Strainer woven from plant fibre with an unfinished opening at the top and tapering towards the base where the weaving has been gathered and tied with plant fibre twine.

Three-dimensional male humanoid puppet: large head (part b) fits into body with vest and skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a gold painted torso and arms. Hands bent back at right angles, fingers slightly curved upwards. Face painted white, with narrow straight nose, slit-like eyes, with lowered lashes and narrow red mouth. Face cast in downwards gaze. Cap-like headdress and with elaborately carved gold jamang, topped by garuda (bird-shaped ornament); also with upper sumping and ngore. The figure is wearing a black velvet vest with a beaded star-shaped pattern on chest and a gold sequin at the centre. The beads are clear with a frosted finish, and green. Dark red velvet beaded apron with three star-shaped, clear sequins and metal beads in a T-shape at the centre. Light purple, orange, yellow and off-white batik skirt.

A long rectangular blue silk gauze sari embellished with metallic gold representations with red, green, light blue, and dark blue of leaves, branches, and flowers. The motifs in the main design field are arranged in diagonal rows. The long edges are embellished with rows of gold acanthus leaf-like swirls, interspersed with red, blue, and white dots. There is a very narrow silver binding at the edges.

A woman’s headdress consisting of a crown and a broad panel that hangs down along the back. It is shaped from a piece of coarsely woven dark brown and blue textile and is heavily decorated with cowrie shells, red and white glass beads, and embroidery. The crown portion is embellished with closely-spaced rows of cowrie shells and a central strip of geometric shapes formed from red and white glass beads. There is a large brown and orange pom pom at the centre back. The “tail” is decorated with scattered small buttons of various kinds and small silver diamond-shaped ornaments. A costume jewelry brooch (gold with red and blue stones) is pinned in the centre. There is a strip of embroidered geometric shapes at the end of the “tail", and the bottom edge is finished with a braided fringe formed from the warp threads of the textile.

A piece of off-white textile. Raw edges on three sides, machine hemmed on fourth side, pieced at one edge.

Long white blouse with embroidery and attached petticoat. The blouse has a wide neckline gathered onto twisted red and white cord, tied at center front. There are two vertical bands of red embroidery down the upper front and back. The long raglan sleeves have underarm gussets and multicoloured embroidery and beading from shoulder to cuff. The embroidery has stripes, floral and geometric motifs in cross-stitch, tent stitch, chain stitch and satin stitch with glass beads and gold metallic thread incorporated into the designs. A plain petticoat is attached below waist; the hem trimmed with lace made by pulling and reworking threads. The seams have decorative hand stitching.

Long cream blouse with embroidery. The blouse has a keyhole neckline with embroidered trim, hand finishing and ties of twisted fibre. The long sleeves have underarm gussets and lace trim (made by pulling and reworking threads). The embroidery is arranged in vertical bands on the upper front and back and sleeve ends. The bands have black stylized vines and red flowers in tent stitch and cross stitch, worked with heavy thread. The plain petticoat is attached below waist; machine-stitched hem.

White cotton blouse with open work. The blouse has a wide collar, long cuffed sleeves and front centre opening with white plastic buttons. The collar and cuffs have scalloped edges and open work in floral and leaf motifs. The sleeves have open work from the shoulders to cuffs. The inside is unlined.

Sleeveless dress with embroidery. The dress has a round neck, no sleeves and partial centre back opening with glass buttons. The bodice is black velveteen with large machine embroidered floral motifs in red, pink and yellow. The skirt has vertical stripes in three shades of green, two shades of blue, purple and off-white. There is a black velveteen border around the hemline with large floral motifs, narrow bands of white lace and sequins. The skirt is lined with starched cotton muslin with printed pink floral pattern. Very stiff and heavy.

Rectangular, ceremonial skirt, or apron. The main body of the piece is made of black cotton textile which is bordered at the top with a narrow, multicoloured, horizontal stripe. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. A horizontal row of closely-spaced brown plastic buttons is affixed to the apron just above this patterned textile and extends almost all the way across the width of the garment. Many long strands of dark red glass and metallic cylindrical beads, interspersed with white seeds, are attached below this row of buttons and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of wool, resembling a small tassel.