Copper plate engraving on rectangular off-white paper, in horizontal orientation; engraving set into paper, with raised rectangular border. Central design of an owl with outspread wings; outlined with hatch lines. Owl has small circular eyes and a V-shaped beak; body and legs decorated with spots, with faint lines throughout. Wings are covered with rows of hatch lines; entire design done in black ink. Small inscription in top right corner, with price of drawing ($50). Syllabics, edition number, 44/50, year made, and additional syllabics written along bottom edge of engraving; Canadian Eskimo Arts Council logo embossed in bottom right corner. All inscriptions written in pencil.

Small untitled print from engraving. Image of man hunting from kayak. The man is paddling towards the closest and largest seal, which has been harpooned with a float behind it. There are five more seals further off in the distance by the prow of the kayak. The work is signed and numbered (46/50) in pencil.

Untitled print from engraving. Image shows a group of animals in profile, all facing right. At the top is a small dog behind a large dog. Below the dogs are a large seal, then a walrus, with another young walrus below it. The seal and walruses are depicted with mottled coats. Bottom left of print has '38/50' in pencil, with artist signature.

Stonecut and stencil print of a small family with the father standing in the centre, mother to the left and child to the right. Mother and father are forward facing and child is shown in profile, reaching towards the father. All are wearing white parkas, light brown mittens, and blue-green fur pants. The father and child have matching fur boots, the mother has dark blue boots. The mother’s parka has a long tail, ties in the front and multiple black bands along the bottom edge and cuffs. The father’s parka has a tassel-like decoration on top of the hood, and bands of black and red-orange around the bottom edge and cuffs. The child’s parka has black band decorations. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in top right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Stonecut print of eight hunters pulling a sled. Four hunters are holding onto the sides of the sled, two on either side, and three are pulling it forward with a single cord. The four holding the sled have their backs turned, three pulling are facing left. The eighth hunter is standing alone in the foreground. All are wearing parkas, with the hoods up, short pants, and tall boots. The clothing of the seven with the sled are plain black. The eighth hunter has white trim along the parka cuffs, and bottom edges of the parka and pants. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in bottom right corner. Canadian Eskimo Arts Council blind-embossed stamp below Cape Dorset Co-operative symbol. (Print is taped to board backing.)

Stencil print of spears and hooks. Row of seventeen orange spears, pointed down, overtop a row of twenty dark brown hooks, pointed up. Rows divided by a wide green line. In the bottom right corner of the print the title, signatures, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. Pencil inscription on back, in bottom left corner.

Stonecut and stencil print of a woman with a sealskin tent. The tent is partially assembled with one pole secured and the roof hung overtop. Roof consists of dark yellow and black sealskins stitched together. The woman is standing to the right of the tent, attaching the poles. She has braided black hair and is wearing a white parka, light grey pants and large boots. The parka is long-tailed, with black trim along the hood, and is outlined in dark yellow ink. There are black rocks across the base of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in top right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Serigraph print of a husband and wife. The woman is seated on a raised platform inside a dark blue structure. She is wearing a blue and white striped dress with a red border along the bottom edge. Her child is on her back, held in place with a red and blue cloth. One of her arms is held out, offering a black bucket to her husband. The man is standing in the entryway of the structure. He is wearing a blue and white striped shirt, red pants and red boots. His left hand is reaching for the bucket, his right is holding a ladle(?). In the background, above the couple, is a small figure wearing a black shirt and red pants. He is bent over, balanced on one foot, and reaching towards the woman. In the bottom right corner of the print the title, signature, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. (Print is taped to board backing.)

Stonecut print of two kayaking men. The men have dark hair and are wearing hooded parkas. Both are using double-bladed paddles and have three black bundles on the back of their kayaks. A man-like monster is swimming under the water, on the left side of the print, and pointing up at one of the kayakers. He has long hair and is wearing a long-sleeved shirt, pants and tall boots. On the shoreline, a woman is depicted exiting a light yellow-brown tent. She is wearing a hooded, long-tailed parka and tall boots; she is holding a pouch(?). In front of her tent is a fire pit with a pot over it; jagged clouds of black smoke(?) surround it. A large bird is flying along the right side of the print. Water is dark brown-black with white dashes throughout; shoreline is dark red-purple with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Stonecut print of four people dragging three seals into a tent. Figures are all wearing hooded parkas, trimmed with fur, and tall boots. Figure in front centre is bent over and holding a rope, attached to a seal, and figure on left is holding an ulu knife. Tent consists of dark yellow and black sealskins stitched together; circle of black rocks around base. Two lines extend from either side of tent, supported by central poles of tent and separate ones staked into ground outside. Dark red skins are hung over the lines and poles; harpoons lean against the side of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in bottom right corner.