Wrap-around skirt (pukhang). Composed of two lengths of woven fabric, stitched together on a long edge. Red supplementary patterning with repeating diamonds. Each end has 5 bands - three solid red alternating with a band of zigzag designs and another band of concentric diamonds. Collector's tag sewn to back.

Sleeveless blouse. Square-shaped brown blouse composed of two long rectangular pieces of textile folded lengthwise, partially stitched together on their long edges, leaving two armholes and a neck hole. The weave has subtle horizontal purple lines, light brown stepped lines and dark brown metallic thread lines throughout. Mid-textile, about 4 cm of fabric has been folded in and sewn creating a subtle raised band. The armholes are lined with off-white buttons stitched on in alternating dark green and pink threads and some sequins. The neck hole is lined with tube-like seeds attached horizontally with a single off-white button at the centre on both front and back. The same seeds are attached vertically in pairs spaced around the bottom hem over top of purple and metallic thread embroidery. The centre seam and side seams are embellished with grey sequins. Collector's tag sewn to interior.

Block-printed silk sari. On one end, there is a square panel featuring an ornate design in blue, cyan and silver. Down the length, the centre blue panel has repeating horizontal bands of designs in purple. At the opposite end, the purple designs change to a double-sided antler design. The sides are bordered by wide bands of cyan flowers outlined in purple on a grey background. Small cloth store label attached from Aarong Bangladesh. The short ends are finished with folded and sewn edges.

Doll (a) representing a male figure carved out of wood with articulated shoulders and ankles. His face and hands are painted white with painted black hair, eyebrows, eyes, a drooping moustache and a chin beard. He wears a separate black paper hat (b) with a narrow brim and black silk ribbons that tie in a bow under his chin. A nail at the top of his head helps keep the hat in place. He wears a long sleeveless blue silk vest, gored and pleated under the arms, and fastened with a dingle button over a gored long-sleeved white silk coat fastening with ribbons tied in a single loop. Beneath this are an under-jacket with blue ribbons tied in a single-loop bow and under-trousers. His ankles are wrapped in white material, and he wears pointed shoes made of paper (?) covered with white cloth and painted with black linear and looped designs at the front and back.

The plain, brown, cylindrical handle (a) has a simple horizontal band of geometric decoration that consists of a triple outlined square at either side at one end and a pineapple-like stone head (a) at the other. The head is held in place by a woven band (b) that has a downward tapering piece of bone along one side. The head has a hollow, cylindrical hole through it for the handle. Pineapple-type. The dark head has four horizontal rows of nine pyramidal protrusions all around.

A three-dimensional male humanoid figure puppet. Has a large head and jointed arms attached to controlling rods. The red face is positioned straight forward and has bulging eyes with red irises, a large nose, facial hair (moustache, beard, sideburns), and details painted in black. Prominent white upper teeth with fangs extending from the top and the bottom row at each side. Wearing a Gelung supit urang headdress with diadem (jamang), sumping, Garuda Mungkur (short-tongued), and much hair from below headdress. The headdress is black, gold, red, blue, and white. Wide shoulders, a slim waist, and arms with ornaments at the wrist, and bicep in red. Skin is painted gold. Hands are held flat and bending back at the wrist. Braided hemp bandolier of green, yellow, and pink. Pink waistband and green wrapping suspended on both sides. Black velvet pentagon below waist (apron ?) with sequins, brocade, and a orange, and brown batik skirt.

Vase lacquered in two colours and carved to show first colour. Design on vase consists of red floral designs etched with black ground.

Quill loom. A piece of willow wood is bent into a bow to support the artwork being created. At one end of the willow is attached a short strip of moosehide to which is sewn several cotton threads. Near their opposite ends the threads pierce a small rectangle of cardboard to keep them separated, and are then tied to the other end of the willow. Woven into the threads are porcupine quills dyed multiple colours, creating patterns of 'X's and diamonds on a cream-coloured background. The quills have been cut to a length of approximately 1 cm at the back of the weaving.