Small roughly shaped wooden violin (part a) has scroll-like end, peg-box with four pegs, thin white cord looped and tied around one end of peg-box, fingerboard extending downward from peg-box, four metal strings with one end of each string looped around a peg and the other end passing through a hole in the tail piece, looping over the string and is twisting, on two strings at tail piece are metal circles with short yarn fringe. Small dark brown cleaver-like instrument attached to string on right by thin white cord. Small square piece of wood beneath end of tail piece. Looped and knotted palm fibre cord passes through holes in end of tail piece and around knob glued to bottom back. Two s-curved sound holes cut into sound board on either side of strings between fingerboard and tail piece. Sound board, sides, back and fingerboard are glued together. Bracket (part b) bow has 38 calibre gun shell cartridge at one end, cloth-strip wrapped and tied at end of cartridge, multiple strands of horsehair emerge from cloth and extend down length to pass through hole in opposite end and are knotted.

Circular based chair has rectangular back and curved armrest with same decorative intertwined bamboo splints. Bamboo splints interwoven in plait-like weave on seat, surrounded by bamboo grass tied with bark. Support of 2 inverted v shaped branches, one part of branch in base the other extends behind chair; all joints affixed with black glue. Criss-crossing bark under seat, and wrapping around rim underneath gathered bamboo grass. Base: wide smooth overlapping wood strip forms circular base; crisscrossing bamboo strips extend upward from base to wooden rim at bottom of chair seat. Black adhesive is used on all joints.

Bee mask. Slightly rounded white forehead has a black and yellow horizontal curvilinear design, red ovoid at centre of yellow; raised thick curved black brows; thin yellow line joins orbital areas at dip between forehead and large protruding bulbous snout; yellow round hollow protruding eyes with black and white bands around pupil; snout has black triangular shape at top and bottom joined by a narrow band, black outline; cluster of five holes, top hole on right has remains of 'stinger'; white, yellow and red crescentic designs around circular white hollow nostrils; white temple; defining line for cheeks melds with orbital ridge; curvilinear black line on cheek; square-like white line defines black split U on either side of mouth area; white and yellow bands around small pointed protruding red lip band, painted design converges at lower lip point; yellow triangle on upturned chin is outlined in white. Cut cedar bark, tied with white cord, folded around a folded orange-pink cloth and nailed to upper rim; white cord and red cloth are twined into the cedar bark lengths; at side on right folded white cloth, stitched with yellow thread, is nailed at temples; brown cord twined into first 7cm. of bark. On reverse, one brown cord passes through two holes in upper rim, looped and knotted through hole at each temple; second cord is looped and knotted through chin.

Wild man or Bukwus mask with three shades of green paint on a skeletal face, with red, white and black used to emphasize facial features. Red horsehair has been stapled to top rim and centre of dome-like forehead; on either side of forehead natural wood horn-like projections have been pegged and glued, projection on left is loose; black brows, outlined in white, graduate in size from bridge of nose to side orbital ridge; curvilinear design from brows to side rim; sunken eye areas with hollow eyes; hooked nose with hollow flaring nostrils; bulbous protrusion on each cheek; wide gaping mouth exposes buck-teeth of natural wood; black and white form line design extends from nostrils around mouth to chin; white line divides cheek and chin from jaw. On reverse, four leather strips pass through holes drilled at sides and top and artist signature. Small sliver of wood lifted from front at side on right; peg for horn-like protrusion on left visible on reverse.

Humanoid face mask with long brown hair glued into twenty drilled holes in the upper rim. Split red u along with an ovoid and a diagonal form line design on the forehead. Pointed downturned eyelids. Hollow tapering semi-oval red eyes are surrounded by a green area above connecting across the bridge of the nose in between and over to the right side of the mask. Red ears. An eight red rounded point design surrounds the mouth and extends on to the cheek area and the nose. On the reverse, there are six holes on the upper rim, hair and glue in two holes. Small piece of wood glued between the mouth and the nose at the back. Two holes are drilled into each side of the mask at eye level while a length of string passes through the holes and is tied.

Clayoquot wild man face mask that has fur nailed and glued to the upper rim and to the protruding eyebrow ridge, end fur on eyebrows melds with the fur on the rim. Three semi-circular grooves on the forehead. Two shorter grooves extend from the upper rim to the eyebrow ridge. Hollow semi-oval eyes. Three semi-circular grooves on each cheek. Hook nose with black nostrils. Light wash of green paint on the forehead, the eye area, the cheek, and the nose. Mouth protrudes in a pursed-like shape with black lips. Pointed upturned chin. On the reverse, there are two metal 'eyes' screwed at eye level while a leather strip is tied to one eye. Signed 'Clayoquot Wildman J. David 80'.

Bee mask. Black split U covers most of slightly rounded white forehead, two white square-like forms in either side of U; across forehead, dark purple-red line, varying in thickness and shape, seven diagonal lines over brows; brows protrude at bridge of bulbous snout and taper flat at temples; thin line joins small yellow orbital areas at dip between forehead and snout; circular hollow protruding white eyes are outlined in black; snout has central black band outlined in white, black, white and red crescentic bands around yellow nostrils with red interiors; five evenly spaced drilled holes at centre of snout have remains of 'stingers'; defining cheek line melds with orbital ridge; white temple and cheeks; black line emphasizes contours of cheek, jaw line and upturned rounded triangular-like chin; dark purple-red sickle-like shape on cheeks; red lip band has yellow outline. Cut cedar bark, tied with white cord, and nailed to upper rim; cedar bark lengths are folded around an orange-pink folded cloth nailed to upper rim; white cord and red cloth are twined into cedar bark lengths; grey cloth nailed to back upper rim beneath cedar bark, two narrow strips of dark purple-red cloth are sewn with black thread at sides, edge at side on right is stiff. On reverse, two lengths of green cord, one passed through two holes in upper rim, looped and knotted at hole in each temple; second length is looped and knotted around first cord; white cord binds green cord from upper rim; light brown cord looped and knotted through hole in chin. Jagged check at upper edge of orbital area on right.

Bee mask. Slightly rounded white forehead has black U in upper centre, black triangular-like form with red ovoid outlined in white at lower centre; curvilinear dark purple-red and red lines above curved black brows; yellow orbital areas are joined by a thin line in dip between forehead and bulbous protruding snout; circular hollow protruding white eyes outlined in black; snout has black centre and outline, yellow and white crescentic bands around red hollow nostrils, five holes in snout, three in the centre and one above each nostril, four have the remains of 'stingers'; curvilinear black lines emphasize cheek contours and narrow flat upturned chin; white and dark purple-red bands also emphasize chin. Cut cedar bark, tied with white cord, and nailed to upper rim; cedar bark lengths are folded around an orange-pink folded cloth nailed to the upper rim; white string and red cloth are twined through the cedar bark lengths; dark purple-red cloth is nailed to upper rim beneath cedar bark, two seams with greyish material on either side. On reverse, string passed through two holes in upper rim, looped and knotted through a hole in each temple, black string is knotted to string from temples and to a piece of thick black rubber.

Black, white, and red wild man mask that has thirty-two holes drilled into the upper rim with strands of brown hair glued into each hole. Black dome-like forehead. Hollow circular eyes are surrounded by a sunken white eye area that extends downward into the nose that has curling hollow red nostrils. Wing-like white cheek ridges meld with the nose and terminate at the protruding upper lip. Upturned pointed chin. Pursed-like hollow open mouth outlined in black while the lips and the interior of the mouth are red. On the reverse, there are two metal 'eyes' screwed in at the sides of mask at eye level while a leather strip passes through both eyes and is tied. Signed 'J. David 84'.

Forehead mask of a woman, whose head is a rattle, sits on the forehead of an eagle; hair, black wire wrapped around ends, is inserted into eleven drilled holes on top of the woman's head; black and orange-red paint are used to emphasize features; front human head has black brows and eyes; wide flat nose has orange-red nostrils; wide continuous orange-red lip band; prominent cheek ridges; ears on either side of head; back of head is yellow cedar with flat face depicted in incised circle; black brows; circular black eyes; broad flat nose with orange-red nostrils; wide continuous orange-red lip band. Body, shown only on front, has arms slightly extended and bent, elbows and forearms rest on eagle's brows, hands are downturned; legs are drawn up next to chest, four black claw-like toes on each foot. Eagle has black brows with horizontal rows of short orange- red lines; black bulbous eyes; thin sharp beak incorporates wide orange-red lip band, flattened semi-circular nostrils on either side; orbital ridge melds with cheek ridge which follows line of lip band; triangular depressed area under lower beak. On reverse, a leather strip is attached to either side by a singular stitch of white waxed cord, cord is also tied around leather. Signed inside: 'B' 'D'/87 'Dempsey Bob Tahltan Tlingit.' Unpainted wood is finished with oil.