Faded rectangular band of woven cotton with geometric pattern of brown diamonds in supplementary weft; edges are woven in five bands of tan, red, brown, blue, and yellow. Ends bound together with strands from weaving. Excess binding is braided and strung with large seeds and metallic bells at each end. The bottom of the band has numerous strands of transparent beads of blue and red, along the entire length.

Two near identical beadwork tassels with seed endings. Tied together at top with excess strands. Each is woven in a like manner: six strands in white, purple and orange beads are woven into a cylinder with geometric patterns (diamonds and x's) in black, yellow, green, and red. The six strands then re-emerge from the cylinder, each ending in two seeds. A seventh strand, in green, purple, and red, and also ending in two nutshells, descends from the top of the tassel, through the cylinder, and hangs between the other strands at the bottom.

Band of beadwork joined by binding ends of strands together. Geometric pattern in beads: extreme edges are black, followed by a triangular pattern of alternating green, white, and blue beads, followed by an orange stripe. The rest of the band has a complex pattern mirrored around a vertical line slightly off centre, in yellow diamonds and red, blue, white, black, and orange beads in field.

Tall wooden drum. Smooth cylindrical wood; hollow; tapering from top to base. Light brown in colour; mottled brown hide stretched and tied with fibres to top, secured to pegs extending from side. A raised wide band near the base has six vertical bands of incised triangles; edges of band coloured black. Base flares from narrowest point, edges coloured black. Yellow chalk mark beneath base.

Fibre girth decorated with a central yellow geometric pattern of lozenges and triangles on salmon coloured background. Each end has two large tassels followed by a grouping of eight braided, fibre ropes that come together to form one long tie that ends with a small tassel. The underside has a similar pattern but in opposite colours.

Back strap loom (parts a-h) with associated pieces. An unfinished textile is stretched between loom end sticks (part a). The weaving has been started at the top of the loom. Loom is warped with multi-coloured stripes of solid and resist-dyed cotton ikat (jaspe). Detailed are black, yellow, green, blue, purple and white stripes on a red ground. Intertwined in the warp is a flat, rectangular batten with triangular, pointed ends (part b); a cylindrical shaped heddle covered in white twine (part c); two rectangular sticks of wood with semi-circular indentations (parts e and f); a shed role (part g) and two thin wooden sticks (parts d and h).

Three-dimensional male humanoid figure (part a); large head (part b) and jointed arms attached to controlling rods. There is a single controling rod that is pointed (part c). Cream coloured face positioned downwards with straight pointed nose, closed red lips. Hair, eyebrows, facial features, and eyes outlined in black. Red crown (mahkota) headdress with four-tiered diadem in gold, green, white, and black. Decorated with karawista, sumping, small Garuda Mungkur with siyung jawi and dawala in same colours. Long black hair falls in seven curls with gold highlights. Gold neck and torso; arms have green, white and red ornaments at wrists and biceps. Hands are held flat and bent back at wrist. Black chest covering and apron with white wavy trim, sequins, beads, and wound wire in cross shaped patterns. Apron has black waistband, long yellow fringe at bottom. Batik skirt: beige with brown and lavender. Hand controlling rods are painted black.

Three-dimensional male humanoid figure (part a); large head (part b) and jointed arms attached to controlling rods. One single rod is pointed (part c). White face positioned downwards, with very straight pointed nose, red lips, white teeth. Hair, facial details, eyes outlined in black. Upswept curl (gelung supit urang) headdress in black, with gold diadem and lungsen defining frontal area. Large gold sumping on curl. Red and green decorations. Gold neck; black upper torso and arms, each with green, white, red and orange ornaments at wrist and bicep. Hands held flat and bent back at wrist. Black chest covering and apron with white wavy trim, and wrapped wire and sequins decorations patterned as a cross. Apron has black waistband and long yellow fringe at bottom. Long batik skirt in beige, blue, red, lavender, and orange.

Three-dimensional male humanoid figure (part a); large head (part b) and jointed arms attached to controlling rods. There is a single controlling rod that is pointed (part c). There is an oval-shaped cloth piece with green sequences and brown scalloped edging around it (part d). Red bib-like red cloth Green face (positioned downwards) with wedge shaped nose, bulging white eyes with red irises, red lips and exposed white teeth. Hair, sideburns, moustache, facial detail in black. Note lack of tear shaped detail on cheek. Large headdress in green, gold, red, grey, and black: large rear-facing Garuda Mungkur (short-tongued) with siyung jawi, two badong, long sumping and diadem. Neck and torso gold: body corpulent with large chest and belly. Gold and red arm ornaments at wrist and bicep of each arm. Hands held flat and bent back at wrist. Red chest covering and apron with brown wavy trim, cross shaped pattern in sequins and beads. Apron has red waistband and yellow fringe at bottom. Large batik skirt in beige, purple, and blue.

Rectangular shaped agave(?) fibre plaited strap with a large fibre loop at each end; looped through each is a long piece of fibre twine with a frayed end. The twine is made of two pieces of fibre twisted together; one piece is light purple.