A pair of skin moccasins with the sole, which is tanned hide, sewn onto the side. Main beadwork design consists of three yellow, red, green, and dark blue triangles on a white background outlined with an alternating pattern of red and yellow triangles separated by red and yellow vertical lines, respectively, on a light blue background. Thinner hide for ankle cover. There are long tie-laces.

One rawhide skin moccasin with the sole sewn on and sewn up the back. Fringe at back and on tongue. Cotton binding on top of ankle pieces. Beaded on top with a large green triangle from which emanates two dark blue protrusions on a light blue background outlined with dark blue. The sides are beaded with red triangles having a yellow centre and outlined with dark blue on a light blue background.

Rifle cover made of hide with beaded panels and a 38 centimetre long twisted fringe at the stock end. The beading is symmetric at the barrel end, but different motifs are on each side at the stock end. Thinner end has same double-sided design of a red zig zag line with pink and yellow triangles on one side and with white triangles with dark brown rectangles emanating from the rim on the other side, all of which is surrounded on three sides by an outline of black bow-tie-shapes on a light blue background. Thicker end has a dark brown x-shape on a white background with two dark blue diamond shapes outlined with red on opposite ends of each other of the 'x' and with two sets of four black rectangles on opposite sides of each other of the 'x'. The other side has a yellow and light blue diamond shape outlined with red on a white background with four cross shapes, one at each corner. Thicker end is surrounded by red triangles with a central vertical yellow line on a light blue background. Pieces of red wool are woven into the ends of two lengths of fringe.

Round, brown basket with a flat bottom and flared sides. Base is made from a circular birch bark panel with a white, green and pink leaf design of stitched porcupine quills in the centre and alternating white and pink quills around the rim. Two bands of coiled sweet grass with a single band of zigzagging open work between them comprise the sides; coiled sweet grass sides are all stitched with black thread.

Flat, round mat with a central, circular birch bark panel. Birch bark panel was originally embroidered with a quill work pattern, from which most quills are now gone; rim of panel is ringed with pink quills. Encircling the central panel are alternating bands--three and two, respectively--of coiled and zigzagging open work sweet grass, all stitched with black thread.

Flat, round mat with a central, circular birch bark panel. Birch bark panel was originally embroidered with a white, four-leafed quill work pattern, from which most quills are now gone. Encircling the central panel are alternating bands--three and two, respectively--of coiled and zigzagging open work sweet grass, all stitched with black thread.

Model kayak made of mottled brown skin stretched over a wooden frame (part a). A parka-clad figure with face and hands made from carved walrus tusk (?) sits in the cockpit. Parts b--j are various model harpoons and gaffing devices--all made from wood, tusk, metal, and skin--strapped to the top of the kayak with skin straps. Also included is a dark brown model seal bladder float (part k) attached to the kayak via a skin harpoon line tucked underneath the human figure's right arm.

Diamond-shaped, decorative hood for a horse, densely embellished with embroidery that the black cotton background textile is all but obscured. The embroidered design is laid out on a grid of squares, with alternating mirrors and floral motifs in the cells of the grid; pompoms and glass beads are scattered through the design field. Two large, circular openings near the top of the piece are bordered with rows of mirrors alternating with circular embroidered motifs. There is a similar border of mirrors and circular motifs around all four edges of the piece. Fragments of fibre tie cords are attached to the top corner and at the sides, near the circular openings. There are remnants of a fringe of clear glass beads on all four edges. The piece is lined with red, white and black machine printed cotton textile, which has come loose in many places. Overall colour is maroon, lilac, black and gold.

V-shaped, multicoloured, embroidered, decorative band. The 2 “arms” of the band are decorated with a repeated, square, embroidered motif, perhaps representing a natural object, such as an animal, bird or plant. All motifs are identical to each other in design, but differ in colouration. At the inside edge of the V is a strip (13 mm) of multicoloured, slanted Greek key motifs which has been embroidered onto an open-weave textile, then appliquéd onto the piece; the outer edge is finished with a narrow strip of black cotton textile. The lower edge of the V is finished with green commercially-made fringe (14 cm). The piece is underlined with pastel striped cotton textile.

Sleeveless dress with blue bodice and black skirt. The bodice has a v-neckline edged with floral trim. There is a black velvet band at the waist with metal hook and eye closures. The skirt is gathered in the back, plain in front. The upper inner lining is printed cotton with a stripe and floral pattern.