Scrolled painting of a small boat on water with surrounding landscape and structures. One figure rides in the boat. There is a red stamp in the bottom right corner of the painting. The painting is attached to a larger piece of paper, which appears to have a very thin layer of silk around the border, weighted at the bottom with the wooden scroll, and a cord attached to the top.

Framed and glazed colour drawing of the totem pole 1901.39.1 erected in front of the chief's house in Masset, Queen Charlotte Island. The characters on the totem pole are identified in pencil. [JP 1/7/2004]

Watercolour painting with designs in with red, orange, yellow, green, white and black paint, leaving the white ground as negative space. Central image is a sun, with mirror image thunderbirds on each side and a serpent face below the sun. A penciled "R" is visible in each red nostril. Signed, with title and date, by artist in pencil below.

From card: Northwest Coast, Haida?? Possibly collected by James G. Swan?? Painted blue motifs similar to "Emmons", 1888, Pl. LII, attributed to 'Johnnie Kit Elswa', a Haida Indian. Johnny Kit Elswa was Swan's assistant and helped him collect objects, as well as being an artist himself. - F. Pickering, 2009This may indeed have been drawn by Johnny Kit Elswa. Compare the style to examples of his work in The Dr. Franz R. and Mrs. Kathryn M. Stenzel collection at the Beinecke Rare Book and Manuscript Library at Yale University, Series II. See in particular "The man in the moon. Haida mythology. Pen-and-ink drawing", https://collections.library.yale.edu/catalog/2003286 .An illustration showing the same design as on this object is visible in a Smithsonian Bureau of American Ethnology exhibit at the Louisiana Purchase Exposition, St. Louis, Missouri, 1904, USNM Neg. No. 16462, Smithsonian Institution Archives, Record Unit 95, Box 62B, Folder 12, Image No. SIA_000095_B62B_F12_008 .

Painting on mahogany wood plywood panel. Non-figurative design in red, black and blue. Deep red and black frame is nailed to the front of the rectangular wood panel. Artist signature and date in lower right section.

Mandala painting on primed, stretched canvas. Canvas is strung onto small painted wooden rods which are bound with purple cord to a varnished wood frame and mounted onto a white background within a gold coloured metal frame. The concentric diagram of outer circle, inner square, and centre circle created with mineral based shades of blue, gold, green, red, ochre, yellow and black. A pink and white flower fills the centre circle.

Scrolled ancestor portrait painting on paper with silk border at sides. Depicted is a female in an Imperial-style red robe, jeweled headdress and ornately embroidered rank badge seated on a large black chair with green and pink cushioning on a mosaic floor patterned with flowers in shades of pink, white, green, blue, yellow and black. The wood scroll bar at base of paper is covered at ends with blue patterned silk.

Framed, large scale, ancestor portrait painted on paper. Depicted is a male in an imperial-style blue robe and jeweled blue hat, with an ornately embroidered rank badge hanging from his neck, seated in a large tiger skin covered chair or throne. The red mosaic floor has a floral patterning in shades of white, green, yellow and pink with a border motif in black. A wide band of brown paper frames the painting and the actual reddish wood frame with fibreboard backing has two ornate metal hangers at top.

Balinese painting on rectangular cloth. Hindu image in red, orange, light and dark black, and white. An orange painted frame with black ivy-like chain surrounds a scene divided into three areas by borders of rocks. In the centre is a tree and three figures kneeling before two standing figures in orange bubbles. Two figures are in the upper right corner and vegetation in the upper left. The painting is adhered at the top to a beige linen covered cardboard mount.

Balinese painting on long rectangular cloth. Hindu image in red, orange, light and dark brown, light and dark black, and white. A red painted frame with black ivy-like chain surrounds three scenes divided by a line of rocks.In the upper scene a group of four figures face a group of three. In the lower scene, the same groups are fighting. Two wild cats are enclosed in one corner. The painting is adhered at the top to a beige linen covered cardboard mount.