Dark blue earthenware tankard on flat base with pewter mount, straight tapering sides, loop handle, pewter rim mount and domed hinged lid. Three horizontal bands with white floral scrollwork in centre, scale motif either side, on handle and adjoining rim.

Cylindrical jar with an indented waist, convex shoulders and base, short neck, outward flaring lip and foot. Oval medallion of bearded man on one side, large single flower on other. Blue bands at borders. Dark blue, blue, light blue-green on white.

Round container in the shape of a snail (part a), with a lid (part b) and finial in the shape of small bird. Painted in mottled blue on grey-white glaze, green ground as base.

Globular blue on white jug, ring base, loop handle, wide cylindrical neck, hinged grey metal, possibly pewter lid with knob. Blue crown on base, blue lines and dash borders at base, birds and flowers around body with band of crosses on neck, leaves on handle.

A celadon dish with gently sloping sides, a slightly grooved rim and a foot ring. The centre is moulded with a raised single fish, probably a carp. The cavetto is smooth with outside moulded petal decoration. Oxidized iron spots can be seen under the glaze on one side of the dish. The foot rim is unglazed burning a reddish-brown and revealing a grey clay body. Paper sticker with number in centre and inked letter and number is written on the underside.

Globular jar with relatively narrow base, neck and mouth. The mouth rim is slightly flared. The remaining two of the four lugs are positioned on the shoulder. The body design consists of three bands of incised floral motif. The lugs are deeply incised with parallel lines giving a rope-like appearance. The lip has a set of inked numbers.

A large plain white dish broken into two pieces across the centre and then repaired. The base is broad, flat, encircled by two raised rings, has no foot ring and is unglazed revealing a chalky white clay body. There is also an unglazed band around the rim. Grit adhesions on cavetto and the glaze is crackled throughout. A set of inked letter and number is written on the bottom.

Two circular kiln-attached celadon boxes with lids missing. The outer box has an exterior moulded with a series of vertical grooves, a glazed underside and unglazed foot ring. The exterior of the inner box is smooth and the interior is swirled with a brown glaze. Both boxes have ledge-like lips on which lids can sit. The glaze is thick and glossy. Where the glaze ends, at the lips of both boxes and the foot ring, it is reddish-brown. Where chipped, a grey porcelaneous body is exposed. A set of inked letter and numbers is written on the underside.

A reassembled cylindrical celadon incense burner, with several visible repaired cracks, three short tapering legs, sides which narrow slightly towards the base and a foot ring. The mouth is fully opened with the rim turning inward to form a narrow, almost flat ledge. The exterior is moulded with the eight diagrams or trigrams - a series of three broken-up horizontal lines in eight rectangles. Most of the centre, foot ring and the bottom of the legs are unglazed and have burned reddish brown. Where chipped, a grey porcelaneous body is revealed. A set of inked letter and number is written on the underside.

A deep celadon bowl with bulbous body and hole-bottom underside. The centre is slightly convex and raises to a small peak. Repairs to bowl are much more visible on the exterior surface than inside. Matte green glaze covers entire bowl except underside and a little area just above the base. Where unglazed, a reddish-brown body is revealed. A set of inked letter and number is written on the underside.