Staff made from a slightly crooked length of dark brown coloured wood topped by a long-haired female head. Large loop of hair down back is covered with areas of parallel incised lines and begins from far back on the wrinkled forehead, looping around the recessed back of the head. Nose formed by three angular facial planes. Incised almond-shaped eyes, small mouth, and '+' on cheek on left.

Bamboo staff with a carved wood top (part a) and base (part b). The top (part a) is removable and carved to a point, underneath which, there are eleven carved rings with the first, fourth, and seventh being quite elaborated. The top fits into the shaft with an uncarved cylindrical tang. Top third of the bamboo (part b) is plain with two woven bamboo rings. The bottom third is decorated in sixteen rings of geometric and floral representations in reddish brown. Base is carved and painted in white. String is at the bottom of the shaft, by the base.

Carved wooden staff. The top 2/3's has a series of four human heads with crowns. Top is largest, decreasing in size down post. All have three pointed crowns except the second has four pointed ones. U-shaped faces with lozenge shaped eyes with round centres, and small pursed mouth. Chins suggest short beards - three or four lines diagonally across both cheeks, long straight noses, diamond shaped crosshatched forehead bands, and centre of crowns have inverted step with horizontal and vertical hatching and triangular peaks with horizontal incised lines. Depicted below faces are a crawfish ? decorated with diagonal hatching, horizontal lines and crosshatching and a bottom figure of llama, head to top, tail to bottom, four legs on left. Diamond hatching on back and neck, vertical lines across tail and horizontal lines on ears. Carved on one side only. Light brown deposit over dark brown wood. Raised surfaces are dark and smooth. A few longitudinal cracks.

Wooden staff with finial in the form of a standing male, holding a cup and carrying two large ears of corn on his back. The face and chest have the remains of a dark red resin-like paint. Fragments of copper or copper alloy sheeting adhere in several places and many metal tacks protrude from the front and back of the figure. A bright red-orange band of paint encircles the staff a few inches below the finial. The bottom of the staff is broken off.

Baton or staff consisting of a solid rod with a horned cow head at the top, five rings around the cow's neck, and a series of turned segments of varying widths from cow's head to about a third of the way along the rod, ending with a wider band. The band has a hook on one side and a ring on the other. The ring has another large ring looped through it. The end of the rod is rounded.

Staff with a simple tapering shaft painted black and having cane and feather tied on at one end. The feathers are mainly red and grey.

Staff with simple tapering pointed shaft painted black. Decorated with cane and feathers which are tied at one end; feathers are mainly red, grey and black.

Dark brown wood staff that is square at both ends which taper toward a cylindrical centre. Finial has the form of a crouching human figure. Body is decorated with spiral designs. Face has circular eyes, a nose, and a thin line for a mouth. Cheeks have a Y-design. A line is above the head and curls around the side of the face. A band of zig zag line is around the base of the figure. Designs emphasized with white lime.

Brown wood staff with two symmetrical stylized figures back to back. An elaborate spiral bands design forms the handle along with a flat curved protrusion. The rest is round and tapered with a pointed end. Carved designs are filled in with white.

Dark, black-brown wooden staff with a roughly cylindrical shaft. The top of the staff is decorated with the figure of a man with a bird on his head, all covered by spiral and geometric motifs carved in relief and rubbed with white pigment. Below the figure are three flanges extending downwards with pieces of leaf threaded through a series of holes.