Oval-shaped metal box (part a) with a lid (part b). The box (part a) has a pattern of diagonal bands that have crescent u-lines within. The lid (part b) has a geometrical pattern of triangles in horizontal bands. Fastened together with staples.

Large circular argillite plate carved with figures of halibut, sculpin, humans and frogs and inlaid with bone. [CAK 17/05/2010]

Wooden, carved bird mask with a very long straight beak. Beak has rounded end and movable lower mandible. Shredded cedar bark at top of head has five feathers, three brown and two white, and down. Twisted cedar bark nailed along upper rim, sides and lower, unraveled ends on either side of elongated rounded protuberance at base of beak; long bent brow above orange eye area which is curved and pointed at base of beak, pointed eyelid lines have red optic liners, circular pupil; u forms on temples; conical protruding nostrils have circular ends and u forms along length; black beak has series of u forms above and below red lip band; lower mandible is slightly longer than upper beak. Frontal bird face at base of lower mandible with black and white circular pupils in orange eye areas, black broad nostril nose with circle at centre for tip of beak, white band around red continuous lip band, bared teeth. Lower mandible attached to base of head by leather hinges that have been glued and stapled into place; operated by cord tied and passed through 2 metal 'eyes' on interior of beak, looped around a wooden ball and attached to the centre of a short stick; nylon line looped and tied through two holes at base of head. Signed 'Hok Hok Beau Dick 80.'

Hat composed of braided strips of palm leaf sewn together with red cloth folded over the rim and stitched in place. Two strips of red cloth run over the crown in a cross shape with mutlicoloured yarn ornamenting the top, and four smaller red fabric crosses placed around the brim. A beaded band of orange, green, blue and yellow flowers on yellow with black borders is tied with blue cord around the base of the crown from which extend seven groups of white feathers. The feathers rest on the brim and are joined with lengths of orange cord, the ends, placed behind the beaded band, are knotted and extend beyond the band at the top. Along the underside of the rim are 15 beaded floral square tassels with rectangular extensions. A chin strap of blue woven band with yellow horizontal stripes has twisted and knotted ends with floral beaded square tassels attached.

Deeply carved humanoid mask has black stained cedar bark strips folded, wrapped and tied to u-shaped ear projections and to upper edge of brow ridge; beneath cedar bark, between ear projections, red scallop-like design; ears have a series of rounded forms with a triangular form at base; large arched brows; deeply inset blue eye areas with black and white circular hollow eyes; hooked nose has curled tip resting on upper lip; rounded flaring hollow nostrils; deeply inset blue area around open mouth with protruding red lip bands; curvilinear t shaped design on cheeks; black and red coil at side rims meld with black chin. On reverse, thin wire is wrapped around a screw at each side rim and a nail at centre top to form a hanging device; red and black paint around eyes, nose and mouth; signed at side on right 'cockle hunter (Bookwus)' Glenn Tallio Nuxhalk Nation Bella Coola B.C.'87.

Wild man or Bukwus mask with three shades of green paint on a skeletal face, with red, white and black used to emphasize facial features. Red horsehair has been stapled to top rim and centre of dome-like forehead; on either side of forehead natural wood horn-like projections have been pegged and glued, projection on left is loose; black brows, outlined in white, graduate in size from bridge of nose to side orbital ridge; curvilinear design from brows to side rim; sunken eye areas with hollow eyes; hooked nose with hollow flaring nostrils; bulbous protrusion on each cheek; wide gaping mouth exposes buck-teeth of natural wood; black and white form line design extends from nostrils around mouth to chin; white line divides cheek and chin from jaw. On reverse, four leather strips pass through holes drilled at sides and top and artist signature. Small sliver of wood lifted from front at side on right; peg for horn-like protrusion on left visible on reverse.

Book of paper napkins with a blue cover and dark blue printing in English "Paper napkin for export" and a small blue elephant on triangular crest labeled "trade mark". There is a decorative dark blue border around the edges. The printing is on the back cover; the front cover is plain. Inside are three different sizes of napkins, usually bordered in flowers. Some are transparent with a self-pattern of spider webs. Two metal staples secure the book.

A rectangular foil mask with humanoid features constructed of three sheets of foil joined lengthwise by strap-like staples. The embossed features include a large nose, thin-lipped mouth, and teardrop-shaped eyes. The eye pupils are flat green stones, also teardrop-shaped.

Two sheet metal strips fastened together and folded to make a square. There are matching holes at the overlap. The top edge has twelve three-pronged protrusions which are broken off at varying heights. Hundreds of broken hooks are arranged in rows, covering the surface. Four unbroken hooks suspend metal discs. Many disc imprints are visible on the surface. Small areas of gilded surface are visible.

A rectangular sheet of metal with two broken ends and three rows of regularly placed, broken staples, parallel to the straight edges. Disc imprints occur below the staples. In between, are two rows of incised designs of interlocking step frets. Small areas of a gilded layer are visible.