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Dark brown shell cut in half, twisted and woven handle attached to one side. Fan-shaped handle has two double longitudinal ridged rows. Shell has a point at the end with three equally spaced vertical ridges around the sides.
Pair of light brown wooden snowshoes; one end is narrows slightly to an upturned, round tip while the other tapers to an extended point. Two wooden crossbars separate the rawhide mesh-like latticework into three main sections, with the latticework in the central section being of a thicker construction.
Pair of leaf-shaped brown wooden snowshoes; one end is rounded and upturned while the other tapers gently to a point. Three wooden crossbars separate the rawhide latticework into three main sections, with a mesh-like pattern at the two ends and a rectangular grid-like weave in the centre.
A woven basket with an oval shape that has upward and outward flaring sides. Simple geometric patterns consisting of two hour-glass-like shapes of purple and maroon on a natural background on each side of the basket at either sides of the handle. The handle curves over the basket from one side to the other and continues around the bottom with a reddish-brown woven zig zag pattern along the top.
Machete knife blade (part a) is straight, and flat with a point at the end, and three longitudinal grooves on each side. The handle is simple, and covered with leather. The sheath (part b) has black and white strips woven together over red leather.
A fine rectangular linen sampler showing variations of the technique of weaving with needle and thread. A centre medallion, worked in cross stitch embroidery, contains the date of 1767 and several sets of initials from the top right clockwise: CL, S, CS, CS, LS with B, and EK in the middle. The medallion is framed with bands of plain weaving stitch in red-brown thread. Ten rectangular sample blocks of different weaving patterns surround the medallion. The patterns include plain weave, twill weave, diamond pattern, check pattern, herringbone pattern, chevron pattern, and stripe pattern worked in two colours. One sample is multi-coloured. The samples are reversible. Decorative stitchery in all four corners. The left edge is a selvage while the other edges are finished with a rolled hem.
Woman's hat. Hat with ear flaps made of reindeer fur and lined with shearling lamb. Trimmed with a band of red wool fabric and rickrack in the front. Decorative tabs of yellow, green and red fabric inserted into crown seams. Ties of narrow (1.5 cm) woven red, yellow and blue wool braid, finished with wool fabric tabs.
Model winnowing tray. Tray is upturned at one end and flattens at the other. There is a thick band of pink coloured bamboo that lines the perimeter of the piece, inside and out. There are line designs painted on the interior with pink dye.
Model of an umbrella. A long handle (part a) is split at the end to make four prongs and is wrapped with brown bark(?). The handle attaches to the centre of the underside of the umbrella's top (part b). The top of the umbrella is cone shaped, is woven in a herring-bone pattern, is decorated with a thick band of pink woven grass in its centre and is outlined in black coloured woven grass. There is also a thick band of pink bamboo that is attached to the perimeter of the umbrella top by evenly spaced bamboo loops. Part c is a long thin stick with brown bark(?) twisted around one end. Part d is a long thin stick that has no bark twisted on its end.
Hina doll set. Polychrome figures on tiers covered in red are a set of hina ningyō (雛人形; hina dolls) representing the emperor, empress, attendants, and musicians in traditional court dress of the Heian period. There are five steps. Top tier: two figures sitting on a rectangular platform are dairi bina (内裏雛), representing the emperor and empress with another figure known as inubako (犬筥, “dog box”) to their outside side. Second tier: a seated figure in the middle with a standing figure at either sides and a lamp at each end are three court ladies known as san’nin kanjo (三人官女). Third tier: five seated figures are five male musicians known as gonin bayashi (五人囃子). Three seated figures in the middle hold drums, one seated figure holds a flute and another, a singer holds a fan. Fourth tier: two seated figures are two ministers known as udaijin (右大臣, minister of the right) and sadaijin (左大臣, the minister of the left) with two hishimochi (菱餅; diamond-shaped rice cakes) on hishidai (菱台; diamond-shaped stands) in between. Fifth tier: three seated figures between sakura cherry blossom and tachibana citrus trees are helpers or protectors of the emperor and empress known as shichō (仕丁) consisting of nakijōgo (泣き上戸; crying drinker), okorijōgo (怒り上戸; angry drinker) and waraijōgo (笑い上戸; laughing drinker).