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Mantle or undetermined, possible Shawl37.2906PA

Frank Sherman Benson Fund and the Henry L. Batterman Fund

Culture
Chimú
Material
cotton and feather
Holding Institution
Brooklyn Museum
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Woman's Shawl (Lliqlla)2002.63

Gift of Mrs. Michael de Havenon

Material
alpaca fleece and synthetic dye
Holding Institution
Brooklyn Museum
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Shawl45.108.3

Gift of Carolyn Schnurer

Material
wool and cotton
Holding Institution
Brooklyn Museum
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She Who Spirit Dances-Twined Dance Shawl 1 (Pigw Pigw Ud Ah Wit)2013.3.1
Útpaas (Blanket Robe)2012.126.6

The Elizabeth Cole Butler Collection.

Culture
Interior Salish and Yakama
Material
k'pit-lima, yarn and wool strouding
Made in
“Plateau and Western Oregon” ?
Holding Institution
Portland Art Museum
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Shawl30.1165.15

Alfred T. White Fund

Culture
Aymara
Material
camelid fibre
Holding Institution
Brooklyn Museum
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Shawl2878/68

Rectangular woven shawl. The centre section of the shawl is light brown and has a design of alternating green and purple thick lines. The light brown centre has a border made up of two lines with small triangles between them. On either end of the shawl there are identical designs. The designs are made up of different arrangements of lines and triangles in various colours.

Culture
Indian
Material
fibre
Made in
Odisha, India
Holding Institution
MOA: University of British Columbia
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Chadri Shawl2878/20

Large, black women's shawl, or veil, with a rectangular embroidery panel centred along the straight edge (when worn this panel falls around the head/face of the wearer). There are four main sections to the design of the panel which are separated by gold stitching: the section closest to the outer edge is two lines of red and green cotton; the largest section of design has light orange, green and red cotton sewn into the embroidery, the main pattern of which consists of gold diamond and rectangular shapes; on the outer edge of the four sections there are triangle and arrow shapes. On the interior of the semi-circular shawl, around the top, there is a small piece of cotton material with a blue background and red and green flowers, sewn as a lining where the shawl would rest on top of the wearer's head. The inside edges of the shawl are also lined: the front seams are lined with a narrow strip of red fabric, and the bottom seams are lined with a narrow strip of blue fabric. On the exterior surface of the shawl, extending out from the central embroidery panel, there is a hand-sewn geometric design consisting of three V-shaped sets of linear patterns. Each of these is a different colour (from closest to the embroidery panel out: light blue, light orange and light yellow). All three consist of two lines and there are flower-like designs sewn on the outside edge of each of the lines. The yellow lines, which are the closest to the bottom of the shawl, have two snail shell designs that extend down from the two main lines.

Culture
Pashtun: Kuchi
Material
cotton fibre
Made in
Afghanistan
Holding Institution
MOA: University of British Columbia
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Shawl2878/15

White, rectangular shawl with a embroidery and fringe at each end, also in white thread. The design is broken up into three sections which are separated by a looser stitch. The first two sections have the same design of flowers and diamonds and the third design, that which is closest to the centre of the shawl, is flowers and triangles. Worn with 2878/14.

Culture
Chitrali
Material
cotton fibre
Made in
Chitral, Northwest Frontier, Pakistan
Holding Institution
MOA: University of British Columbia
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Shawl, One Half30.1165.27

Alfred T. White Fund

Culture
Aymara
Material
camelid fibre
Holding Institution
Brooklyn Museum
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