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This frontlet is worn on the forehead of a dancer participating in the Tlasula. The back of the headdress is usually covered with a strip of swanskin. Around the upper rim is attached a row of sea lion whiskers. To the back of the crown is attached rows of ermine skins. The carving on this frontlet is apparently a family crest figure representing a hawk or thunderbird. (Holm, Crooked Beak of Heaven, 1972)
These carved frontlets were attached to regal headdresses and used in the Kwakwaka'wakw Tlasula. This beaver is identified by its two large front teeth and stick in its mouth. Its flat tail raised at the top has a human face at the base.
Family crests are displayed on carved wooden plaques attached to dance headdresses. These have a long trailer of ermine skins and a crown of upright sea lion whiskers. This whisker "fence" holds eagle down, symbolizing peace, that cascades out as the dancer bobs his or her head. This gives the name Feather Dances to the Tlasula.
The paint is black, red, and green.
A moon frontlet carved in cedar in a Tsimshian style.
A carved and painted frontlet that does not have the associated headdress but there is a row of nails on the back of the frontlet, some still with material attached, where it would have been afixed to the headdress. The main crest carved is an eagle with blue eyebrows and beak. The eagle' s ears are painted as U-froms together with wing-like U- forms and ovoids below the eyes, together with double red claw-like lines. The eyes are formed from brass thumb tacks. Below the eagle' s beak a humanoid face has been carved with a down-turned mouth and flared red nostrils. Surrounding the arched frontlet a red twisted rope design has been carved. The lower edge of the frontlet has an arched section cut away.; Good
Pentagonal wooden frontlet featuring a carved eagle in high relief; painted sisiutl design around the edges. Painted blue, black, red, yellow, and green. Bird and sisyuth representation.
Wooden frontlet featuring a large bird's head over a small human-like head with two paws to the sides; paws and bird's curved beak are three-dimensional, protruding from the surface. Painted red, black and green, with parts left in natural wood.
Vertically rectangular wood piece. Eagle bird design carved in the centre. Eagle has a wide, red face that is outlined by dark blue with circular abalone shell inlaid eyes surrounded by a tapering red oval surrounded by a white ovoid outlined by dark blue. Downward curved, white beak is has a lower red lip with six oblong abalone shell inlaid teeth. The red body has a vertical row of four vertically, rectangular abalone shell inlaid pieces. The outward pointing, white claws have four downward pointing, red digits. The red side wings have downward pointing, dark blue outlined, white triangular feathers. The trapezoid-shaped tail is white. Six horizontal rows of upward pointing, dark blue outlined, white triangular shapes are at either side. The background is red. Rectangular abalone shell inlaid pieces are around the border with six at either side and seven along the top. The outer edges are white with a narrow vertical wood strip painted white attached at either side by leather skin.
Roughly circular in shape with small human head projecting from top above a face with wide mouth and rectangular teeth; downturned tip of nose attached to chin. Eyes inlaid with metal discs. Flat rim projects around circumference of mask and is inlaid with abalone pieces in various shapes, primarily rectangular. Two holes bored in rim below chin and two above forehead.