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Robe3249/2

Robe made up of many horizontal strips of cloth sewn together into a single piece of fabric. This is folded and sewn to create a tube-like garment. Weave is tight, fabric is thick, with a blue and white checker pattern overall, decorated with flower motifs at the edges. At middle is an area of high patterning, showing diamond shapes and wavy lines set in strips. At each end of the robe is an attached set of twisted tassels.

Culture
West African
Material
wool fibre and dye
Made in
Ghana ?
Holding Institution
MOA: University of British Columbia
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rabbit skin robe1927.1734 . 176454

« The manufacture of woven hare skin blankets by Indians of the Mistassini and Lake St. John bands is described in detail by Speck (1930, pp. 451-454), Lips (1947, pp. 42, 44), and Rogers (1967, p. 64, fig. 8, p. 40). Speck (1930, p. 454) notes that 100 skins were required for a blanket, while Rogers (1967, p. 64) states that a large blanket to be used by three people might comprise twice that many skins. These blankets were woven of narrow, twisted strips of hare skin on a three-pole frame by a coil netting technique in which the strip of skin was conveyed by a wooden or bone needle. The Speck collection contains two examples. The smaller, in poor condition, measures approximately 165 by 145 cm. The larger measures 220 by 152 cm and has short cloth ties at the four corners. It may have been worn as a robe. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.17.

Culture
Ilnu, Montagnais and Innu
Material
rabbit skin
Made in
Pekuakami, Lac Saint-Jean, Lake St. John, Labrador, Canada
Holding Institution
The Field Museum
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Prayer Robe3110/1

Women's robe. Black garment is long with an A-line shape through torso toward hem. Garment is open at front, with high slits in the skirt on both sides. It closes by a fabric string that wraps around a fabric ball located on the collar. Collar is made of several patches of fabric sewn together, including one patch with light blue pin stripping. Sleeves are wide, and increase in width toward the cuffs, which are sewn closed but for a small opening at top for the hands. Opening is protected from tearing by reinforced stitching below hole, as are the arm holes.

Culture
Chinese
Material
silk fibre, cotton fibre and dye
Made in
China
Holding Institution
MOA: University of British Columbia
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Resilience Robe2013.43.2

Museum Purchase: Funds given in memory of Virginia Waterman.

Culture
American and Tlingit
Material
merino wool
Holding Institution
Portland Art Museum
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Continuum Robe2012.128.1a

Museum Purchase: Funds Provided by Native American Council and Native American Acquisitions Fund.

Culture
Tlingit
Material
sea otter fur, natural dye and wool
Holding Institution
Portland Art Museum
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Robe91.95.96

The Elizabeth Cole Butler Collection.

Culture
Sioux
Material
porcupine quill, commercial paint and hide
Holding Institution
Portland Art Museum
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Robe89.52.48

The Elizabeth Cole Butler Collection.

Culture
Sioux
Material
porcupine quill and hide
Made in
“Plains” ?
Holding Institution
Portland Art Museum
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Robe89.52.33

The Elizabeth Cole Butler Collection.

Culture
Arapaho
Material
paint and hide
Made in
“Plains” ?
Holding Institution
Portland Art Museum
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Hide Robe89.52.5

The Elizabeth Cole Butler Collection.

Culture
“Ojibwa/Chippewa” ?
Material
paint and hide
Holding Institution
Portland Art Museum
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Puberty Robe88.43.12

The Elizabeth Cole Butler Collection.

Culture
Sioux
Material
hide and quill
Made in
“Plains” ?
Holding Institution
Portland Art Museum
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