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Belt30.1165.17

Alfred T. White Fund

Culture
Aymara
Material
camelid fibre
Holding Institution
Brooklyn Museum
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Belt, Fragment or Tunic, Decoration, Fragment (NK) or Textile Fragment, Undetermined (AR)70.177.8

Gift of Ernest Erickson

Culture
Chimú, Late Horizon and Late Intermediate
Material
cotton and camelid fibre
Holding Institution
Brooklyn Museum
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Belt or Chumpi70.177.55

Gift of Ernest Erickson

Culture
Inca
Material
camelid fibre
Holding Institution
Brooklyn Museum
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Belt (Chumpi) with Underbelt (Tayka wak a)2002.62.16a-b

Frank Sherman Benson Fund

Material
alpaca fleece, sheep wool, synthetic dye and human hair
Holding Institution
Brooklyn Museum
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Belt46.96.6

Charles Stewart Smith Memorial Fund

Culture
Great Lakes
Material
hide, bead and cotton
Holding Institution
Brooklyn Museum
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Belt30.803

This belt is part of the Zuni outfit worn by Frank Hamilton Cushing. This belt was part of an original package of clothing given to Cushing from the Zuni Governor's wife. Although Cushing wore the costume daily almost as a metaphor for how close he was to the Zuni people he actually was noticeable as at that time most Zuni's had adopted wearing white cotton or calico shirts and dark pants and only wore these shirts and sashes on special occasions. See 30.799.

Culture
She-we-na
Material
handspun commercial wool and cotton
Holding Institution
Brooklyn Museum
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Women's Ceremonial Belt (wa-to)08.491.8925

Mrs. Ann Barber, the Maidu owner sold this belt to the Museum curator Stewart Culin. According to another Maidu informant, Mrs. Azbil, when she came into the country everyone of any wealth and importance had a belt. People could marry with them. The man gave it away. They also wore it in the War dance and this was the only way a man used it because it actually was a women's belt. This particular belt had been given to Mrs. Barber by her first husband, Pomaho, who married her with it. When he died it became hers and she was criticized for not burning it. The belt would be wrapped around the waist of the dancer twice for the Hesi, Toto of Kenu dances. The patterns on the belt mirror those used on baskets. The red triangles are composed of the scalps of twenty-five woodpeckers and are called grapevine leaves. The two narrow strips, composed of duck feathers, were named after the tongs used to lift the boiling stones out of the baskets when boiling mush. The knot of the belt where the threads come together is called the navel. Feather belts were the supreme Maidu representations of wealth and as such were prime candidates for destruction at death of the owner. Thus they are rare.

Culture
Maidu
Material
bead, mallard duck feather, acorn woodpecker feather, glass, hemp ?, jute ? and cotton cordage
Holding Institution
Brooklyn Museum
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Concho Belt (Sis Dolyoti)03.325.3682

Museum Expedition 1903, Museum Collection Fund

Culture
Navajo
Material
silver metal, hide, iron metal and brass metal
Holding Institution
Brooklyn Museum
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Belt with Blue and Gilt Beaded Geometric Pattern46.96.7

Charles Stewart Smith Memorial Fund

Culture
Flathead
Material
hide and bead
Holding Institution
Brooklyn Museum
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Red, Green and Blue Beaded BeltX393

Brooklyn Museum Collection

Culture
Plains
Material
bead and cotton
Holding Institution
Brooklyn Museum
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