Flute consisting of a large piece of loose skinned bamboo, bound with two sets of crisscrossing fibre and three cassowary feather rings at the top, middle and bottom. The stop of the flute is a carved kneeling man facing outwards with a crested bird standing behind him with its claws ? resting on the man’s head. The bird has a large extending crest on its head, long groups of feathers hanging from the side of its head and carved stylized detailing on its body. Both the bird and the man have cowrie eyes; the bird also has four tassels down the back. The figures and the fibre ties on the bamboo are covered in a black pigment.

A wide flat coiled bark belt with a pattern incised into the outside surface of the outer coil. The inside coil is entirely unadorned. The curvilinear pattern has human faces within the rounded borders of both ends. Lime white accents the pattern. Fibre and string run through a series of holes in one area. The belt ends are tongue-shaped.

A horizontal wood element of wood stained dark brown and carved to two pointed ends with a repetitive pattern underneath. Bird-like heads dominate both ends. Legs are of bamboo cut and wrapped around the horizontal, then bound with fibre to form two a-shapes.

Carved wooden basket hook consisting of a female figure with a long oval shaped face and a conical shape headdress that has a bird carved on the tip. The face has incised, tattoo-like detailing on the cheeks, a long nose, inlayed shell eyes and an open mouth exposing the teeth. The arms hang down to the knees which are slightly bent. The body is rounded; the genital area is exposed. The crescent shaped base has a stylized incised band designs that are incorporated into a central face that has inlaid shell eyes. Along the sides of the body is a rounded, triangular repeating design. The reverse is carved and decorated with various stylized designs. The wood is stained black.

Carved wooden yipwon (hook figure). Downward pointed hook shaped in the form of a human figure (part a). The figure is wearing a triangular shaped, flat headdress. The eyes are inlayed with cowrie shells, the nose projects slightly with a hollow septum, the mouth is small and incised while the chin is long and pointed. The body of the figure consists of opposed hooks encircling a central protrusion and two upward facing hooks appearing like human ribs. The frame hooks or back of the figure curves in slightly then ends with one human leg with a small foot and carved toes. The hook is stained black. Covering part of the figure’s head is a cassowary feather wig (part b) with skin that has been has been pierced in two places and fibre strands tied through.

Skirt composed of a rectangular blue cloth divided lengthwise into six squares. The skirt is divided into squares in three rows and six columns. Divisions between the squares are marked by white bands with light blue rope-like patterned borders. The squares alternate in a checkerboard fashion between patterns formed by small irregular whites circles and different designs formed by short white bands, all on a blue background. The blue ends have a machine-stitched finished edge.

Short bamboo section, bound with fibres and with fibre and feather rings at top and bottom. The stop is a kneeling man with a crested bird on his head. Both have cowrie eyes, the bird also has a row of fibre tassels on its back while the man has 1 in his nose. The bird also has a tuft of feathers on its cheek.

Bamboo pole bound with bamboo grass, covered with dark pigment, and divided by three rings of woven bamboo grass and dark feathers. The wooden stop forms a crocodile merging into a crested bird. Both have cowrie eyes; the bird also has a row of fibre tassels hanging from the back and a cheek mound with feathers, shells, and a fibre loop.

Flute formed by a bamboo tube, split its whole length, held together with rings and lashings of bark and with a hole in the side near the stop. The wooden stop has a kneeling woman, with a bird on top of her head, and a human head upside down behind her legs with black cassowary feathers adorning it. Cowrie shells are inlaid into the eyes, the bird's neck, and the human foreheads. There is hair on the human heads and another fringe of cassowary feathers at the open end.

Cattle bell made from a small whole tortoise shell that has two wooden clappers attached with rawhide thongs through two holes in the upper shell. Twelve complete geometric shape blocks on the top shell with an entire bottom shell as well. Geometric shape blocks have orange-brown middles and are black on the outside with contour lines.