Museum Expedition 1908, Museum Collection Fund

This is one of a pair of wolf (?) masks (see 08.491.8905b). Both are constructed of wood pieces nailed together to make flat sided, flat ended forms with painted faces. The two masks generally resemble each other; however, there are construction differences between them and the painted forms on each mask differ. Both have openwork frets along the top and cut out teeth. Remnants of cedar bark hair are inside the top frets on each mask. Both have ovoid eyes; however, one mask's eye area is infilled with black dots and the other's has solid red infill. A long, thick curved eyebrow arches over each eye on both masks; however, nostrils differ: one has nostrils with black over red painted geometric forms; the other has black painted swirled nostrils. There is uncertainty whether the pair represent wolves or serpents. They might be serpents for if the objects were wolves, they most likely would have no ears. The object (08.491.8905a) appears to be structurally stable except for the fabric attached at the front under the jaw. Also, the split cane bundles that represent fur (?) are dried and brittle. The proper left side of the mask appears to have been repainted. The mask is properly worn on the top of the head with the face forward.

At either side of this bunch of owl feathers are one or two pairs of triple pronged ceremonial hairpins. Wire is used as their base as the desired effect is to make them tremble as the dancer moves.

These leggings very early pre-1830s Blackfoot. Bits of ermine weasel remain attached to the fringe. Beads are all larger pony sizes.

Henry L. Batterman Fund

Robert B. Woodward Memorial Fund

Museum Expedition 1903, Museum Collection Fund

Robert B. Woodward Memorial Fund

Museum Expedition 1905, Museum Collection Fund

Museum Expedition 1905, Museum Collection Fund