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Thunderbird Transformation Mask08.491.8902

Transformation masks such as this Thunderbird belong to the sky world, which consists of Ancestral Beings that are transported to the heavens from where they can return as material beings in recognizable form such as human. The Kwak waka’ wakw people say when this bird ruffles its feathers they cause thunder and when they blink their eyes lightning flashes. Each thunderbird is associated with a specific village group or lineage, a specific place of origin unique to each and its details are carefully guarded. Masks can be owned individually or by a family but rights are always inherent, flowing from one generation to the next. The Namgis people relate that this thunderbird flew out of the heavens to assist a man who had transformed into a large halibut. When finished assisting he removed his headdress and winged cape and sent them back to the sky world becoming human. The mask may be worn on the forehead with the dancer’s face showing or it may cover the face to indicate the duality of man and bird. The performer wears a full costume of representing the bird. The mask would be danced during a Winter Ceremony, called a Potlatch, where songs, dances and rituals are performed and gifts may be given. When not used such masks are wrapped carefully and hidden away. When worn and danced and closed the mask portrays a bird head with a large yellow beak. When open, the head and large beak divide, expand, and become a full-bodied bird with outstretched wings. Each wing contains a linear image of a sisiutl or lightning snake. At the center of the full-bodied bird is a human head. Above the head is a small seated figure and below it is still another bird. Opening and closing the mask would add a spectacular effect during the dances. When the mask was first collected it had cord riggings to open its parts. It was collected from the Gigilgam lineage of the Nimpkish. The mask is fragile but stable. There are scattered pigment losses. Red cedar ruff originally surrounded the mask when it was worn for performances.

Culture
Kwakwaka'wakw
Material
cedar wood, pigment, leather, nail and metal plate
Holding Institution
Brooklyn Museum
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Face Mask05.589.7797

This mask may be part of the Nuu-chah-nulth "wild man" dance performances.

Culture
Nuu-chah-nulth and Nuxalk
Material
pigment, wood and metal nail
Holding Institution
Brooklyn Museum
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Mask05.589.7799

Mask in the form of an animal, possibly a wolf, dog or bear, with separate pointed ear attachments (the proper left ear has a section missing) and a protruding snout. It is painted with black, red, and white pigments. Under the chin is a white leather tassel that is secured by a knot inside. On both sides of the mask are holes, probably for wearer to secure object. There are two holes in the eyes and nose. The mouth is partially open revealing two sets of sharp teeth towards the front. The object is in fair and stable condition. There are nine reattached fragments along the proper left edge as well as two reattached fragments at the top of the head. There are indications of old insect damage and loss of wood around the mask's edges and base. The leather tassel is dry. Note: although this photogrpah show the mask as 'blue' the paint has darkened to where it looks black. Would be a good conservation example to clean.

Culture
Tlingit and Haida
Material
wood, pigment and leather
Holding Institution
Brooklyn Museum
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Wolf Mask used in Wolf Dance (Walas'axa)15.513.2

Wood headpiece representing the head of a Wolf. Painted red, black, and green-blue and inset with copper in mouth.

Culture
Tsimshian, Gitksan, Haida and Gwa'sala Kwakwaka'wakw
Material
wood, copper metal and pigment
Holding Institution
Brooklyn Museum
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Talking Man Mask for Winter Ceremonial05.589.7803

Wooden mask of talking man with moveable mouth that opens to show teeth. Copper plate on forehead. Tuft of fiber on top of head. Ruffle of raffia painted red around mouth area. Black pigment on cheeks and above the forehead area to represent hair. Has metal eyebrows and low-sloping mouth.

Culture
Tlingit, Haida and Gwa'sala Kwakwaka'wakw
Material
wood, copper metal, fur, cedar bark and shell
Holding Institution
Brooklyn Museum
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Baleen Whale Mask08.491.8901

Large wooden whale mask carved from 14 pieces of cedar, the main body carved from one large piece that has been hollowed out. Movable lower jaw, flippers, and flukes are controlled with cords. Head is painted with red and blue nose and blue eye sockets. Beneath each eye, is black stripe with white dots. Collar is made up of a blue fin design. The whale's blow hole is in the form of a painted and carved face. The dorsil fin, once detachable, is painted and carved with an animal face in profile. The torso is painted with white and blue stripes, and large white dots, running the length of the body which has a white underside.

Culture
Kwakwaka'wakw
Material
cedar wood, hide, cotton cord, nail and pigment
Holding Institution
Brooklyn Museum
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Mask2010-42/1

The paint is brown, orange, and white.

Culture
Kwakwaka'wakw: Kwagu'l
Material
wood and paint
Holding Institution
The Burke: University of Washington
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Forehead Mask | Thunderbird2010-31/2

The paint is green, black, black, red, orange, and dark red.

Culture
Kwakwaka'wakw
Material
wood and paint
Holding Institution
The Burke: University of Washington
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Mask1884.114.111

item is from the Augustus Henry Lane Fox Pitt Rivers founding collection

Culture
Haida ? or Nuxalk ?
Material
wood, pigment, animal fur skin, caribou hair animal ?, animal hide skin, animal sinew and cotton textile plant
Made in
Haida Gwaii, British Columbia, Canada ? or Bella Coola, British Columbia, Canada ?
Holding Institution
Pitt Rivers Museum
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Mask1884.114.110

item is from the Augustus Henry Lane Fox Pitt Rivers founding collection

Culture
Haida: Kaigani ?
Material
yew wood plant ?, maple wood plant ? and pigment
Made in
Haida Gwaii, British Columbia, Canada ? or Prince Of Wales Island, Alaska, USA ?
Holding Institution
Pitt Rivers Museum
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