Untitled, stonecut print of a woman holding a child. The woman is wearing a parka, pants, and boots and has medium-length thick black hair. She is holding a naked child in her extended arms and is in a walking position. A blue wash covers the centre of the print. The artist name, print number and location are written in pen at the bottom right.

Hand-painted dry-point etching print. Image shows a black line drawing of a child desk and chair with a standing child and standing male adult next to it with red and green brush strokes added to the chair. The adult figure has numerous crossed diagonal lines and green brush strokes over it, and is portrayed as having abusive words (via symbols) projecting from his mouth. He also is positioned with his hands on and in front of the child's head as if hitting him. The figure of the child has red brush strokes added. The title, The Day After, is written on the print in black letters in the upper left. Print is signed, dated and numbered (3 of 15) in pencil below the image. Framed.

Hand-painted dry-point etching print. Image shows a black line drawing of a child sitting in a bathtub (with a toilet in the foreground) facing away from a naked adult male standing at the other end facing him, outside the tub. The image of the boy has red brush strokes added around the lines; the adult has green brush strokes added in some areas. There are numerous black diagonal lines with green brush strokes across the image and many crossed lines over the adult figure. Print is signed, dated, numbered (3 of 12) and titled in pencil below the image. Framed.

Silkscreen print of a Northwest Coast stylized mosquito in black, red and blue on off-white paper. Mosquito is shown in profile, facing right, with a very long probiscus bent down along the front of its body. The head contains a large eye with a black pupil and blue background. The body has red and white motifs and three faces looking out from the front facing the stinger. The inner side of the stinger has red teeth-like outlines. A red line with U-shapes weaves back and forth behind the mosquito. Pencil inscription of title, artist and date below image. Framed.

Stonecut print of black image of boat with animals in profile. Boat has one sail and large propellor at stern, and anchor hanging from prow. One dog is steering the ship and one is standing right at the prow. The heads of five other animals are shown in the boat and another is on the mast lookout. The Cape Dorset marks are upper left of the image. Inscription in pencil below.

Print depicting a hybrid bird, fish and woman in profile. The figure has a woman’s hand and head. The face looks backwards at its own fish or whale-like tail. Underneath this fish tail, there is another, bird-like, tail. Supporting the creature is a large bird foot. The creature’s flesh is covered in a number of different texture designs. There are two small stamps in the lower left edge of the image; one is black and the other is red. The red stamp resembles an upside down ‘u’. The title of the work and the artist’s signature are written along the bottom edge of the image. There is a brief artist biography and distributor’s stamp on the back of the print.

Stonecut print depicting a large polar bear being pursued by a wolf, a hunting dog and a male hunter. The hunter wears boots, pants and a hooded parka and carries a spear. To the right of the hunter’s head are four stamps. Two of these stamps are red with the top stamp perhaps depicting an eye. The bottom two stamps are black; one of which is more faded than the other. Inscription: "Chasing the Bear stone cut #40/50 Cape Dorset N.W.T. 1961 Eegyvudluk" runs along the bottom of the image.

Stone-cut print on thin hand-made paper, mounted on cardboard. At the top of the image, there is a rugged black line which forms the land upon which two beings are standing. One of the beings is a hunter but the being on the left side is a more enigmatic figure because it has a misshapen stomach and body. This being is naked, however, and has a male sex organ so we can surmise that it is male. The two beings are tethered together with lines attached to the harpoon that the hunter upraises in his left hand. In his other hand, the hunter holds a shield. On the far right edge of the land, there is a small shelter, supported by three wood poles. Below the land there are ten whales. The whales are a variety of different shapes suggesting different species. All of the whales swim towards the right side of the paper. There are three or four stamps in the upper right corner; two of which are red and two of which are black. "Lumiuk and the Whales stone cut # 12/50 Cape Dorset N.W.T. 1961 Kiakshuk" is written along the bottom edge of the paper in pencil.

Print on horizontally rectangular paper showing a image of a large figure holding antlers and a bird with long neck and head lowered in top left corner; also three brown caribou, two without antlers, one with, at right. Pencil inscription below image reads "32/50" title and artist's name in Inuit syllabics "1963". Canadian Eskimo Arts Council stamp and Cape Dorset stamp blind embossed in lower right corner.

Print of two wolves and a human figure. Larger wolf head is green with circular black eye. Mouth is open with sharp black teeth and human figure held in wolf's mouth and throat. Figure has purple legs. Outline in orange of smaller wolf with black circular eye near first wolf's throat. Smaller wolf has open mouth with sharp teeth. Written under image in pencil is: "Swallowed by a wolf 3/16 1970 Oonark, Hattie Manik". Stamp in bottom left corner.