Wooden door carved with central design of one row of two human figures flanking three Kanaga masks, two rows of five large human figures separated by geometric lines. The sides mirror each other, and each have a bird-like creature, a spear, and one large serpent. There are also geometric lines across the top and bottom, and metal joins at top and bottom holding together the two pieces of wood that the door is made from. There are some remnants of white pigment.

Door made of two darkened, rectangular wooden panels with a thin rectangular piece of wooden trim covering where the panels join. Trim attached to the right panel by ten nails. Eight nail holes on right edge of left panel, likely where the trim was attached to left panel. Two snakes carved in high relief, moving towards one another, on the wooden trim. On the two panels there are high relief carvings of plants, tools, weapons, geometric shapes, humans, birds, lizards, crocodiles, turtles, and other quadrupeds. Background of panels has gouged cross-hatched lines throughout. Six holes, total, along the edges of both panels. Three on right edge of right panel at the bottom, centre and top. Three on left edge of left panel at bottom, centre and top. Three smaller holes, in a triangular pattern, are on the left edge of the left panel between the larger middle and top holes. Backs of panels are undecorated. Hanging hardware secures the two panels together, on the back.

Carved door panel made of two wooden rectangular panels, held together by three horizontal wooden boards nailed to their backs. Right side of left panel is jagged, it extends slightly over the right panel. Left panel has spindle extending from bottom left corner. Top left corner of left panel has round extension. Left panel has carving of large male figure with his hands upraised, holding ceremonial pots in each hand. Below him are four figures, in two rows of two, facing inward and carrying staffs. Right panel has carving of large female figure with her hands upraised, holding ceremonial pots in each hand. On her left there is a small figure holding a curved object. On her right there is a small figure with characteristics of the deity Eshu-thumb in mouth and phallic hairstyle. Below the large female there are five figures, two rows with three above two, facing inward and holding offering pots. Three of the five figures have the deity Eshu's hairstyle. Between the two figures on the bottom is a carving of a divination tray, known as Ifa. Tray is circular, made of cross-hatched lines. All designs carved in high relief. There is a small square cut out on the right panel between two figures holding offering pots. Nails securing boards on back are visible from front. Three nails for each board. The nails in the centre are straight, the nails on either side are bent over, to lie flat against the panels. Additional nail along right edge of right panel, bent to lie flat.

Salmon design inlaid on glass door. The salmon designs are a combination of "old style and contemporary". This style is very much unique to our Salish peoples.There is a flow to there direction as there is to our people as we move to "CHANGE IN WHO WE ARE,THE FISH ARE OUR LIFE LINE without we no longer exist. I would like to dedicate the salmon design to my grandparents Ed Rose Sparrow both whom attended Coqaleetza where they met...and would later marry. - Debra Sparrow

Frank L. Babbott Fund, Frank Sherman Benson Fund, Carll H. de Silver Fund, A. Augustus Healy Fund, Caroline A.L. Pratt Fund, Charles Stewart Smith Memorial Fund, and Ella C. Woodward Memorial Fund

Rectangular wooden granary door or shutter, with two rows of stylized figures carved in relief on front. Peg-like protrusion from one upper corner.

Door post of squared timber divided on two surfaces into three sections of carving. Sections are separated by horizontal tooth-like incisions. The central section has a geometric motif consisting of a domed centre surrounded by a ring with two lines meeting in each corner. This central section is flanked by a geometric design composed of semicircles and arched lines with recessed areas against a corrugated background. Both top and bottom of post are shaped to fit into horizontal sills.

Door post of squared timber divided on two surfaces into three sections of carving. Sections are separated by horizontal tooth-like incisions. The central section has a geometric motif consisting of a domed centre surrounded by a ring with two lines meeting in each corner. This central section is flanked by a geometric design composed of semicircles and arched lines with recessed areas against a corrugated background. Both top and bottom of post are shaped to fit into horizontal sills.

Door panel made from one piece of wood carved with highly stylized birds, crocodiles, antelope and snakes arranged above and below a crocodile figure at the centre. A cylindrical element protrudes both at the top and bottom on one side. The wood has been coated with a wax-like substance to create a dark brown finish.

Flat, rectangular piece of wood with various animals and two mask-faces carved on one side in relief.