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Loom Parts (3)16/9875 ABC

Material
wood
Made in
USA ? or Canada ?
Holding Institution
American Museum of Natural History
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Loom with Basket in Process of Weaving31093a-d

Gift of Mrs. Joshua M. Van Cott

Culture
Navajo
Material
wool, cotton and wood loom
Holding Institution
Brooklyn Museum
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Model of Loom, Including Frame, Warp, Shed Rod and a Hed Rod with Partially Woven BlanketX698a-d

Brooklyn Museum Collection

Culture
Navajo
Material
wood and wool
Holding Institution
Brooklyn Museum
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Loom with Weaving32.2099.32552

Bequest of W.S. Morton Mead

Culture
Navajo
Material
wool, cotton and wood
Holding Institution
Brooklyn Museum
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Belt Loom with Partially Woven Belt (Ai-nin-pul-lan-nai)03.325.3140

This back strap loom has a hole-and-slot heddle, a European invention that was used by Pueblo weavers around the turn of the 20th century but was discarded later in favor of the indigenous shed rod and string hoop heddle. The haft rope on one end would have been attached to a stationary object, while the woven red garter on the other end would have gone around the weaver's waist. On the loom, the Hopi style belt, with a red, green, and black warps and a black weft, is in progress.

Culture
She-we-na
Material
wool, horse hair, wood and cotton
Holding Institution
Brooklyn Museum
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Sampler Loom and Spindle29.1312.12

Museum Collection Fund

Culture
Chancay
Material
wood, cotton and ceramic
Holding Institution
Brooklyn Museum
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Backstrap Loom with Unfinished Textile29.1312.13

Museum Collection Fund

Culture
Chimú
Material
wood, cotton and camelid fibre
Holding Institution
Brooklyn Museum
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Apron on Loom30.1358

Museum Expedition 1930, Robert B. Woodward Memorial Fund and the Museum Collection Fund

Culture
Arekuna
Material
white beads strung on cotton thread
Holding Institution
Brooklyn Museum
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Model of Loom02.255.2253

Model of a loom framed in plexiglass.

Culture
Navajo
Material
wool, cotton and wood
Holding Institution
Brooklyn Museum
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Blanket In Loom (3 Pieces)E209964-0

FROM CARD: "THE LOOM IS A BAR SUPPORTED ON TWO LEGS - NO OTHER APPARATUS. THE WARPS ARE WHITE YARN AND FIGURES IN BLACK, BLUE AND YELLOW YARN ARE WORKED IN TWINED WEAVING PRECISELY AS IN MAKING BASKETRY. THE FIGURES ARE MYTHOLOGICAL. THE WEAVER IN THIS WORK CONTRARY TO OTHER AMERICAN EXAMPLES, HAD THE PATTERN NOT MERELY IN HER MIND BUT PAINTED ON A BOARD."See related objects 209963, 209581 and T15491. See also the accession file, which contains a diagram and description of the loom done by Emmons. In a letter dated February 24, 1900, filed in Accession 40238, Emmons talks about getting a Chilkat blanket in process and accessories to be used on exhibit at the Smithsonian: "I know that I can get this from a family far up the Chilkat River in the goat country ..." In letters dated 5 and 9 October, 1900, filed in Accession 37889, Emmons talks about visiting the Chilkat (Chilkoot?) mountains and collecting the blanket in process from the upper Chilkat village in the mountains.Per Haida artists Delores Churchill and Evelyn Vanderhoop, 2015, the blanket and associated separate bags of yarn include Haida made yarn and commercial yarn.

Culture
Tlingit and Chilkat
Made in
Alaska, USA
Holding Institution
National Museum of Natural History
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