Trousers made of white cotton gauze lined with white cotton. The trousers have a wide, straight waistband from which the legs angle out in a wide V. There is a continuous seam on the inner edge of the legs and rounded crotch and second seams, front and back, about one third of the width away from the centre seam. An additional seam, front and back, angles from about four centimeters away from the centre of the crotch to one of the leg seams. There is an additional seam from the crotch to the waistband on both sides. Both outer shell and lining are constructed the same way, and are joined with invisible seams. Pants were to be worn with jacket and coat (2535/2-3).

Large black dress with embroidery. The neck and sleeve bands are rectangular with a triangular pattern in yellow, red, blue and white. The hem has a rectangular band with a cross pattern in red and green on the front; yellow and blue on the back. Above the band are several sacred markhor mountain goat designs in white, red, green, yellow and blue.

A straight-cut robe that goes with sash (2503/3 b). It is made of light green gauze with a front opening and high side slits, which are faced on the inside with red binding. The sleeves are made of bands of cloth that are vertical when the arms are extended, in (from the body outwards) red, pale pink, medium blue, pink, light green, red, cream, and blue. The sleeve ends have red facings. The lower ends of the sleeves are rounded. Two front panels meet at the centre and do not overlap. Neck opening is edged in red silk and has narrower edging of white silk pasted to paper which is somewhat soiled. Front edges, bottom edge, side slits, and neck are all faced with bands of red gauze.

Pair of black cotton boots with quilted silk lining. Short opening at back. Leather loops on front threaded through two holes and knotted on inside. Piping on front, back and sides. Lower edges of boots trimmed with leather. Soles sewed on. Part (a) has five studs on sole and two pieces of masking tape with writing, attached to lining. Part (b) has four studs on sole.

Dark blue summer kimono made of fabric with a resist dyed white checkered pattern. Kimono assembled with hand-stitching throughout. The pattern consists of alternating vertical and horizontal, white-gray lines in small squares. There is a wide patterned band around the neck and partway down the centre opening. The short sleeves have an opening under the arms. The inside is unlined.

One layer of futon cover made in the katazome technique. The cover is dark blue with light white-grey chrysanthemum design. Undyed panel at one end of futon cover, light white-grey colour. Two small patches with kasuri or ikat design on inside surface.

Pictorial ikat futon cover. The cover is dark blue with light white-blue depictions of fans with floral motifs. The back is unlined.

Black summer kimono (着物) made of hand woven kasuri (絣) or ikat textile made from ramie fibre. Cotton fabric interfacing on the shoulder area woven in plain weave. Kimono assembled with hand-stitching throughout. The pattern is linear squares and circles arranged in a checkered design. There is a wide patterned band around the neck and partway down the centre opening. The sleeve panels are short with an opening under the arm. The inside is unlined.

Blue patterned hanten (袢纏, also written as 半天, 袢天, 半纏) with dark blue patchwork. The pattern consists of dark blue dots in horizontal rows. There are dark blue patches on the upper back, shoulders, sleeves and the bottom of the centre opening. There is a small blue square on the left lower front, above the hem. There is a wide dark blue band around the neck and down the centre opening. The short sleeves are tapered. The inside is unlined.

Cloth shows a young farm girl with farm implements, house and two Japanese characters overhead.