Carp-shaped windsock, decorated in bright colours has open wired mouth and circular eye rimmed in yellow, black and purple. Gills are yellow, scales are red and edged in white and black. There is a green teardrop-like mark and yellow fan lines on narrowest part of each scale. Straight yellow, red and black lines are painted on the tail.

Large, rectangular, cotton textile with light white brown base and hand block printed in black on one side only; plain weave; circle floral motif; concentric circles going into center. Centre has red-orange blotch of paint on the printed side. Two lengthwise selvage sides, and two ends are cut.

Large, rectangular, plain weave cotton textile with light brown base and hand (?) block printed with red and black dye all over; only on one side. Band of black with red floral and vine pattern; strips of black and light white brown, red base with leaves and flowers of black and red. Centre has square with large triangle in centre; outside triangle squares consist of a woman in profile, red, and other other square has elephants which are decorated, on red background. Edges of triangle has checked border in red on light white brown background. Outside large square paisley leaf motif. Two selvage sides lengthwise; two ends cut and frayed.

Rectangular book with crinkled paper covers; pages have folded edges to outside; free edges and cover are bound in Japanese style with yellow thread through four holes. Cloth reinforcements at bound corners. White label printed in black and red characters on front cover for Japanese text (opening from left). Inside covers are red-brown; white scalloped 'lacy' paper on Japanese text side. Opening on right reveals English text.

Cardboard folder (a) encloses five (b-g) thin cardboards, numbered, 'Papers of the World' supplementary sheets, each has six labelled square samples in two horizontal rows of 3. Samples on No. 1 (b) are from China, all are white or near white except centre bottom (1-5) which is light white-brown. All have closely spaced horizontal and some have wider vertical watermark pattern. 1-1, 1-2 and 1-5 are wrinkled. Sheet is creased at bottom and left and along top left to centre. Samples on No. 2 (c) are all from China, 2-1 is near white, lined watermark, diagonally creased; 2-2 to 2-4 are light white/brown, darker fibres and lined watermark; 2-5 is pink with swirls of various densities and colour; 2-6 is white, lined watermark and darker fibres. Slight crease at bottom left of sheet. Samples on No. 3 (d) are from Korea, 3-1 is white and fibrous, 3-2 is thin, light white/brown; 3-3 is near white, 3-4 is light white/brown with numerous darker flecks and flakes; 3-5 is blue on top surface with green hair-like fibres; 3-6 is light white/brown with fibres. Samples on No. 4 (e) are from South and Southeast Asia, 4-1 is light white/brown with darker fibres and a plain-weave-like watermark; 4-2 is light white/brown with dark flecks, thin; 4-3 is slightly darker; is stiff, brown with dark flecks and watermark lines; 4-5 is white with some dark specks; 4-6 is stiff white/brown with horizontal lines and darker flecks. Samples on No. 5 (f) are from India and Europe; 5-1 is stiff, near white with horizontal ribbed lines; 5-2 is brown with darker flecks and lined watermark; 5-3 is light white/brown with numerous darker flecks; 5-4 is dark grey with horizontal lined watermark; 5-5 is near white with imbedded leaves and plant material; 5-6 is stiff light yellow/white with pebble surface. Samples on No. 6 (g) are from Italy and England, 6-1 is light grey, slightly ribbed horizontally with ragged right edge; 6-2 is light is light white/yellow; 6-3 is near white, pebbled; 6-4 is white card.

Stiff, rectangular, blue, horizontally crinkled paper folder enclosing washi paper samples; printed black and red on off-white label on front in Japanese and English, listing samples. White-brown inside with same horizontally crinkled texture. Folder has box-like shape with three half-sized flaps at top, bottom and left, and a full-sized cover flap opening overtop from left to right.

Rectangular book with crinkled paper covers; pages have folded edges to outside; free edges and cover are bound in the Japanese style with yellow thread through four holes. Cloth reinforcements at bound corners. White label printed in black and red Japanese characters on front cover for Japanese text (opening from left). Inside covers red-brown and white scalloped 'lacy' paper on Japanese text side. Opened on right reveals English text.

Closing fan with thirteen inner ribs of split bamboo and two varnished bamboo parent ribs. Covered on both sides with ecru-coloured paper printed on one side with scene of snow-covered mountain, green and yellow mountainside, and black trees. Inscription of nine Chinese characters in black, with two-character red seal.

A closing fan with eleven inner ribs of split bamboo and two bamboo parent ribs. Fan face is of white paper front, and back, edged with silver paper on the top, and painted with a design of shamrocks and grass with two red seals, and a menu for August 20, 1924 in French. Fastened with a brass rivet which is broken. Design is in black, grey, green, and silver.

A closing fan with twenty-three inner ribs of split bamboo each with a butterfly(?) design burned on the base of each side and two parent ribs of bamboo each with a burned design. Each parent rib is set into a dark rosewood piece through which the brass rivet passes. Fan has light brown paper on one side only, on which a dinner menu in French is printed for June 10, 1929. Attached to the rivet, there is a knotted white silk cord, 17.5 cm. long, on which is strung an orange glass bead (red jade?). At each end of this, there is a knotted flat tassel of braided white cotton bound with gold coloured metallic thread.