Painting shows the Madonna and Child. Mary stands atop a three tiered pedestal, wearing a white dress with lace cuffs, and covered by a long cloak decorated with flowers, foliage and vases, that flares widely at the bottom. She wears a voluminous head scarf, white and with flowers and foliage, showing only her face. Atop her head is a wide brimmed hat decorated with a red ribbon. In her right hand, Mary holds a candlestick with a lit candle. In her left is the Baby Jesus, wrapped in a voluminous patchwork cloak with a lace collar. A halo surrounds his head. To either side of the figures are two tied back red curtains. On the back of the painting, embedded in the fabric, are the words “HARINA ESPECIAL DE TRIGO”.

Painting shows the crowning of the Madonna by the Holy Trinity. Mary kneels, wearing an orange dress and green robe both decorated with gold designs. She has long free flowing brown hair, and a halo of gold lines surrounds her head. Her hands are crossed on her chest, and her left foot rests on the winged head of an angel. Jesus to the left and God to the right hold a large jewelled crown above the Madonna’s head. Jesus wears a green tunic and red robe, decorated with gold, and holds a cross in his left hand. God wears a brown tunic and red robe, also decorated with gold designs, and holds a short staff. A triangular halo surrounds his head, representing the Trinity. Between the two and above the crown is a dove surrounded by gold, representing the Holy Spirit. The background of the painting show clouds painted in subdued colours of green, brown and gold.

Painting shows an angel in human form, wings slightly spread behind her. She wears a calf-length dress with red and gold embellishments and a green belt, a red, green and gold cloak attached at the throat with a broach, and green and gold shoes. Her face is rosy with a slight smile, and she has long, curled brown hair. In her right hand the angel holds a brown fish attached by the mouth to a red ribbon. In her left hand is a staff. The background of the painting is a landscape, with a shaded a brown and yellow sky, and trees, buildings and water in the lower half. The back of the canvas is painted a thin brown.

Painting shows an angel in human form, wings slightly spread behind him. The angel’s face is rosy, with a slight smile, and the hair is long and curled. The dress is colonial in style, with an elaborate red, green and gold tunic, edged on the visible arm and bottom with lace. A long red and gold cape falls to the angel’s right. Tall boots reach nearly to the knees and are topped with bows. A helmet sits on the head and is adorned with several colourful feathers. The angel holds a large round shield with a spike emerging from the centre. The background is dark brown and green and the edges of the painting are lined with foliage and painted flowers in red and gold.

Painting shows an angel in human form, wings slightly spread behind him. His face is rosy, with a slight smile, and his hair is long and curled. He is dressed in colonial style clothing, with an elaborate blue and gold coat that falls to the knees and has lacy cuffs and collar, and a red and gold cape. Below the knees he is clothed in stockings and small black shoes with ribbons. On his head is a wide hat with feathers and ribbons. The angel holds a rifle ? in his left hand. The background of the painting shows a dark sky, foliage at the lower left, and water on the lower right.

Small rectangular painting on tin of the archangel St. Michael. The angel is elaborately dressed in short green and orange pants, a blue shirt, and decorative boots. He has shoulder-length wavy brown hair upon which sits a blue helmet topped with green, red and white poms. A flowing red scarf surrounds his shoulders. Wings extend from his back and have black, red, white and blue feathers. He balances on his right leg, standing on a blue mount. In his right hand, which is held above his head, the angel carries a flaming branch, while in his left is a scale. The background of the painting is coloured brown, orange and yellow.

Painting of an angel in a natural landscape. The angel wears a black tunic vividly decorated with golden swirls and patters and long lace cuffs. A long red cloak reaches to the ground, and is also decorated with gold detailing. A multi coloured scarf is attached with a broach at the angel’s neck and a pink belt can be seen at the waist. Tall brown boots with open toes are on his feet. In front of his slightly spread wings, the angel points upwards with his left hand. In his right he holds a large cornucopia full of flowers. The background shows a large expanse of sky, and at the bottom, mountains, foliage, and a flock of brightly coloured birds.

Painting shows an angel in human form, colourful wings slightly spread behind him. The dress is colonial in style, with an elaborate black and gold coat over a shirt with voluminous white sleeves and wide lace at the collar and cuffs. A green tunic shows through the coat’s open front. A long red, black, and gold cape falls to the angel’s left. His legs are covered in pink stockings tied below the knee with green ribbon, and the shoes are small, brown, and have round toes and a pink bow. A wide-brimmed hat sits on top of the angel’s curled brown hair and is adorned with ribbons and 3 colourful feathers. The angel holds a long rifle in his right hand, and a staff in his uplifted left. The background is shaded red and brown. The back of the canvas is painted a thin brown.

Painting on mahogany wood plywood panel. Image in red and black of the sun in human form: a human-like figure squatting with legs to each side and an elbow on each knee with hands held up facing front; figure's head is surrounded by a circle with seven sun rays extending out. Signed below figure at right leg: "Cranmer 74." Black wooden frame.

A fragment of a fresco painting, mounted in a clear plastic frame. The composition consists of a man and a woman seated beside one another. The female figure is holding the right arm of the male figure. The right side of the composition contains a small table, which is supporting a yellow and red vessel, as well as a lotus flower in a small vase. The male figure is holding the blue stem of the flower. The colours were derived from natural pigment, and the fresco is in stable condition.