Small lekythos in mottled grey to reddish fine-grained clay with a few white limestone particles and fine silver mica. The jug has a black lustrous glaze, a raised ring base, a broad tubular body, a narrow neck, a trumpet mouth, and vertical strap handle that extends from the base of the mouth to the shoulder.

Black glazed cup made of orange-red, very fine-grained clay; black glaze is quite thick, semi-lustrous on exterior, matte on interior. Broad reserved ring on base. Low ring foot, shallow curving walls with tiny stepped ledge below lip, plain rim, two vertical ledge handles with small protruding lug at top outside edge.

Red-brown clay jug, fired to a grey-buff on the surface. Coarse-grained and full of small light and dark impurities, porous. Flat base, body rounded in lower half where it reaches its maximum diameter then becomes straight walled as it narrows to rim. No neck; plain tall rim, slightly everted and flattened on top. Flat vertical strap handle attached to rim and lower portion of body. Lower half of body bears broad shallow ridges.

Tall circular jar, wider at shoulder than base; short narrow neck and thickened lip. Three perpendicular calligraphy figures on one side; five on the other. Small paper sticker on mouth reads 'Made in Japan'. Cork on bottom.

Grey-bodied stoneware bowl on single ring pedestal base with flat outturned foot. Body has straight sides expanding to mouth with outturned rim. Slightly crackled grey glaze enamelled overglaze in red, orange, black, green, brown, white and yellow. Design on outside includes (bottom and top) zigzag band of black lines enclosed by black bands, band of red inverted square u-forms outlined in black; band consisting of four rectangular panels containing four different plants, space between panels filled with red brocade pattern; brown band with black frets. Black and red band inside rim. Two character mark 'great mountain' in lozenge.

Grey-bodied stoneware bowl with crackled glaze, on single ring pedestal base with straight sides expanding to mouth, and outturned rim. Enamelled overglaze in four shades of green, yellow, red, black, white and light red. On outside is band 6.5cm wide with overall floral, leaf and irregular scroll design and two peacocks. On inside of bowl at bottom are three oval patterns in light red outlined in yellow arabesques, surrounded by band of half marquises in black, white and grey. On inner edge of rim is band of squat half-marquises enclosing elaborate t-forms in black white and grey.

Clay jug made of light orange/red, fine-grained, hard-fired, full of white limestone particles and dark grits. Grey/white slip covers entire surface. Grey/black and red, thin, matte paint. Originally spouted vessel has a low ring base, oval shaped body, short narrow neck, flaring mouth and vertical handle from rim to shoulder. The decoration consists of a black band on neck, a band at junction of neck and body, a frieze of concentric circles on shoulder, a large group of black bands framing two broad red bands in central portion of body, a broad black band on lower body, strokes on handle and three rings on the inside of the mouth. Spout missing.

Grey, clay jar with a cream slip. The jar has a round body and stout neck with a turned rim. There are two tall, semi-circular handles on either side. A black geometric design of diamonds, lines and dots is painted around the body.

Octagonal, grey bodied stoneware dish, or bowl, on flat base with glazed ring foot and several rough spur marks under base and on foot. Sides are thick (0.5cm), straight and slightly flared. On outside of each facet is a white trapezoid, enclosing a design of two stylized white chrysanthemum patterns, with leaves and stems in black. Above and below trapezoids are white lines around circumference of bowl. Inside bowl on each facet is rough design of three leaves in white slip, above which is a line and a band of geometric pattern. Heavy grey glaze, somewhat crackled, with dark spots.

Bottle of red-bodied ? stoneware, on round base expanding slightly to sides of bottle, which are seven-facetted. Sides contract slightly to neck, which is narrower and round, then flares to round concave rim. Sides are translucent, covered with grey-white glaze, uneven and pitted, with heavy layer of red-brown clay adhering around base.