Circular white dish with thick flat base, shallow curving sides and fluted wavy rim. On one side of well is a spray with rose, tulip and other flowers; on other, a single flower. Small flowers and leaves on rim. Gold lip.

Green lead glazed ewer with slightly flared foot and a round body that goes into a neck that flares into another shoulder. A spout is attached to shoulder and handle is attached to shoulder and secondary shoulder in neck.

A shallow rectangular shaped dish with foot ring. The slightly convex sides slightly bow to the top edges. The four corners are slightly raised and have a single foliated design. The interior has a central medallion with a single floral motif while the sides are decorated with two boating scenes along the lengths and two floral designs along the widths. The exterior is decorated with flowers and three rings are painted around the foot ring. All designs are in underglazed blue. The underside of the bowl has a seal-like insignia, an inked number and an adhesive with inked letter and number. The seal-like insignia is unidentified.

A bowl with gilded scallop rim and foot ring. The exterior depicts plants and flowers of which two blue and two orange peonies are the most prominent. The interior depicts a bat amidst a peach tree. The underside has a six character seal in underglazed blue and two adhesives each with hand-written and inked letters and numbers. Seal is identified as being of the Jia Qing Period (1796-1820 C.E.) of the Qing Dynasty.

A bowl with everted rim and foot ring. The exterior is decorated with four gilt bordered medallions with various landscape scenes against a blue enamel background of scrolled clouds and incised feather motifs. The medallions recount scenes from the legend of the spinning maid and the cowherd. One medallion depicts a female figure encircled by scrolling clouds standing on a bridge of magpies while another depicts a male figure encircled by scrolling clouds on a cow atop a bridge of magpies. The remaining two medallions each depict the couple within a garden scene of gazebo, trees, rocks and stars. The interior is painted in underglazed blue with the couple and cow within a garden scene in a central medallion. Scrolling clouds and birds decorate the side. Bottom of bowl has a hand painted six character seal in underglazed blue and two pieces of adhesives each with handwritten inked words and numbers. Seal mark is that of the Qing Dynasty, Tao Kuang reign.

A bowl with everted rim and foot ring. The exterior surface is decorated with four gilt bordered medallions with various landscape scenes against a blue enamel background of scrolled clouds and incised feather motifs. The medallions recount scenes from the legend of the spinning maid and the cowherd. One medallion depicts a female figure encircled by scrolling clouds standing on a bridge of magpies while another depicts a male figure encircled by scrolling clouds on a cow atop a bridge of magpies. The remaining two medallions each depict the couple within a garden scene of gazebo, trees, rocks and stars. The interior is painted in underglazed blue with the couple and cow within a garden scene in a central medallion. Scrolling clouds and birds decorate the side. Bottom of bowl has a hand painted six character seal in underglazed blue and two pieces of adhesives each with handwritten inked words and numbers. Seal mark is that of the Qing Dynasty, Tao Kuang reign.

A predominantly blue, round, neckless jar with domed lid topped with a small hard relief peach with leaves. The mouth of the jar is nearly as wide as the diameter and has a small sloping rim. The enamelled glaze is thickly applied with stylized peonies alternating with flowering plants and three bats over stone chimes. These motifs are outlined in black and also decorate the domed lid. The interior surfaces are white and undecorated. Four character seal mark at bottom of jar. Two Chinese characters on jar rim and repeated on lid rim. The Chinese characters on jar and lid rim translate to twenty-three. The seal is unidentified.

Ceramic figure of Kwannon. Figure is feminine representation, kneeling on one knee and holding a scroll in both hands, with hair dressed on top of head, covered by a high headdress. Robes, in several layers, are white with light blue/green edges, enamelled overglaze with white dots and scroll patterns, and with blue, green, red, and hold leaf designs. Figure has red and gold waistband, gold necklace and hair ornament.