Painted bark cloth. Large square of pounded bark cloth, divided by painted lines into four square sections. Each section has two animals, four shown horizontally, four vertically (six are fish or porpoises, two are waterfowl). The painted designs are faded. The piece has hanging holes in all four corners, two of which still have round brass rivets.

Watercolour painting depicting Fort Simpson and the village of Lax Kw'alaams. The image shows a coastal inlet with Tsimshian village houses built all around the shore, along with a large fort on the left, with "H.G.Co. S FORT" hand-printed on its wall. In the foreground there are two Tsimshian people sitting on the ground holding the end of a bird trap that runs to the right of the foreground, with two birds near the trap itself. Most of the houses have blue smoke coming out of the smoke-holes. There are canoes pulled up along the shore, as well as two in the water. A large rigged sailing vessel is anchored inside the inlet. Hand printed on the front lower right corner is "FORT SIMPSON .B.C. in 1831. Drawn by Frederick Alexcee". In the background, in the water, is a steamship with a plume of black smoke coming out its pipe. There is one settler-style house in the background on the left, behind the fort. A green mountain range runs across the horizon. The painting is on thin, somewhat flexible board.

Gouache paint on paper. Six squares are created on the paper with bright pink paint, with an orange background. The top four each show a robed apostle holding a manuscript, seated beside his representative animal or being. At top left is Matthew with an angel. Top right shows Mark with a lion. Lower left is Luke with an ox, and lower right John and an eagle. Script is written either below or above the images. The bottom two squares show images of the biblical burning bush.

Gouache paint on paper. Image shows fifteen squares, delineated by orange lines and with a dark yellow background. Inside each square is a man (likely saints), in frontal view, upper body and head. Large eyes are prominent in the bearded face, right hands are raised, and left hands hold a book. All wear a robe in either orange, green or grey-green, some with stripes, and have a halo surrounding their heads.

Gouache paint on thin cardboard. The archangel Michael fills the picture, facing front, feet turned to the sides, hands gripping a raised sword and striped scabbard. His head is large with prominent eyes, brow and nose, and a multi-coloured halo. Figure wears an elaborate robe and armour with decorative stripes and circular patterns. Large wings show behind and above his shoulders, with fine patterning in dots, zigzags and stripes. A border has been painted around the image at the edges of the cardboard in dark orange and grey.

Gouache paint on thin cardboard. Central figure in image is the Virgin Mary, with the Christ child to her left, both facing front. Mary’s gaze is directed outward, with prominent eyes, nose and brow, a halo surrounding her head. She wears a grey robe with a circular motif at the shoulder and stripes on the side. Her hands are crossed in front of her, one holding a sash, the other on the child's chest. The boy points one hand to the left, and in the other he holds a book. He wears a striped robe, with decorative neck. His gaze is directed to the left, and eyes are prominent. In the top corners of the image sit a man and a woman shown from chest up, both with halos and circular motifs on their robes. They look toward Mary. Writing occurs in a panel at the bottom.

Portrait of Haile Selassie. Gouache paint on thin cardboard. Portrait of a man fills the picture, shown from the waist up. Figure has a large head with dark hair and beard, and large eyes and nose. He wears a dark jacket with a green sash and medals on his chest, with a striped robe on his shoulders. Both hands grip a staff in front of him. Two crosses sit behind him in the upper corners of the painting, striped flags of Ethiopia flying below them. Cotton stitching in green and orange surround the portrait, along the edges of the cardboard. The back of the cardboard has a black and tan marbled pattern.

Painting on vellum. Image shows four standing hunters facing right, two large green snakes, two quivers of light blue arrows and three red and white bows carried among them. The men all wear loincloths, three white and one red. Bodies are drawn with black ink and red paint outlines, filled with a wash of black mixed with yellow-orange paint. The background is dark yellow, and a border of unpainted vellum surrounds the scene. Amharic inscription along right side of scene (translates to: "When the Negroes returned after killing basilisk").

Painting on vellum. Image is of a male walking at the front of a small procession, holding a blue and gold shield (gasha) in one hand and a spear in the other, wearing an animal skin cape over his green striped robe, and a curved knife on his belt. Empress Taytu, wearing a crown, walks behind, with a red, fringed umbrella held overhead, wearing a dark blue cloak and a garment with an embroidered hem. Next is a woman in a long white robe with a scarf, carrying a small container; then another man wearing an animal skin cape, holding a spear, with a curved knife hanging from his belt. A group of 5 men are mostly hidden from view behind him, holding spears. The background is dark orange-brown, with the figures and border outlined in green.

Painting on paper, attached to board. Painting shows six scenes, three each on top and bottom separated by striped boarders, of single figures or small groups drawn in fine black lines and coloured softly with paint in shades of yellow, orange and pink, highlighted with dark grey-blue. Flowers, foliage, snakes, birds, as well as small animals are included in the background of each scene. A scalloped border surrounds the artwork.