Very long, narrow, black and grey textile, decorated with many horizontal rows of resist-dyed or painted red disks that are overprinted or stamped with black cross-shaped motifs, like petals of a flower. Sections woven with wool or goat hair yarns alternate with sections woven with cotton yarns. Long black fringes at each end are made by tightly twisting the warp yarns.

Off-white cloth, printed with stripes, fruit and leaf designs.

Rectangular, multi-coloured silk ikat bed cover or wall hanging, backed with machine printed, floral cotton textile. On the ikat side are 25 narrow vertical stripes of seven-colour warp-face ikat designs, separated by narrower, unpatterned green, yellow, or red-purple stripes. The weft is bright pink, giving the piece an over-all rosy appearance. The machine printed cotton backing textile is predominantly red, with brown, tan and white details, and the piece is bound on all four edges with bias cut green silk textile. Several lengths of ikat textile were pieced together to achieve the desired width.

Rectangular, multi-coloured silk ikat bed cover or wall hanging, backed with red, white and gray-blue machine printed cotton textile. The patterns on the ikat side are large and boldly colourful and are composed of six-colour warp-face ikat designs on three narrow vertical panels that have been stitched together to achieve the desired width. The silk weft is bright pink, giving the piece an overall rosy appearance. The cotton backing textile is loosely attached to the ikat silk with running stitches made with red thread. All edges are bound with green silk bias binding.

Rectangular, multi-coloured silk ikat bed cover or wall hanging, constructed of three lengths of bright pink, white, blue-green and yellow warp-face ikat silk satin textile, seamed together vertically, and loosely quilted onto a backing of machine-printed cotton textile. The backing textile is pieced from two floral prints, one with orange and brown predominating, the other with red, yellow and brown predominating. The object is bound on all four edges with bright yellow-green silk dupioni textile, which forms a narrow edging on the front and a wider border on the back. Possibly used as a bed cover for a bride and groom.

A woman's Durndl skirt made of medium blue cotton broadcloth printed with small pink and yellow flowers with green leaves. Gathered onto waistband. Side or centre back opening with a button closure on the waistband and an elastic sewn to the inner waistband. Machine sewn hem.

Two winged birds with textured bodies, black beaks, feet and a black sword like object between the wings. Between two birds is a a red face-like image with white eyes and nose. Bottom line reads; "Winged images stonecut 50/50 Dorset 1975 Ikayukta." Stamped with names of artist and printmaker in Inuit syllabics in monogram form with Cape Dorset stylized igloo in upper right corner.

Print depicting two igloos with a bird on top of each one. There is a dog in front of the left igloo and a woman in the doorway of the right igloo. On the right side is a sled with a figure standing below it. Inscription below print reads, "69 Eskimo Camp Scene 50/50 Pitseolak 1967" with the artist's (?) name written in Inuit syllabics. Canadian Eskimo Arts Council's blind embossed stamp in lower corner on right.

Hunting-fishing scene comprised of animals and human figures. At top left a seal above an animal with two teeth above two animals standing on hind paws, all facing to right. From middle top three human figures, middle one holding line attached to seal, one to right a female. Middle button had two humans, one on left facing with ulu, one on right in profile with spear and fishing weight. Right side has one bird facing two seals. Bottom line reads, 22/50 Kiakshuk #35. Canadian Eskimo Arts Council stamp of approval and Cape Dorset stamp blind embossed in lower right corner. The print is hinged to white mat board.

Three black figures on white ground. Animal figure with bared teeth at lower left, with horizontal human figure with pointed cap with pom pom stretching a hand to touch animal. At right large bird-like figure with animal head faces animal. Bottom line reads, "20/50 1963 Spirit with animals Ananginak." Stamped with name of artist and printmaker in Inuit syllabics in monogram form. Canadian Eskimo Arts Council stamp of approval embossed in lower right.