The Adolph and Esther D. Gottlieb Collection

Ceramic funerary mask decorated with colored resin enamels. Mask is composed of a Paracas bowl to which the details have been applied by incision or application. Eyes consist of 2 interior cones decorated with concentric circles. 11 tabs project from rim of the face, 8 of which represent serpent heads. A 12th projection at the top of the mask forms the head of a human who is impersonating the Oculate Being by wearing this deity's mask. It's body is represented two dimensionally by incisions embellished with red, yellow and green resin enamel. Its nose is a smaller version of the huge probocis of the mask.

Mummy mask of woven cotton, filled with cotton padding, and painted with features of the Oculate Being, two felines, and three double-headed snakes. Size: adult. Probable wearer: likely male. Vertical cotton warp. Cotton weft. Plain weave, predominantly warp-faced. Pigments with binding medium, hand-drawn.

Frank L. Babbott Fund

The Dzunuk'wa, or Cannibal women is a figure important to those Kwakwaka'wakw people who have an ancestral relationship to the stories involving her. She is a large, cumbersome figure, looking very bear like with shaggy fur over her body. She is clumsy and lumbers through the Northwest Coast cedar forests crying "Hoo Hoo Hoo" through her pursed lips. She is thought to carry a large woven basket with her. Should she discover a child who has disobeyed their parents and entered the woods without an adult she scoops them upinto her basket and takes them to her den to eat them! Thus children are always warned against entering the forests without permission! Her mask is a large, and wooden, painted shiny black with spattered white pigment overall and accents of red pigment and fur. The mouth has a large round opening that is surrounded by prominent red lips. Pursed as if she is crying "hoo hoo." The interior of the eyes and nostrils that are large round holes painted red. Fur, possibly bear, attached with iron nails, surrounds the lips and forms the eyebrows. A previous application of fur on these areas is suggested by the appearance of corroded nails holding down remnants of fur plus extraneous nail holes. Used originally to secure the mask are leather thongs at the eyes, the back surface just below the eyes, and at the chin where they were attached to a leather strap. The ritual dance performed with this mask continues today by an individual who inherits the privilege. On the body of the dancer would be bear like regalia and the dancer mimics the clumsy gait of the real Dzunuk'wa. Some feast dishes have forms similar to those contained in these masks. The object is stable and in fair condition. Along the edges, especially on the lower, proper right side is old insect damage. Long vertical cracks are present in the wood, but appear stable.

Gift of Arturo and Paul Peralta-Ramos

Long, full-body mask of bark cloth with natural color fiber fringe at bottom. Object is narrow at top and wide at bottom held stiff by a wooden hoop. Upper portion painted black with a white face on one side and a tuft of fringe at the top. Center section is cream-colored with yellow and orange snakes separated into four parts by black and orange lines. Upper part of center section has side slits through which tubular brown arm sleeves protrude, their shape maintained by small wooden hoops at the top and bottom. A fiber fringe hangs from the sleeves. Condition is good.

Museum Expedition 1908, Museum Collection Fund

This is one of a pair of wolf (?) masks (see 08.491.8905b). Both are constructed of wood pieces nailed together to make flat sided, flat ended forms with painted faces. The two masks generally resemble each other; however, there are construction differences between them and the painted forms on each mask differ. Both have openwork frets along the top and cut out teeth. Remnants of cedar bark hair are inside the top frets on each mask. Both have ovoid eyes; however, one mask's eye area is infilled with black dots and the other's has solid red infill. A long, thick curved eyebrow arches over each eye on both masks; however, nostrils differ: one has nostrils with black over red painted geometric forms; the other has black painted swirled nostrils. There is uncertainty whether the pair represent wolves or serpents. They might be serpents for if the objects were wolves, they most likely would have no ears. The object (08.491.8905a) appears to be structurally stable except for the fabric attached at the front under the jaw. Also, the split cane bundles that represent fur (?) are dried and brittle. The proper left side of the mask appears to have been repainted. The mask is properly worn on the top of the head with the face forward.