Tunic covered in beadwork. Short-sleeved, box-shaped, high neck with round neckline, and an open back with two ties at top and bottom. Neckline, sleeve cuffs, and hem edged in red. Beadwork is light blue, white and yellow in overall open net-like diamond pattern, with elongated, vertical, diamond patterns at both sides, repeated in small on the sleeves.

White, poncho-style tunic made of two rectangular pieces folded at the top and sewn down the centre. Small area left open for the arms; slit opening for the neck. Four bands run down front and back of tunic- along each edge, two down the middle. Edges are black cross-hatched lines trimmed with dark purple, white, black, yellow, red and light blue on each side. Bands down the middle are indigo cross-hatched lines trimmed with neon pink, black, dark teal, dark brown and dark purple on each side. Black geometric patterns embroidered on the white background with orange, dark green, light green, dark blue, red, yellow, magenta, yellow, neon pink, dark purple, teal, and light blue shapes throughout.

Rectangular shaped tunic made of pounded barkcloth from fig tree bark. Hole cut in centre for head, and reinforced with some orange stitches. The tunic is predominantly covered in jaguar print markings, which are a deeper orange-red on the back. There are small human figures and a bull(?) on the chest, also a circle with five points inside, four in a square and a central point. This design is similar to traditional ceremonial xikules (large circles with a central point). The bottom central line of the tunic is painted with water droplets.

Amazonian bark cloth vest. Vest is made from a single large piece of bark cloth. The sides are folded inwards and sewn across the shoulders with black thread, with circular cut-outs, on the folded and sewn edges, for arm holes. A teal half circle is drawn on both sides of the garment, with half on the front, and half on the back.

Tunic and pants set in bright orange silk. Tunic is long, with a round neck and long sleeves. Cuffs are decorated with metallic fibre embroidery showing gold and green diamonds between lines of silver, and flowers with foliage along with small gold sequins and beads. Blue sequin birds sit among the foliage. Similar motifs decorate the side slits of the tunic. Pants have a loose waist and wide legs, tapering slightly toward ankles. Ankle cuffs hold embroidery similar to wrist. Lower legs to knees are decorated with gold and green vines with regularly spaced small gold sequins throughout the design.

Woven tunic (cushma) with stripes. The tunic is composed of two long, rectangular panels folded in half, and then stitched together on the long edges, leaving an opening at the top for a head, and on the sides for arms. The garment is light beige with ten bands running vertically, the pattern mirrored on each side of the centre line. The bands are composed of various stripes of browns, light blue and black.

Woven tunic (cushma) with hand-drawn geometric design. The tunic is composed of two long, rectangular panels folded in half, and then stitched together on the sides. There is an opening at the top for a head, and on the sides for arms. Down both sides, bands composed of thin vertical stripes of orange, blue, yellow, pink and light blue. Down the centre, are two bands, on either side of the stitching, composed of wide green stripes and thin lines of various colours.

Dress composed of a long rectangular piece of pounded mulberry bark with a long, rectangular fringe and a diamond-shaped neck hole at centre. Each side is divided into by bold red lines, and has various geometric designs in black, red, white and yellow. (Small piece of tape with collector number adhered to shoulder.)

Pounded bark cloth tunic with hand-painted geometric designs in strips, which run vertical. The end of one side has a serrated fringe. Tunic is open on the sides, and has a hole at the centre for the head.

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art.