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Oyster Catcher Rattle2017-95/24

The acrylic paint is black, red, and turquoise.

Culture
Nisga'a
Material
wood, abalone shell and acrylic paint
Holding Institution
The Burke: University of Washington
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Oyster Catcher Rattle2013-151/24

The paint is blue, red, and black.

Culture
American
Material
wood, paint, ivory, leather and abalone shell
Holding Institution
The Burke: University of Washington
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Oyster Catcher Rattle2004-2/301

The paint is black and red.

Culture
Kwakwaka'wakw
Material
wood, paint, abalone shell and string
Holding Institution
The Burke: University of Washington
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Oyster Catcher Rattle05.273

Chief's or shaman's rattle of carved wood with abalone inlay. Long billed bird with possibly the shaman himself riding on the birds back, the back has become a land otter with a long tail. The tail ends as if it is a monster face at the land otters tail and horns take the place of ears. The underside of the rattle has a beaked bird with web feet upturned. Koskimo location is now called Tla-o-qui-aht. This was once catalogued as depicting the legend of Ka-ka-tete,[Ka-tia-hete] the whistling demon. Examined by Bill Holm 11/71 and called the finest example of its kind. Condition: Thongs holding it together are gone, now glued. Three abalone eyes gone. Tlingit attribution based on stylistic evidence. Original attribution was Kwakwaka'wak. This acession number assigned to it in c. 1930 when first record was made.

Culture
Tlingit
Material
wood and abalone shell
Holding Institution
Brooklyn Museum
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