Profile arched blackfish with the head on the left side. Has red designs on the snout and the cheek. An open black mouth with upper and lower teeth and a red tongue. Reclining female figure in the centre of the fish has a frontal head with a lower lip labret and a profile body containing an embryo. Base of the dorsal fin has an ovoid with a frontal human face wearing a segmented high crowned hat and a four fingered hand at the top of the fin. At the base of the pectoral fin, there is a diagonal ovoid with a frontal face. At the base of the tail fin, there is an ovoid with a frontal human face. Black and red designs on the lower portion of the body. Artist's initials are below the tail fin on ther right. Pencil inscription across the bottom edge reads '45/195 22/2/78 BLACKFISH Roy Henry Vickers'. The print is on a vertically rectangular, light brown paper piece.

Red profile curvilinear sitting eagle faces side on right. Head: pupils in extended pointed eyelid lines within ovoid eye area; u form at left has interior u forms and long tapering extension from underside joining to body; short downward curved open beak. Body: ovoid has partial profile face; hand with palm outward facing at side on right, ovoid and u forms on palm; u forms below main ovoid has interior u design; bent leg with claw from base of u form. Below image from side on left: "Eagle Spirit 143/199 N. Tait Dec.'77."

Hooded human upper torso surrounded by three long-eared owls with textured feathers; two seagulls; six green and two brown leaf shapes. Elongated curvilinear cloud-like form. In lower corner on right stamped name of printmaker in Inuit syllabics, Cape Dorset stylized 'red igloo' seal, name of artist in Inuit syllabics. Below image from side on left: "Owls and foliage stonecut 37/50 Dorset 1977 Kenojuak." Canadian Eskimo Arts Council's blind embossed stamp in lower corner on right.

Orange girl’s yukata (浴衣), a casual summer kimono with printed pattern goes with sash (Ed5.2933 b). The neck and centre opening are edged with a patterned band. The sleeves are short with a rounded outside corner and an opening under the arms. The yukata is constructed of nine rectangular panels. The front panels are tucked from shoulder to hem. The pattern has morning glory, peony, chrysanthemum, water, bird and scroll motifs in orange, red, white, purple and green. The inside is unlined.

Pink damask Furisode (振袖) with printed pattern. The neck and centre opening are edged with a wide patterned band. The sleeves are short with long hanging panels and an opening under the arms. The pattern has sprays of morning glories, branches of white and pink cherry blossoms in white, red, pink and blue-gray. The damask is woven containing flying crane and checkered fan motifs. The kimono is constructed of nine rectangular panels; front panels tucked from neck to hem. The inside is unlined.

Silk rectangular sash with unfinished edges on narrow ends; weave creates repeating flower and leaf pattern on alternating horizontal red and black lines and tie-dye spots. Pin-wheel pattern at centre, graduated sizes in triangular form; each wheel consists of five black circles joined to small black circular centre by grey bands, five radiating grey spokes extend from centre beyond pin-wheel.

Print depicting four children at centre with arms outstretched: the topmost child has an elongated torso, and the bottom child has a tail fin rather than legs. A woman carrying an infant, a dog, and a goose are on one side of the children, and on the other side are three fish and a goose. Below the image is written, "A Vision of Spirit Children StoneCut & Stencil 39/50 Dorset 1977 Keeleemeeoomee," and the artist's name is written in Inuit syllabics. The printmaker's name is printed in Inuit syllabics along with the Cape Dorset stylized red igloo seal at the top right-hand corner. The Canadian Eskimo Arts Council blind embossed stamp is in the lower right-hand corner.

Print depicting two women in parkas facing one-another, each with babies in the backs of their parkas, and with arms outstretched juggling three brown circular objects each. Two shorter male figures flank the women, and a dog stands to one side with four birds pictured in profile at the bottom of the image. The name of the printmaker is printed in Inuit syllabics with the Cape Dorset stylized red igloo seal in the bottom left-hand corner. Below the image is written, "Eelukitaq StoneCut & Stencil 38/50 Dorset 1977 Keeleemeeoomee," and the name of the artist is written in Inuit syllabics. The Canadian Eskimo Arts Council blind embossed stamp is in the bottom right-hand corner.

Print depicting an Arctic owl with its body in profile and its head front-facing. Below the image is written, "Oopik Lithograph 37/50 Dorset 1977 Kananginak," with the name of the artist written in Inuit syllabics. The name of the printmaker is printed in Inuit syllabics along with the Cape Dorset Co-operative stylized red igloo seal on the bottom right-hand side. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamps are in the bottom right-hand corner.

Print depicting two Canada geese with black heads, necks and feet, a white chin, and brown bodies and wings. One goose has its head raised and the other appears to be biting the ankle of the first goose. Below the image is written, "Nirlik lithograph 15/50 Dorset 1977 Kananginak," and the name of the artist in Inuit syllabics. The name of the printmaker is printed in Inuit syllabics along with the Cape Dorset stylized red igloo seal in the bottom left-hand corner. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamp are in the lower right-hand corner.