Band (jakima) with mayu (river), q’enqo (zigzag) and kutij (that which returns on itself, S-shaped) designs.

Band (jakima) with huaccac (cow) and ñawi (eyes) designs.

Band (jakima) with chunchu (headdress of a jungle Indian) and loraypu (leaf pattern) designs.

Band (watana) with varied patterns.

Boar tusk armband, with small bulul figure (rice deity). The main armband section is made of curved boar tusks, with the ends attached together using rattan basketry strands, to form a circle. At one side of the band, a small male wooden figure is attached, using rattan strands threaded through holes in the base and around the legs. The figure is in a sitting position with his knees up. The figure has a round bundle of black and grey feathers projecting upward from his head. Tangkil boar’s tusk armlet (sometimes referred to as an upper arm bracelet or armband) with a small standing wooden “Bulul” figurine from Ifugao tribe in Northern Luzon, Philippines. Worn on upper arm by men. Made of boar’s tusk. Men wear a pair of these during ceremonies and rituals such as the begnas ritual for the rice production. This material is now considered an heirloom. Nowadays, this ornament is popularly reproduced and worn during cultural festivals.

Long rectangular band with bright pink and grey patterned bands; seam at centre in a dark blue band with red on either side. Pink bands have connected swirl motifs, grey bands have stepped lines forming geometric patterns throughout; designs done in indigo, silver, white and dark pink. Blue band is undecorated, red band has white flowers and four-leaf clovers throughout. Back of rectangular band is plain black.

Black rectangular band with a red trim on all edges; alternating pink and blue square patches along length. Pink squares have geometric motifs, consisting of zigzags, plain lines and connected triangles forming squares. Blue squares have a central curvilinear design, consisting of swirls and a Greek key-like pattern in the corners; negative space filled with connected triangles. Top and bottom sections of band are bordered with coloured silk rows; done in bright blue, dark pink, and blue-grey.

Fragment of a band. Rectangular in shape with wave designs, in diagonal rows, across entire surface. Background is black and waves are golden brown, done in geometric style. Golden brown lines, trimmed in black, along left and right edges. Textile stitched to cream coloured fabric, secured to off-white matboard.

Two fragments of a band. First (part a) is much longer than the second (part b). Both are thin, rectangular in shape and dyed red. Dye fading to light orange throughout.

Three fragments of a band from a set of matched male garments. All band fragments are pink with groupings of three stripes- dark yellow, dark blue, dark yellow- along the entire length. Stripes are trimmed in dark red. Tiered, pendant tassels hang from each band. Tassels are predominantly dark red with pink, dark blue, yellow and light green throughout. Largest fragment (part a) has three tassels; second largest fragment (part b) has two tassels; smallest fragment (part c) has one tassel. Largest fragment stitched to grey coloured fabric, secured to off-white matboard.