Jar made of grey-white, coarse-grained clay. Blue-green thick, glaze covers entire surface. Flat base, cylindrical shaped body, turns inwards only slightly leaving a wide-mouthed vessel with a flat rim, separated from the body only by a shallow groove. Near the top of wall are two small pierced lugs. A vertical band in relief decorated with three grooves is situated under each lug. Surface badly worn and gouged.

Orange, very gritty, porous clay lid, full of small to large white limestone particles, dark grits and large flakes of silvery mica. Surface badly pitted. Grey-white matt slip over surface. Hollowed out underside, convex walls, plain low, flat knob on top for hand hold; conical in shape.

Lid made of cream, fine-grained, hard-fired clay with a large quantity of gold mica; red slip. Flat ring base with deeply hollowed out underside, domed shape, large everted knob for hand hold.

Ceramic bottle made of light orange, fine-grained clay with a few scattered particles of white limestone and a large quantity of very fine silver mica. Hard-fired. Dark red-brown, mottled to grey-black slip, thin and matt. Flat, slightly raised base, oval shaped body, plain everted rim. Short, upward-pointing spout placed on shoulder. Graceful vertical strap handle, oval in cross-section, attached to rim and shoulder; rises well above the rim.

Amphora, made of cream, grainy clay, full of dark grits. Red-brown and black, thin, matt paint. Small conical foot at bottom and cylindrical between base and body, oval body with flat everted rim and flat vertical handles from rim to shoulder. Decoration consists of short strokes in groups on top surface of rim and handles. Edges of rim and handles outlined with a continuous line. Wavy line on neck. Band at junction of neck and body. Broad and narrow bands in black paint in central portion of body, surrounding one broad red-brown band. Black base.

Apulian black-figure style cup (kantharos) made of light brown, grainy clay. Hard-fired with thin black matt paint. Ring foot, rounded body below carination, which occurs approximately at mid-point, straight-walled above; flat everted rim. Two flat strap handles attached at rim and carination; rises above rim. Decoration consists of bands of paint on foot and rim; on one side a scene of combat with two warriors wearing knee-length tunics; behind them, two trident-like objects; cursory, stylized rendering. On the other side, two roosters facing one another across a lotus bud.

Oinochoe made of red, fine-grained, hard-fired clay. Red slip, burnished in places, covers the entire surface. Black paint. Low ring foot, globular body, short narrow neck, pinched rim to form a trefoil mouth, vertical-grooved handle from rim to shoulder. Decoration consists of two bands on neck at junction of neck and body, and one horizontal group of circles on shoulder intersecting with a vertical group on each face. Subsidiary decoration consists of small concentric circles placed in the field. Lines on handle and around lip. In upper area opposite handle are three long crossing lines.

Jar, made of cream, fine-grained clay with a few dark grits, hard-fired and light-weight. Exterior carefully smoothed. Black, thin, matt paint on a cream slip. Pyriform vase with a flat base and three vertically projecting, triangular shaped handles. Body narrows markedly toward bottom. Globular upper portion is covered with three rows of a black, scale-like pattern. Paint on neck and one band on top surface of rim. A broad band appears on the inside below rim.

Jug composed of clay with a grey core over-fired to a mottled red and black on the surface. The clay is gritty and full of white limestone particles. Painted with off-white linear designs in horizontal and oblique bands on the neck and body to imitate rush or straw binding. The jug has a ring base, a pyriform body, a tall narrow neck, and a short upward-turned beak-like mouth forming a spout. A strap handle extends from neck to shoulder.

Miniature buff-yellow clay jug with one handle and black designs. Jug made from fine-grained, hard-fired clay with a yellowish-white slip over entire surface. The squat broad body sits on a low ring foot. The shoulders slope in sharply at the mid-point to a narrow with a handle ridge. The rim is everted. The vertical handle is attached at the ridge and shoulder. The designs are painted with a gray-black matte paint. The designs consist of a ring of triangles on the rim and three horizontal bands, two straight and one wavy, on the neck. There is a frieze of concentric circle ornaments on upper half of body below which is a group of horizontal bands. There is a band just below the shoulders on the lower body.