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Tapa Cloth3130/4

Small, rectangular tapa cloth adhered to a board of the same size. Patterns are geometric designs in black on the raw background. In the centre of the piece are three large images: the middle is a repeating geometric design surrounded by raw space with S-shapes, dots, wavy and straight lines, and thick black triangles. Next is a border consisting of triangular patterns, thick black lines and dots in the middle of the triangles. The next design includes 4-sided shapes and triangles made out of dots. Next there is a design with a raw space centre surrounded by wavy lines. The next image is repeated on both sides of the piece. It includes a circular image consisting of a flower in the centre, 4-sided shapes, wavy lines, on the four corners there are ¼ circles with triangles made our of raw-space squares. There is a border around the three large images that includes triangles made out of thick black lines. Next there is another border consisting of mirrored triangles, dots and short lines. The outside border includes a repeating deign of straight lines, wavy lines and triangular shapes.

Culture
Wallisian and Futunan
Material
adhesive, wood, paper mulberry bark and paint
Made in
Wallis and Futuna
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3130/3

Small, rectangular tapa cloth adhered to a board of the same size. Patterning is black geometric designs on the raw background. In the centre of the piece are four-sided shapes with a black border. On the outside of this are three stacked triangles. From the centre point outwards the designs are mirrored on the long sides and later on the outside. The next design out from centre-point is a black triangle under another triangle. Topping this are two black motifs followed by three wavy lines. The next design has heavy black wavy lines and is in a triangular shape. Next there is a large section that includes diamond shapes, triangles, wavy lines and the use of blank space. Bordering the object is a narrow design with wavy thin and thick lines, including arrows and dots.

Culture
Wallisian and Futunan
Material
adhesive, wood, paper mulberry bark and paint
Made in
Wallis and Futuna
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3130/2

Small rectangular tapa cloth adhered to a board of the same size. Patterning is geometric designs in black ink on raw, uncoloured background. Centre panel is made up of diamond shapes filled with a variety of patterns. Surrounding this are triangle shapes coloured rust-orange, along with densely patterned triangles. The tapa is bordered by a repeating motif of black and rust designs on natural ground.

Culture
Wallisian and Futunan
Material
adhesive, wood, paper mulberry bark and paint
Made in
Wallis and Futuna
Holding Institution
MOA: University of British Columbia
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Cloth2990/723

Cloth. Upper portion has stepped blocks of slit tapestry and plain weave. Repeated geometricised and diagonal reverse bird motif on tapestry. The same motif appears in diagonal bands in border and simplified version is used on yellow tab fringe. Systematic shifts in colour combinations. Multicoloured alpaca wefts on cotton warps in yellow, blue, red-brown, brown and cream. Restored.

Culture
Chincha
Material
cotton fibre, dye and alpaca wool fibre
Made in
Chincha, Ica, Peru
Holding Institution
MOA: University of British Columbia
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Head Cloth86.224.75

Gift of the Ernest Erickson Foundation, Inc.

Culture
Paracas
Material
cotton and camelid fibre
Holding Institution
Brooklyn Museum
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Garment; Utility cloth(?)34.5565

Alfred W. Jenkins Fund

Material
cotton
Holding Institution
Brooklyn Museum
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Wrapping Cloth or Mantle1857

Gift of Richard H. Clarke

Culture
Inca
Material
cotton
Holding Institution
Brooklyn Museum
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Table Cloth3048/21

Circular table cloth, off white in colour, with embroidery of light pink, dark pink, and light brown at the border and centre. The edge of the cloth is decorated in a flower, leaf and chain detail and is scalloped due to the embroidery. The centre of the cloth features a very large, intricate flower with leaves and curled tendrils. A circle of smaller flowers is embroidered around the central design. Extending outwards from this are four embroidered chains, each with small flowers at centre. Equidistant between the four chains are small flowers with stems and leaves.

Culture
Filipino
Material
pineapple fibre ?, silk fibre ? or synthetic fibre ?
Made in
Manila, Philippines
Holding Institution
MOA: University of British Columbia
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Mantle or Carrying Cloth Fragment86.224.71

Gift of the Ernest Erickson Foundation, Inc.

Culture
Coastal Wari, Wari and Middle Horizon
Material
cotton and camelid fibre
Holding Institution
Brooklyn Museum
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Story Cloth3063/1

Embroidered cloth depicting scenes of civilian experience during a war. The piece is a small square of blue cotton cloth with bright, detailed embroidery of three situations depicted in horizontal strips across the fabric. The top strip shows a group of people attempting to escape from two soldiers. A man and woman in traditional garb with bags on their backs run away from two soldiers dressed in green and carrying guns. A woman lies dead between the two parties, her living child beneath her crying. One solider grasps another child by the ankles and bangs his head against a rock, drawing blood. In the central strip, four people attempt escape down a river that has been embroidered in white thread. In the bottom scene, a soldier in green stands with a paper and pen in front of a line of civilians, each with a backpack, some weeping. Every scene is surrounded by flowers and greenery.

Culture
Hmong
Material
cotton fibre and wool fibre ?
Made in
Thailand ?
Holding Institution
MOA: University of British Columbia
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