Figure depicting the god Sobek as a crocodile lying on a roughly triangular base. Glazed blue with a hole that pierces through the top of the crocodile's neck.

Figure representing a hare with emphasized ears lying on a rectangular platform. Green glaze. A hole is pierced from side to side between the ears and the back of the hare.

Figure representing a fish with an incised cross-hatching design on the body.

Figure depicting Tarawet as a hippopotamus with a tail of a crocodile. She is standing on a rectangular platform and has her arms at her sides with her left foot in front of her right. Below a loop with a hole that extends from side to side is a tail represented with a tapering shape that has indented diagonal lines on both sides.

Figure in seated position with hands clasped around knees. Head is turned up and towards the right.

Seated figure with knees up at chest and arms down sides with hands clasping buttocks. Figure has an elongated head with open mouth and eyes.

Figure representing a standing crane with its beak pointed upwards. The figure is composed of four iron pieces joined together with screws: the body (a), the head (b), the right leg (c), the left leg (d). The crane has been painted black and the top of the crane's head has been painted red.

Standing figure of Kwannon; figure is a male (a) holding a lotus flower (b) in one had and is depicted in a loose flowing garment. There is a small image of Amida in his crown. Dark finish with traces of gilt. Kwannon was an attendant to Amida Buddhas known as the "goddess of mercy" originally represented as a male. Halo (c).

Seated Buddha in a meditative position holding a peach.

Standing figure of Hotei depicted with his usual expression of laughter. He is clothed in loose attire revealing his abdomen and carries a fan in one hand. Hotei is a legendary Chinese Zen priest known as Pu T'ai. He is said to have lived in the T'ang times as a vagabond priest with a large bag carried on the end of a stick.