made in
Nalebaleba, Fiji
Holding Institution
MOA: University of British Columbia
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